April 8, 2017
Like all of Prat's paintings, this work is disengaged from any representation and allows no interpretation, or at least aims at allowing no interpretation. In that respect, it constitutes itself as an object, distinct from any external influence or reference. The aim is to maintain the will at a distance to preserve the reality of the painting.
Colour and material are the main subject matter of Prat’s painting. He therefore voluntarily excludes any recognisable forms from his work.
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