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Unforgettable Examples from the 1985 Andy Warhol Advertising Portfolio

  • warhol'd "Ads" - created in 1985 by Andy Warhol. The portfolio of 10 silkscreen prints shows Warhol's continued fascination with American brand iconography and marketing.
  • Andy Warhol's Apple, 1985; from ads series
  • warhol's Blackglama (Judy Garland), 1985; works from warhol's portfolio
  • Warhol's Paramount, 1985; from warhol's portfolio works
  • andy warhol's Volkswagen, 1985; from andy warhol's ads portfolio that combines ads with arts
January 22, 2018
A philosophy graduate interested in critical theory, politics and art. Alias of Jelena Martinović.

Woodshed Art Auctions has announced it will be auctioning an opaque watercolor painting of Apple’s classic logo, a work which is part of Andy Warhol advertising portfolio from 1985. Created one year after Macintosh was launched, the work features Apple’s old rainbow logo which the company employed between 1977 and 1998.

Maintaining the original design and rainbow color scheme, Pop art master Andy Warhol added his trademark sketched lines and vibrant hues to give the original design an unmistakably Warholian influence. It was commissioned by Del Yocam, the first COO of Apple, as a part of the company’s advertising campaign.

Measuring eight inches squared inside a 16.5-inch squared frame, the work is signed by Warhol on the front and back. While a similar Warhol’s Macintosh canvas painting sold for $900,000 at a recent Sotheby’s auction, this gouache painting on paper is estimated to fetch between $20,000 and $30,000 during the live bidding that opens on the Woodshed Art Auction website on February 1st at 5:30 p.m.

Commissioned by Feldman Fine Arts and executed in 1985, advertising portfolio created by Warhol consists of a total of 10 original ads. Chosen from fashion, movies, industry and technology, the images merge mass media imagery with fine art reproduction.

Transforming everyday advertisements into colorful works of art, each with a distinct identity, Warhol further expanded the integration of high and low cultural reference. Juxtaposing unlikely logos and mascots together to create a unique sociopolitical narrative, he demonstrated how public figures and icons are also characters for mass consumption. Additionally, each logo is accompanied by a playful slogan.

Now, let’s take a look at Andy Warhol’s entire Ads series from 1985.

Apple, 1985, released at a time pop and commercial goods became one
Andy Warhol – Apple, 1985, via

Featured image: Andy Warhol Advertising Portfolio 1986; Andy Warhol – Apple, 1985, via

  • warhol's Blackglama (Judy Garland), 1985; works from warhol's portfolio

Blackglama (Judy Garland)

The work Blackglama (Judy Garland) is inspired by the actress’ advertising campaign for Blackglama Fur company and their tagline “What becomes a Legend most?”. Warhol recreated the ad in electric pinks, purples, and blues.

A keen observer of the glamour of celebrity, Warhol made Garland a perfect subject for his advertising portfolio. The work provides an apt meditation on the concepts of fame, status and celebrity that preoccupied the artist throughout his career.

Featured image: Andy Warhol – Blackglama (Judy Garland), 1985,

  • Warhol's Paramount, 1985; from warhol's portfolio works


In this work, Warhol recreates the iconic Paramount logo, created by the founder and president of the studios W.W. Hodkinson. The logo is depicted in white, causing the image to pop out towards the viewer.

The text and the mountain appear almost three-dimensional, demonstrating the artist’s skillful ability to manipulate color. The work perfectly embodies the commercial nature of American society.

As Warhol once said:

It’s the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.

Featured image: Andy Warhol – Paramount, 1985, via

  • Rebel Without a Cause (James Dean), 1985; warhol's portfolio works

Rebel Without a Cause (James Dean)

The work features Hollywood actor James Dean, modeled after the Rebel Without a Cause movie poster. While the actor dominates the right side of the print, rendered in a cartoon-like manner, the left side of the composition is filled by a Japanese script, referencing the 1955 film’s Japanese movie poster.

All is set against a vibrant red background. Consistent with the artist’s obsession with popular culture and celebrity, the work stylized the Hollywood icon and immortalizes the late actor’s masculinity and angst.

Featured image: Andy Warhol – Rebel Without a Cause (James Dean), 1985, via via

  • Chanel; works from warhol's ads portfolio that the artist created in 1985


The work depicts Chanel No 5, a quintessential image of female consumerism and glamour. The bottle’s sleek design is illustrated with minimal colors, only accenting the bottle’s contours and label.

The impact of the piece is further heightened by the uncomplicated composition which prevents any interruption or disturbance from other objects or colors. The image evinces Warhol’s deliberate use of shadow and negative as a central compositional element.

Featured image: Andy Warhol – Chanel, 1985, via

  • warhol's The New Spirit (Donald Duck),1985; artists advertisement works

The New Spirit (Donald Duck)

In this work, Warhol recreated Donald Duck as depicted in a Disney short film about wartime propaganda, encouraging the public to pay their income taxes without complaining too much. The print was created 42 years after the film was nominated for an Academy Awards for Best Documentary Feature.

Once again, Warhol comments on the impact of mass media, and in this case, the way advertising is used for government gain. The image of Donald Duck is repeated several times in the composition, giving the sense that the subject is on the move.

Featured image: Andy Warhol – The New Spirit (Donald Duck),1985, via

  • Warhol's Life Savers, 1985

Life Savers

The work depicts Life Savers, an iconic American brand of ring-shaped hard candy. Depicting candy in cheerful colors, Warhol reminds the viewer of childhood and American innocence.

The images of candy are accompanied by neon colored letters that read “please do not lick this page!”, contributing to the playful and multi-sensory effect.

Featured images: Andy Warhol – Life Savers, 1985, via

  • andy warhol's Van Heusen (Ronald Reagan); andy warhol's ads portfolio

Van Heusen (Ronald Regan)

While he was still an actor in the 1950s and ‘60s, the former United States President Ronald Reagan was featured in a series of advertisements for Van Heusen dress shirts.

Guided by his iconic, clever and ironic imagination, Warhol found inspiration in the series of advertisements in juxtaposition with Reagan. When the Ads series was published in 1985, Reagan began his second term in office as President of the United States.

Featured image: Andy Warhol – Van Heusen (Ronald Reagan), 1985, via

  • Warhol's Mobil, 1985


Once again, Warhol here reproduces a widely recognizable corporate logo. This time, he depicted the logo of the gasoline product lines marketed as Mobilgas and Mobilgas Special.

“I just happen to like ordinary things. When I paint them, I don’t try to make them extraordinary. I just try to paint them ordinary-ordinary”, the artist once explained.

Featured image: Andy Warhol – Mobil, 1985, via

  • andy warhol's Volkswagen, 1985; from andy warhol's ads portfolio that combines ads with arts

Volkswagen (Lemon)

In this work, Warhol managed to revamp Volkswagen, after Hitler had formally adopted it as his favorite car, connecting with consumers while representing a perfect balance of image, text, and simplicity.

Depicted in a bright grass green and set against a royal blue background, the image is accompanied by a text that references the original advertisement’s closing line “We pluck the lemons; you get the plums”.

The work is a wonderful example of the artist’s lifelong fascination with advertising and commercial goods.

Featured image: Andy Warhol – Volkswagen, 1985, via