Callum Morton portrait via

Callum Morton

Canada 1965

Installation, Sculpture, Architecture

Callum Morton
Callum Morton
October 10, 2016

Growing up with an architect father and surrounded by images of great contemporary structures, artist Callum Morton was fascinated by the world of architecture from a young age. Inspired by some of the architecture’s iconic structures, like Le Corbusier’s Palace of Assembly, Morton’s installations can best be described as transcending the boundary between sculpture and architecture, as he asks us to re-evaluate our relationship with our human-made surroundings.  How do we, often subconsciously, evaluate or experience personal and communal space? For Example, his 2003 work Habitat envisions living space as almost a living form of its own, as if the stories of the building align following nature’s algorithms. Skillfully intertwining both tragedy and comedy into his work, Morton infuses narratives from our everyday lives, books, and movies into his buildings, as they come alive with sounds of domestic life and conflict. His art is a compelling mix of personal narratives, past histories, transformation, community living and utopian concepts.

information about the artist and the 2003 biennale at museum centre
C. Morton – Other Desert Cities, 2013

Varied Education Influencing a Mixture of Styles

Callum Morton was born in 1965 in Montreal, Canada, but went to university abroad, in Australia. He attended Architecture and Urban Planning at the Royal Melbourne Insitute of Technology (RMIT), but completed a BA in Fine Art at Victoria College, Melbourne in 1988 and an MA in sculpture at RMIT in 1999. In 2007, Morton and two other artists represented Australia at the Venice Biennale.  Callum had his first solo exhibition at Store 5, Melbourne in 1989, and since then has been prolific in producing works that spark viewers’ interests, having his exhibitions shown in a variety of locations including artist-run spaces, private homes, shop fronts, cinemas, gardens, museums, public and commercial galleries.[1] Significant solo exhibitions include Habitat, Anna Schwartz Gallery, Melbourne and Roslyn Oxley9 Gallery, Sydney, 2003; Babylonia, Australian Centre for Contemporary Art, Melbourne, 2005; Valhalla, Melbourne International Arts Festival, 2007; Grotto, Fundament Foundation, Tilburg, the Netherlands, 2009; Smokescreen, Anna Schwartz Gallery, Melbourne, 2009; Ghost World, Queensland Art Gallery/Gallery of Modern Art, Brisbane, 2010; and the survey exhibition Callum Morton: In Memoriam, Heide Museum of Modern Art, Melbourne, 2011.[2]

Callum Morton reimagined his childhood home as a three-quarters scaled down, scorched ruin in his 2007 piece Valhalla

New image of childhood home as artist reimagines it a museum with burnt foundation.
C. Morton – Valhala, 2007

Canberra’s Public Space Soon to Be Richer with Morton’s Winning Design

In March 2015, Callum and his team took the victory at Canberra’s design ideas competition with their 3D wavy steel structure design. The contest asked for propositions for a site-specific public sculpture which reflects Australia’s immigration history, because, according to the site’s traditional owners, the Ngambri, the womb of a spirit woman rests on the site. The sine-wave shape of the structure relates to the idea of a mother’s „womb“, while also symbolizing the rolling turbulence of the ocean and a type of cloud reflecting migration via sea and air.[3] The layers of steel from which the sculpture is constructed reflect the innumerable stories of migrations, from the earliest to recent times.

Morton and team’s contest-winning layered steel structure to be built in Canberra

Find more information at the site for australian architecture
C. Morton – Wave Like structure, 2016 – image via

Enjoying Collector’s Appreciation

A biennale-confirmed artist, Morton’s work is held in many major collections including: Art Gallery of New South Wales, Sydney, National Gallery of Victoria, Melbourne, Monash University Gallery, Melbourne, Queensland Art Gallery Corbett and Yueji Lyon Collection, The Michael Buxton Collection, Artbank, Bendigo Art Gallery and many private collections, locally and internationally.

Callum Morton lives and works in Melbourne, Australia.


  1. ACCA, Callum Morton Kit
  2. National Gallery of Victoria, Meet the Artists: Callum Morton, NGV
  3. Linda Cheng (2015), Callum Morton et al win Canberra public sculpture ideas competition, ArchitectureAU [8 Apr 2015]

Featured image – Callum Morton portrait, via

YearExhibition TitleGallery/MuseumSolo/Group
2006MINI MONUMENTSAnna Schwartz Gallery, MelbourneSolo
2006High Tide: Currents in Contemporary Australian ArtZacheta National Gallery of Art, Warsaw, Poland and Contemporary Art Centre, Vilnius, LithuaniaGroup
2005BabyloniaMelbourne Arts FestivalSolo
2005Avalon Artspace, SydneyGroup
2005The 2nd Istanbul Pedestrians Exhibitionbetween Tünel and Karaköy in IstanbulGroup
2005If the walls could talkRoslyn Oxley9 Gallery, Sydney, AustraliaGroup
2005Tomorrowland11th Indian Triennale, New Delhi, IndiaGroup
2004Tomorrow LandChandigarh Museum and Art Gallery, Chandigarh, IndiaSolo
2004The SituationistStatement Stand, Art Basel MiamiSolo
2004The Wishing WellGimpel Fils, LondonSolo
2004The 11th Indian TriennaleLalit Kala Akademie, New Delhi, IndiaGroup
2004Cycle tracks will abound in utopiaAustralian Centre for Contemporary Art (ACCA), MelbourneGroup
2004Written with DarknessUTS Gallery, Univrsity of Technology, SydneyGroup
2003More Talk About Buildings & MoodMuseum of Contemporary Art, SydneySolo
2003HabitatIan Potter Centre, NGV Australia, National Gallery of Victoria, MelbourneSolo
2002Gas and FuelAnna Schwartz Gallery, Melbourne The Big Sleep, Karen Lovegrove Gallery, Los AngelesSolo
2001Local +- or GeneralRoslyn Oxley9 Gallery, SydneySolo
2000Don’t Even AskRoslyn Oxley9 Gallery, Sydneysolo
2000Malice in BlunderlandGalleri Tommy Lund, Copenhagen, DenmarkSolo
1999International StyleRoslyn Oxley9 Gallery, Sydney, AustraliaSolo
1999International StyleSanta Monica Museum of Art, Los AngelesSolo
1998LockoutCBD, Sydney Cellar, First Floor, MelbourneSolo
1997something moreTeststrip, Auckland, New ZealandSolo
1997now and thenGovett-Brewster Art Gallery, New Plymouth, New Zealand Strip, Karyn Lovegrove Gallery, MelbourneSolo
1996been thereArtspace, SydneySolo
1995The HeightsKaryn Lovegrove Gallery, MelbourneSolo
1994Cul-de sac200 Gertrude Street, Melbourne Door Door, Room 32, Regents Court Hotel, SydneySolo
1993SanctuaryCritical Cities (Melbourne), Charles Street, Fitzroy, Melbourne Office, Store 5, MelbourneSolo
1992ViewPost West, Adelaide Critical City, AdelaideWindow, Prahran Mission Shop, MelbourneSolo
1991A Dozen Real FictionsStore 5, Maples Lane, MelbourneSolo
1991A Dozen Real Fictions (no. 2)Charles William Gallery, RMIT Architecture Department, MelbourneSolo
1989Tonight the RitzStore 5, no. 29, Maples Lane, MelbourneSolo