Bessma Khalaf is an Iraqi interdisciplinary artist, born in 1978 in Baghdad. When Bessma was 12 years old, she immigrated to the United States with her family. Her works are influenced by the life in two very different worlds. Trying to control every aspect of her creation, Bessama herself is often featured in her artworks.
Through her works in a variety of mediums, like photography, performance and video, Khalaf explores the limits of place. Her practice thrives on the coalition between possibility and futility. She takes inspiration from both Iraqi and American landscapes and blends into them, becoming a part of their traditions and histories.
In This Land is My Land, the work she did while studying at the California College of the Arts, Bessma filmed herself eating cheap baked goods for 26 minutes, depicting the wonder of an immigrant in the culture of gluttony and excess. The artist tried to portray a tragic hero who fell down a horse in her work titled Monument. She sat for six hours on a horse made of ice until the horse melted down. The idea that art and rebirth are connected, Khalaf captured in her work titled Tree Painting. The artist painted a dead Christmas tree green for five hours in her studio.
Khalaf went to San Diego State University in San Diego, California, where she obtained her Bachelor in Arts. She received her Master of Fine Arts from the California College of the Arts in San Francisco, California. Khalaf’s artworks have been displayed in numerous exhibitions and shows in New York, San Francisco, Santa Monica and Baltimore.
In 2015, Bessama’s artworks were featured in Second Nature exhibition, a four-person show organized by Hashimoto Contemporary Gallery in San Francisco. The show also featured the works of Jacqueline Norheim, Dan Swindel and Steuart Pittman. The common thing for all four artists is that they use their experience as material for their creations, which has become a “second nature” for them.
The artist received a Murphy Cadogan Fellowship and the Vision from the New California Award. She also did a residency at the Kala Art Institute in Berkley, California.
Her work impressed not only the public, but the critics as well, and it was featured in numerous publications, such as Artforum, Baltimore City Paper, the San Francisco Tribute and Zyzzyva.
All images courtesy of the artist and Spoke Art/Hashimoto Contemporary
|2015||Second Nature||Hashimoto Contemporary, San Francisco, CA||Group|
|2014||Yes, even you||Gallery Four, Baltimore, MD||Solo|
|2013||The Long Conversation||Southern Exposure, San Francisco CA||Group|
|2013||NADA NYC||Queens Nails Gallery, New York, NY||Group|
|2013||Ouroboros||Root Division, San Francisco CA||Group|
|2013||Thinking Like The Universe||Hatch Gallery, Oakland CA||Group|
|2013||Supra Natural||Berkeley Central Arts Passage, Berkeley CA||Group|
|2013||Continuations: Processing war and trauma||Asian Rescourse Center Gallery, Oakland CA||Group|
|2012||Re-Enchanter||Steven Wolf Fine Arts, San Francisco, CA||Solo|
|2012||Making a Scene||Southern Exposure, San Francisco, CA||Group|
|2012||I'm So Goth I'm Dead||Queen's Nails Projects, San Francisco, CA||Group|
|2012||Hi-Jack||Jack Shainman Gallery, New York, NY||Group|
|2012||Visions Form the New California||18th Street Art Center, Santa Monica, CA||Group|
|2012||Playback||Queen's Nails Annex, San Francisco, CA||Group|
|2012||DocumentO||Krowswork Gallery, Oakland, CA||Group|
|2011||California Continued||Smith Anderson North Gallery, San Anselmo, CA||Group|
|2011||Art Pad SF||Steven Wolf Fine Arts, San Francisco, CA||Group|
|2010||Time After Time: Actions and Interactions||Southern Exposure, San Francisco, CA||Group|
|2009||You're Not There||Steven Wolf Fine Arts, San Francisco, CA||Solo|
|2009||Garden||Keys that Fit Gallery, Oakland, CA||Solo|
|2009||Live and Direct||Ping Pong Gallery, San Francisco, CA||Group|
|2009||Artists' Films Series: Omer Fast, Harun Farocki, Brian Conley, and Bessma Khalaf,||CCA Campus, San Francisco, CA||Group|
|2008||Detourned Menu: Food in the Form of Activism||ISE Cultural Foundation, New York, NY||Group|
|2008||Value Max||Steven Wolf Fine Arts, San Francisco, CA||Group|
|2008||East of the West||Somarts Bay Gallery, San Francisco, CA||Group|
|2007||LTC Plus One||M1 Gallery, San Francisco, CA||Group|
|2007||Cream from the top||Arts Benicia center gallery, Benicia, CA||Group|
|2007||CCA 2007 Centennial Graduate Exhibition||CCA, San Francisco, CA||Group|
|2006||Detourned Menu: Food in the Form of Activism||The Lab, San Francisco, CA||Group|
|2006||Immediate Future: The Murphy & Cadogan Fellowships in the Fine Arts||San Francisco Arts Commission Gallery, San Francisco, CA||Group|
|2006||Awesome: The Contemporary Sublime||PlaySpace Gallery, San Francisco, CA||Group|
|2006||Trucker Hats vs. Sideways Haircuts||Club Six, San Francisco, CA||Group|
|2005||Betty Doppelganger Does The Big Fake||Magpie gallery, San Diego, CA||Solo|
|2005||Juried Biennial||William D. Cannon Art Gallery, Carlsbad, CA||Group|
|2005||Closer Apart||Limbo Fine Art, San Diego, CA||Group|
|2005||Love, Lust & The Politics of Dancing||Limbo Fine Art, San Diego, CA||Group|
|2003||Kill Them Both||The Farm Art Space, San Diego, CA||Solo|
|2003||America, Permanent Holiday||Flor Y Canto Gallery, San Diego, CA||Solo|
|2003||Verwood and The Cinder Girl||The Farm Art Space, San Diego, CA||Group|
|2003||New Photography: New and Old Ideas About Old and New Subjects||The Muse Gallery, San Diego, CA||Group|
|2003||The Machine Shop Show||San Diego State University, San Diego, CA||Group|
|2002||Henpecked Heidi||Everett Gee Jackson Gallery, San Diego, CA||Group|