Ahmet Ogut

Ahmet Ögüt
Ahmet Ogut
Ahmet Ögüt
Male
Turkey
1981
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  • Ahmet Ogut portrait - image via spikeartmagazine.com

Ahmet Ogut, a conceptual artist from Turkey, works in a wide range of media including photography, video, and installation, in order to address topics such as cultural identities and political ideologies. His work is the perfect example of contemporary socially engaged art – Ogut often uses humor and loose narrative structures to offer his commentary on rather serious or pressing social and political issues. Ogut is regularly collaborating with people from outside of the art world so that he can produce more impactful pieces, able to create slight shifts in the perception of common, worldwide issues.

 

 Ogut - Bakunin’s Barricade, 2015  exhibition istanbul biennial 2010 2009 2014 berlin biennale   exhibition istanbul biennial 2010 2009 2014 berlin biennale  exhibition istanbul biennial 2010 2009 2014 berlin biennale

Ahmet Ogut – Bakunin’s Barricade, 2015

 

Public Spaces as the Artist’s Stage

Ahmet Ogut was born in Diyarbakir, Turkey and he graduated from the Fine Arts Faculty of Hacettepe University in 2003. Afterwards, he received his MFA from the Art and Design Faculty of Yildiz Technical University and attended the Rijksakademie van Beeldende Kunsten in Amsterdam, where he lives now. Ogut’s artistic work, which is extremely varied when it comes to the choice of medium, represents an insightful analysis of the current issues in multiple cultural and national contexts. Using his own knowledge and skills together with the objective facts, Ogut employs irony and humor in order to underline the most problematic social and political structures and strategies. Public spaces are the main stage for Ogut’s work – they contain a certain performative quality, where both common and marginalized opinions can become visible.  At the same time, public spaces became good examples of ever-increasing monitoring of any citizen’s insightful analysis of the current issues in multiple cultural and national contexts. Using his own knowledge and skills together with the objective facts, Ogut employs irony and humor in order to underline the most problematic political structures and strategies. At the same time, public spaces became quite good examples of ever-increasing monitoring of any citizen’s activity, especially since the infamous 9/11. The dystopian idea of the transparent citizen, present in the novels of Huxley and Orvel, has become a dark reality nowadays and Ogut addresses this issue in his uniquely clever pieces. He has been a very prolific artist since 2005 and created a multitude of diverse projects – he is equally famous for his installations, videos, and photographs. Two of his most recent works are called The Castle of Vooruit and Waiting for a Bus and they are both site-specific, public installations.

 

Public spaces are the main stage for Ogut’s work – they contain a certain performative quality

Ogut - Mutual Issues, Inventive Acts - Simit Seller, 2008  ögüt museum   ögüt museum   ögüt museum

Ahmet Ogut – Mutual Issues, Inventive Acts – Simit Seller, 2008

 

The Castle of Vooruit

This installation made in 2012 and located in the city of Ghent in Belgium, is inspired by Vooruit, a historical complex which was originally the art and entertainment center of the labor movement in Ghent until the early 70s. Ogut’s installation is making reference to Le Chateau des Pyrénées’ of the Belgian surrealist painter Rene Magritte. The artist has launched a huge helium balloon in the shape of Magritte’s levitating rock near the Vooruit Arts Centre. In place of a puzzling castle sitting on the floating rock in Magritte’s painting, Ogut put a small replica of the Vooruit building. The goal of this beautiful yet bizarre installation is to capture the utopian ideas in a dreamlike scene which turned real and tangible, thanks to Ogut.

 

The goal of the Castle of Vooruit is to capture the utopian social ideas

Ogut - The Castle of Vooruit, 2012

Ahmet Ogut – The Castle of Vooruit, 2012

 

Waiting for a Bus

Another Ogut’s site-specific installation is an interactive, rotating carousel called Waiting for a Bus. The installation was initially conceived as a playful bus shelter, inviting people to enter the carousel and enjoy the unfolding cityspace of Victoria Square, but it was relocated to Rolleston Ave, next to Canterbury Museum in Christchurch, New Zealand. This installation reveals Ogut’s interest in patterns of public movement in urban areas and reflect’s on the everyday occurrence of waiting and taking pauses between important activities.

 

Waiting for a Bus reveals Ogut’s interest in patterns of  public movement

 Ogut - Waiting for a Bus, 2012

Ahmet Ogut – Waiting for a Bus, 2011

 

Awakening the Critical Consciousness

Ogut’s socially engaged and often humorous, amusing work, makes us notice and question the systems of everyday life we’re usually unaware of. Through his insightful pieces, the artist is challenging the routines of everyday life as well as his role of awakening the critical consciousness of his audience. Ogut’s work has been widely appreciated and it was exhibited in more than 20 international solo exhibitions in the last couple of years.

Ahmet Ogut lives and works in Amsterdam, Netherlands.

Featured image: Ahmet Ogut’s portrait – image via spikeartmagazine.com
All images © the artist

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