Betty Woodman

Elizabeth Abrahams
Betty Woodman
Elizabeth Abrahams
Female
United States
1930
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  • Betty Woodman - Liverpool Fountain, Liverpool Biennial 2016

Betty Woodman is an American born artist whose creativity has become world known through her ceramic work, which is presented in bright colorful pieces, especially on vases and vessels, yet she doesn’t stop there. As her life and passion for art have taken her all around the world, different influences and traditions have shaped her artwork. Hence, Betty Woodman’s work reminds viewers of Egyptian art, majolica porcelain, Baroque’s architecture, and Greek sculptures. During her career, she received numerous awards and honors and had lots of exhibitions both solo and in a group.

 

 American glazed Exhibition at Theater of the Domestic, Institute ICA, Installation View

Betty Woodman – Theater of the Domestic, Institute of Contemporary Art – ICA, London, 2016, Installation View, photo by Marc Blower

 

From Production Plotter to Renowned Artist

Born in Norwalk, Connecticut in 1930, Betty Woodman has shown her interest for clay while she was a teenager. She got her academic specialization at the School for American Craftsmen in Alfred, New York. At the age of 20, she began to work as a potter and had a full support of her family. Unfortunately, those were not easy years for women to get engaged in the ‘men’s world’ of pottery. If she wasn’t so persistent, or even little stubborn, she wouldn’t have succeeded. It was only during the 1970’s, and the rise of the Pattern and Decoration movement, when women began to participate in line-ups and exhibitions. This was a great opportunity for her to show people her abilities, creations, and possibilities. Betty Woodman’s invention of the ‘Pillow Pitcher’, a shape that represents a combination of Etruscan vessels and Chinese porcelain, has opened her door to the world, and become her ‘trademark’.

 

If she wasn’t so persistent, or even little stubborn, she wouldn’t have succeeded

 exhibition view of glazed vase works use at home theatre of institute of ICA press arts

Betty Woodman – Persian Pillow Pitcher no. 6, 1981, photo via Nermanmuseum (Left) / Betty Woodman – Silk Pillow Pitcher, 1985, photo by John Polak (Right)

 

Expression of Limitless Imagination

Ceramics has been and is a key element of Betty Woodman’s creative and professional life. Combined with other techniques and materials like paintings, graphite’s, ink, lacquer, and wax she shows the world that there are no limits in someone’s creativity, except their own imagination. The images and experience she gained during the numerous travels, gave her plenty of ideas for eclectic elements that could be seen in her pieces. By joining clay and graphite’s, bronze benches and platters, the artist manages to combine the incompatible, to adjust tradition to be more appealing to the modern audience. The central position of the vase in most of the author’s work represents a global perspective on art history and production, as it can be used as a universal symbol. For her the vase can be a vessel, a human body, and animal figure, a metaphor, or an art-historical reference.’[1] Ambitious experiments and boldness let her push the boundaries in innovations day by day. That is why installations, multi-sided Cubist abstraction, and mosaics are not strange to her. The three-dimensional artwork is something that helped her connect with younger generations of artists and audience. Her work is constantly exploring new techniques, directions, and media. Not only that she uses different materials, but also different types of the same material, like red and white clay.

 

Installations, multi-sided Cubist abstraction, and mosaics are not strange to her

 american museum and gallery use contact press to visit home institute to view glazed vase

Betty Woodman – Table and Vases, 2006, photo credits Locks gallery

 

Honors and achivements

One of the most important exhibitions in this artist life was the retrospective of her work between 1950’s and 2006, when she exhibited her pieces at the Metropolitan Museum of Art in New York, a rare tribute for the artists that are still alive. Her ingenuity could be seen in Deco Lake Shore (2003, Metropolitan Museum), where she presented a combination of graphite and ink with terra sigillata and wax on handmade paper.[2] Woodman’s professional life has been under the influence of Italy for the most part, so it is no strange that Italian Baroque has an important role in her creativity. As a reward for her remarkable contribution to the ceramic art, and art overall, she received several recognitions, like two times National Endowment for the Arts Fellowship in 1980 and 1986 or Fulbright-Hays Scholarship in Italy which she got in 1996. Recognitions and honors don’t stop there, as this distinguished artist has also got the title of Doctor of Fine Arts Causa from the Nova Scotia College of Art and Design in 2006 or Honorary Doctorate of Fine Arts from the Rhode Island School of Design. At the age of 86, she is still doing what she does best and doesn’t plan to stop anytime soon. To date, her paintings, ceramics and other works have been on view in many shows at The Museum of Modern Art, New York, Gallery Diet, Miami, Max Protetch Gallery, New York, Frank Lloyd Gallery, California, Denver Art Museum, and many others.

Betty Woodman lives and works in New York City, USA, and Antella, Italy.

 

Reference:

  1. Anonymous, 2016, Betty Woodman: Theatre of the Domestic Institute Of Contemporary Art, [Feb. 13, 2017]
  2. Anonymous, 2016, The Art of Betty Woodman The Metropolitan Museum of Art, [Feb. 13, 2017]

 

Featured image: Betty Woodman – Liverpool Fountain, Liverpool Biennial 2016 – Photo credits Joel Chester Fildes
All images used for illustrating purposes only

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