The whole painterly practice of Elizabeth Peyton has been marked by the particular genre of rather intimate and sensible portrayal. The use of the genre is almost always led by the artist’s urge for analyses of one’s persona, but in this case, the very approach to psychologization is what makes it so different and quite authentic. Regardless of class, race or gender of depicted subject, Payton pays special attention to their inner state and the very situation in which they are being portrayed. On the other hand, the selection of models or the way they are being represented reflects the artist’s interest in different types of bodies and faces which may lead to her work being interpreted in regards to feminist and gender theory.
Elizabeth Peyton was born in 1965, in Danbury, Connecticut. She began drawing at a young age, and in between 1984 and 1987 studied fine arts at the School of Visual Arts in New York City. Shortly after the end of her studies, Peyton worked several jobs and held only one solo exhibition in six years. Interestingly, in 1993 with the financial aid of Courtney Love, grunge femme fatale and then wife of Kurt Cobain, she had the first successful exhibition in the room of notorious Chelsea hotel consisting only of drawings. Afterward, the galerists noticed Peyton’s work so she started exhibiting at Gavin Brown’s Enterprise in New York since 1995, at Neugerriemschneider in Berlin since 1996, Regen Projects in Los Angeles since 1997, and Sadie Coles HQ in London since 1998.
The usual technique Peyton uses is oil, but watercolor, pencil, and etching are present as well and her most frequent feature are washy glazes of dripping paint. The artist is pretty much inspired by the works of Nadar, Alfred Stieglitz, and Robert Mapplethorpe. The painterly process starts from photographs. Namely, Peyton uses to shot her subjects with either a standard 35-millimeter or a Polaroid camera, without any particular focus on composition or lighting and in 2002 transferred to a digital camera. The figures depicted are often slender, almost androgynous, and thus sexually ambiguous. They are usually involved in some kind of melancholic activity – sleeping, sitting or daydreaming. Since 2007, Peyton has included a still life to her range of subjects.
The continued focus on stylization celebrities made her art being perceived as deriving from popular culture. It is no wonder that one of her major influence is no other than notable painter David Hockney. From David Bowie, over Oasis’s brothers Gallagher, Jarvis Cocker, Princes William and Harry of The House of Windsor, to Kanye West, Payton has painted all of them in the same unpretentious manner. One of her works became a cover for the compilation album The Best of Suede. The artist has even collaborated with artist superstar Matthew Barney on a project titled Blood of Two, as well as with Jonathan Horowitz on a series of monotypes which develop upon the concepts of plants and flowers as motifs of love and death.
Over the years, the works of Elizabeth Peyton became part of various important collections from Centre Pompidou in Paris, over the Whitney Museum of American Art in New York, to Kunstmuseum in Basel. For her work, Elizabeth Peyton received in 2006, the 14th Annual Larry Aldrich Award honoring an artist who has had a significant impact on visual culture. In 2007, she was honored with amfAR’s Award of Excellence for Artistic Contributions to the Fight Against AIDS. Interestingly, this year the artist will show her works for the first time in Japan at Hara Museum of Contemporary Art in Tokyo.
The works of Elizabeth Peyton were often seen as fashion illustrations, and at the same time, she has been credited for having revived the tradition of portrait painting. Therefore, the artist was described by a professional public as a forerunner of new Realism. The astounding body of work has not just revealed the immense contribution to reviving forgotten stylistic approach but suggests a particular insight in the studies of popular culture from a new perspective.
Featured image: Portrait of Elizabeth Peyton – image from Widewalls archive
All images are used for illustrative purposes only
Year | Exhibition Title | Gallery/Museum | Solo/Group |
---|---|---|---|
2014 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
2013 | "Elizabeth Peyton: Here She Comes Now" | Kunsthalle Baden Baden, Baden Baden | Solo |
2013 | "Klara 13 Pictures" | Michael Werner Gallery, New York | Solo |
2013 | “Elizabeth Peyton” | Gavin Brown's enterprise, New York | Solo |
2012 | "Secret Life" | Sadie Coles, London | Solo |
2012 | “Elizabeth Peyton” | Regen Projects, Los Angeles | Solo |
2011 | “Elizabeth Peyton” | Opelvillen Russelsheim Zentrum Fur Kunst, Russelsheim, Germany | Solo |
2011 | “Elizabeth Peyton” | Gagosian, Paris | Solo |
2011 | “Elizabeth Peyton” | Metropolitan Opera, New York | Solo |
2011 | “Ghost” | Opelvillen Rüsselsheim Zentrum Für Kunst, Rüsselsheim, | Solo |
2011 | “Elizabeth Peyton” | Mildred Lane Kemper Art Museum, Washington University, St.Louis | Solo |
2010 | “Elizabeth Peyton” | Nuegerriemschneider, Berlin | Solo |
2009 | “Elizabeth Peyton” | Gladstone Gallery, Brussels | Solo |
2009 | “Live Forever: Elizabeth Peyton” | Bonnefanten Museum, Maastricht | Solo |
2009 | “Blood of Two: Matthew Barney and Elizabeth Peyton” | Slaughterhouse, DESTE Foundation Project Space, Hydra | Solo |
2009 | “Elizabeth Peyton” | Sadie Coles HQ, London | Solo |
2009 | “Elizabeth Peyton: Reading & Writing” | Irish Museum of Modern Art, Dublin | Solo |
2008 | "Live Forever: Elizabeth Peyton" | New Museum, New York | Solo |
2008 | “Elizabeth Peyton: Portrait of an Artist” | Aldrich Contemporary Art Museum, Ridgefield | Solo |
2008 | “Elizabeth Peyton” | Gavin Brown's Enterprise, New York | Solo |
2007 | “Elizabeth Peyton” | Regen Projects, Los Angeles | Solo |
2006 | “Elizabeth Peyton: Paintings 1994-2002” | Gavin Brown’s enterprise New York | Solo |
2006 | “Elizabeth Peyton: Prints 1998-2006” | Guild Hall, Easthampton | Solo |
2006 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
2005 | “Elizabeth Peyton” | Glenn Horowitz Bookseller, East Hampton, New York | Solo |
2005 | “Elizabeth Peyton” | Sadie Coles HQ, London | Solo |
2004 | “Elizabeth Peyton” | Gavin Brown’s Enterprise, New York | Solo |
2003 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
2003 | “Elizabeth Peyton” | Regen Projects, Los Angeles | Solo |
2003 | “Elizabeth Peyton” | Roma Roma Roma, Rome | Solo |
2002 | “Elizabeth Peyton” | Royal Academy, London | Solo |
2002 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
2002 | “Elizabeth Peyton” | Salzburger Kunstverein, Salzburg | Solo |
2001 | “Elizabeth Peyton” | Gavin Brown’s Enterprise, New York | Solo |
2001 | “Elizabeth Peyton” | Deichtorhallen, Hamburg, Germany | Solo |
2000 | “Elizabeth Peyton” | Westfalischer Kunstverein, Munster | Solo |
2000 | “Elizabeth Peyton” | Aspen Art Museum, Aspen | Solo |
2000 | “Elizabeth Peyton” | Sadie Coles HQ, London | Solo |
2000 | “Elizabeth Peyton” | Gavin Brown's enterprise, New York | Solo |
1999 | “Elizabeth Peyton” | Regen Projects, Los Angeles | Solo |
1999 | “Elizabeth Peyton” | Museum of Contemporary Art, Castello di Rivoli, Torino | Solo |
1999 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
1999 | “Elizabeth Peyton” | Gavin Brown's Enterprise, New York | Solo |
1998 | “Elizabeth Peyton” | Georg Kargl, Vienna | Solo |
1998 | “Elizabeth Peyton” | Galleria Il Capricorno, Venice | Solo |
1998 | “Elizabeth Peyton” | Kunstmuseum Wolfsburg, Wolfsburg | Solo |
1998 | “Elizabeth Peyton" | Seattle Art Museum, Seattle | Solo |
1998 | "Elizabeth Peyton” | Sadie Coles HQ, London | Solo |
1997 | “Elizabeth Peyton” | Gallery Side 2, Tokyo | Solo |
1997 | “Elizabeth Peyton” | Galerie Daniel Buchholz, Cologne | Solo |
1997 | “Elizabeth Peyton” | St. Louis Art Museum, St. Louis | Solo |
1997 | “Elizabeth Peyton” | Gavin Brown's Enterprise, New York | Solo |
1997 | “Elizabeth Peyton” | Regen Projects, Los Angeles | Solo |
1996 | “Elizabeth Peyton” | Gavin Brown's enterprise, New York | Solo |
1996 | “Elizabeth Peyton” | Galleria Il Capricorno, Venice | Solo |
1996 | “Elizabeth Peyton” | Neugerriemschneider, Berlin | Solo |
1995 | “Elizabeth Peyton” | Cabinet Gallery at The Prince Albert, London | Solo |
1995 | “Elizabeth Peyton” | Burkhard Riemschneider, Cologne | Solo |
1995 | “Elizabeth Peyton” | Gavin Brown's enterprise, New York | Solo |
1993 | “Elizabeth Peyton” | Gavin Brown’s enterprise at Hotel Chelsea, Room 828, New York | Solo |
2014 | “Paint New York: Painting from the American East Coast” | Kunstforeningen GL Strand, Copenhagen | Group |
2014 | “Van Gogh Live!” | Fondation Vincent Van Gogh Arles, Arles | Group |
2014 | “Dries Van Noten- Inspirations” | Les Arts Décoratifs, Paris | Group |
2014 | “Imaginary Portraits: Prince Igor” | Gallery Met, The Metropolitan Opera, New York | Group |
2013 | “Moby Dick-Whale Language” | Tel Aviv Museum of Art, Tel Aviv | Group |
2013 | “The Cat Show” | White Columns, New York | Group |
2013 | “NYC Experimental Jet Set, Trash and No Star 1993” | New Museum of Contemporary Art, New York | Group |
2013 | “The Human Touch” | Scottsdale Museum of Contemporary Art, Scottsdale | Group |
2013 | “Les Trois Grâces” | Galerie Chantal Crousel, Paris | Group |
2012 | “Inaugural Exhibition by Gallery Artists” | Regen Projects, Los Angeles | Group |
2012 | “We The People” | Rauschenberg Foundation, New York | Group |
2012 | “Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern” | Bortolami, New York | Group |
2012 | “Regarding Warhol: Fifty Artists, Fifty Years” | The Metropolitan Museum of Art, New York | Group |
2012 | “Biennial of Painting: The Image of Man: | Museum Dhondt-Dhaenens, Flanders | Group |
2012 | “Contemporary Painting, 1960 to the Present: Selections from the Collection” | San Francisco Museum of Modern Art, San Francisco | Group |
2012 | “Invitational Exhibition of Visual Arts” | American Academy of Arts and Letters, New York | Group |
2011 | “Sentimental Education” | Galvak Gallery, Palm Beach | Group |
2011 | “Nothing in the World but Youth” | Turner Contemporary, Margate | Group |
2011 | “American Euberance” | Rubell Family Collection - Contemporary Arts Foundation, Miami | Group |
2011 | “About Painting” | Art Berlin Contemporary, Berlin | Group |
2011 | “Faces” | Hiram Butler Gallery, Houston | Group |
2011 | “Thanks for Explaining Me” | Gladstone Gallery, New York | Group |
2011 | “L’Insoutenable Légereté de l’Etre” | Yvon Lambert Gallery, New York | Group |
2011 | “Invitation to the Voyage” | Algus Greenspon, New York | Group |
2011 | "Age of Innocence" | Yvonne Lambert Gallery, New York | Group |
2010 | “From NY with Love” | Don’t Projects, Paris | Group |
2010 | “On Publications, Portraits, Public Art and Performance” | The Modern Institute - Toby Webster Ltd, Glasgow | Group |
2010 | “Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection” | Valencia Institute of Modern Art, Valencia | Group |
2010 | “Kurt” | Seattle Art Museum, Seattle | Group |
2010 | “UltraMegaLore” | Modemuseum, Hasselt | Group |
2010 | “Fine Line” | George Kargle Fine Arts, Vienna | Group |
2010 | “Size Does Matter” | FLAG Art Foundation, New York | Group |
2010 | “THE EPHEMERAL” | Galerie van Gleder, Amsterdam | Group |
2010 | “SUR LE DANDYSME AUJOURD’HUI: From Shop Window Mannequin to Media Star” | Centro Galego de Arte Contemporánea, Santiago de Compostela | Group |
2010 | “In The Company of Alice” | Victoria Miro Gallery, London | Group |
2009 | “Undeniably Me” | Kunstmuseum Wolfsburg, Wolfsburg | Group |
2009 | “Don’t Panic! I’m Selling My Collection” | Rental Gallery, New York | Group |
2009 | “Landscape" | Armory, New York | Group |
2009 | “Blookd of Two: Matthew Barney and Elizabeth Peyton” | Slaughterhouse, DESTE Foundation Project Space, Hydra | Group |
2009 | “15 Years of Collecting Against the Gran” | Kunstmuseum Wolfsburg, Wolfsburg | Group |
2009 | “Something about Mary” | Gallery Met, The Metropolitan Opera, New York | Group |
2009 | “The living and the dead” | Gavin Brown’s Enterprise, New York | Group |
2009 | “Modern Modern” | Chelsea Art Museum, New York | Group |
2009 | “Compass In Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection” | Museum of Modern Art, New York | Group |
2008 | “System Mensh:Works from the Collection of the MdM Salzburg” | Museum derModerne Salzburg, Salzburg | Group |
2008 | “Group Show” | Galerie Leu, Munich | Group |
2008 | “Permanent Presentation” | white8 Galerie, Villach | Group |
2008 | “Pretty Ugly” | Gavin Brown’s enterprise, New York | Group |
2008 | “The OLYMP-Works on Paper” | Burkhard Eikelmann Galerie, Dusseldorf | Group |
2008 | “Attention to Detail” | FLAG Art Foundation, New York | Group |
2008 | “The Painting of Modern Life” | Museum d’arte contemporanea Caastello di Rivoli, Turin | Group |
2008 | “Mixed Emotions: Apuntes para una colección del siglo XXI” | Domus Artium 2002, Salamanca | Group |
2008 | “Deception and Devastation” | Gavin Brown’s enterprise, New York | Group |
2008 | New Acquisition-[Sanbi Shosha] Ueda Collection” | Museum of Contemporary Art, Tokyo | Group |
2007 | “True Romance: Allegories of Love from the Renaissance to the Present” | Kunsthalle Wien, Vienna | Group |
2007 | “Contemporary and Modern Masters” | Richard Gray Gallery, Boston | Group |
2007 | “People Take Pictures of Each Other” | LaMontagne Gallery, Boston | Group |
2007 | “News on Paper” | Burkhard Eikelmann Galerie, Dusseldorf | Group |
2007 | “Rocker’s Island” | Museum Folkwang, Essen | Group |
2007 | “Paper Trail: A Decade of Acquisitions” | Walker Art Center, Minneapolis | Group |
2007 | “Very Abstract and Hyper Figurative” | Thomas Dane Gallery, London | Group |
2007 | “Like color in pictures” | Aspen Art Museum, Aspen | Group |
2007 | “Overdrive” | Barbara Davis Gallery, Houston | Group |
2007 | “The Painting of Modern Life” | The Hayward Gallery, London | Group |
2007 | “Makers and Modelers” | Gladstone Gallery, New York | Group |
2007 | Old School | Hauser & Wirth, London | Group |
2007 | The Painted Lady: Images of Women in Art, 1945-Present | Maxwell Davidson Gallery, New York | Group |
2007 | Still Life & Kicking | Paula Cooper Gallery, New York | Group |
2006 | “SURreal” | Museum der Moderne, Salzburg | Group |
2006 | “Essential Painting” | The National Museum of Art, Osaka | Group |
2006 | “Faster! Bigger! Better!” | Zentrum für Kunst und Medientechnologie, Karlruhe, | Group |
2006 | “Lifestyle” | Kunstmuseum St. Gallen, St. Gallen | Group |
2006 | “Good Vibrations” | Papesse Centro Arte Contemporanea, Siena | Group |
2006 | “Surprise, Surprise” | Institute of Contemporary Art, London | Group |
2006 | “Summer Show 2006” | Sadie Coles HQ, London | Group |
2006 | “Figures of the Player: The Paradox of the Actor” | Collection Lambert, Avignon | Group |
2006 | “Contemporary Masterworks: Saint Louis Collects” | Contemporary Art Museum of St. Louis, St. Louis | Group |
2006 | “Garden Paradies” | The Arsenal Gallery in Central Park, New York | Group |
2006 | “The Name of the Show is not ‘Gay Art Now’” | Paul Kasmin Gallery, New York | Group |
2006 | “Painting Codes: I Codici della Pintura” | Galleria Comunal d’Arte Contemporanea di Monfalcone, Monfalcone | Group |
2006 | “Likeness: Portraits of Artists By Other Artists” | Illingworth Kerr Gallery, Alberta | Group |
2006 | “Andy Warhol and Elizabeth Peyton” | Guild Hall, East Hampton, New York | Group |
2005 | “Vogue Nudes” | Mitchell-Innes & Nash, New York | Group |
2005 | “Drunk vs. Stoned 2” | Gavin Brown’s Enterprise, New York | Group |
2005 | “girls on film” | Zwirner & Wirth, New York | Group |
2005 | “Always Crashing in the Same Car” | Galleri Susanne Ottesen, Copenhagen | Group |
2005 | “Looking at Words” | Andrea Rosen Gallery, New York | Group |
2005 | “The Early Show” | White Columns, New York | Group |
2005 | “GREATER THAN THE SUM: Selections from the Craig Robins Collection of Contemporary Art” | Florida State University Museum of Fine Arts, Tallahassee | Group |
2005 | “Discovery and Ownership: Insights into Private Austrian Collections” | Museum Moderner Kunst Stiftung Ludwig Wien, Vienna | Group |
2005 | “Generation X” | Kunstmuseum Wolfsburg, Wolfsburg | Group |
2005 | “25 Deutsche Bank Collection” | Deutsche Guggenheim, Berlin | Group |
2005 | “Superstars: from Warhol to Madonna” | Vienna Kunstforum-Vienna Kusthalle, Vienna | Group |
2005 | “Getting Emotional” | Institute of Contemporary Art, Boston | Group |
2005 | “Mother & Child” | Ferragamo, New York | Group |
2005 | Important, Modern and Contemporary Art | Gary Nader, Miami | Group |
2005 | “North Fork South Fork East End Art Now” | Parrish Art Museum, Southampton, New York | Group |
2004 | “15 Years Anniversary of Regen Projects” | Regen Projects, Los Angeles | Group |
2004 | “Likeness: Portraits of Artists By Other Artists” | California College of Arts Wattis Institute for Contemporary Arts, San Francisco | Group |
2004 | “Contemporary Painting” | Colby College Museum of Art, Waterville | Group |
2004 | “Beginning Here: 101 Ways” | Visual Arts Gallery, New York | Group |
2004 | “North Fork-South Fork: East End Art Now” | Parrish Art Museum, Southampton, New York | Group |
2004 | “De leur temps: Collections privées Francaises” | Muba Eugéne Leroy, Tourcoing | Group |
2004 | “Works from the Boros Collection” | Museum für Neue Kunst, Karlsruhe | Group |
2004 | “Arbeiten auf papier-Grafiken (Part 1)” | Galerie Fahnemann, Berlin | Group |
2004 | “Sammlung Plum” | Museum Kurhaus Kleve, Kleve | Group |
2004 | “Was Marlerei heute ist” | Opelvillen, Rüsselsheim | Group |
2004 | “Treasure Island: 10 Years Collection Kunstmuseum” | Kunstmuseum Wolfsburg, Wolfsburg | Group |
2004 | “Now is a Good Time” | Andrea Rosen Gallery, New York | Group |
2004 | “THE MUSE” | Leslie Tonkonow Artworks + Projects, New York | Group |
2004 | Whitney Biennial | Whitney Museum of American Art, New York | Group |
2003 | “Inaugural Exhibition” | Gavin Brown’s Enterprise, New York | Group |
2003 | “The Fourth Sex: Adolescent Extremes” | Pitti Imagine Discovery, Milan, Italy | Group |
2003 | “Faces and Figures” | Art Museum at Florida International University, Miami | Group |
2003 | “Il Quarto Sesso” | Stazione Leopolda, Florence | Group |
2003 | “Under Pressure: Prints from Two Palm Press” | The Cooper Union School of Art, New York | Group |
2003 | “Inaugural Exhibition” | Regen Projects, Los Angeles | Group |
2002 | The Galleries Show: Contemporary Art in London” | The Royal Academy of Arts, London | Group |
2002 | “Painting on the Move” | Kunstmuseum Basel, Basel | Group |
2002 | “Drawing Now: Eight Propositions” | Museum of Modern Art, New York | Group |
2002 | “DEAR PAINTER,…Paint Me” | Centre Georges Pompidou, Paris | Group |
2002 | “Remix” | Tate Liverpool, Liverpool | Group |
2001 | “Lens and Paper: The Beauty of Intimacy” | Gemeentemuseum, The Hague | Group |
2001 | “New to the Modern; Recent Acquisition from the Department of Drawing” | Museum Modern Art, New York | Group |
2001 | “Abbild recent portraiture and depiction” | Landesmuseum Joanneum, Graz, Austria | Group |
2001 | “Azerty” | Musee National d’Art Modene, Centre Georges Pompidou, Paris | Group |
2001 | “Beautiful Productions: Art to Play, Art to Wear, Art to Own” | The White Chapel Art Gallery, London | Group |
2001 | “Collaborations with Parkett; 184 to now” | Museum of Modern Art, New York | Group |
2001 | “About Face: Selections from the prints and illustrated books department” | Museum of modern Art , New York | Group |
2001 | “The Way I See It” | Galerie Jennifer Flay, Paris | Group |
2001 | “Longing and Memory” | Los Angeles County Museum of Art, Los Angeles | Group |
2000 | "American Academy Invitational Exhibition of Painting and Sculpture” | American Academy of Arts and Letters, New York | Group |
2000 | "Interventions” | Milwaukee Art Museum, Milwaukee | Group |
2000 | "Greater New York” | PS1 Contemporary Art Center, New York | Group |
1999 | “ef1ny999” | Tomio Koyama Gallery, Tokyo | Group |
1999 | “Malerei” | INIT-Kunsthalle, Berlin | Group |
1999 | “1968” | Kunstmuseum Wolfsburg, Wolfsburg | Group |
1999 | “anAzonas Kunstlerbucher” | Villa Minimo, Hanover | Group |
1999 | “Free Coke” | Greene Naftali, New York | Group |
1999 | Village Disco” | Cabinet, London | Group |
1999 | Examining Pictures” | Whitechapel Art Gallery, London | Group |
1999 | Parallel Lines: Mix and Match | Karen McCready Fine Art, New York | Group |
1998 | Sisi, Sisimus, Sisismen” | Galerie Menotti, Baden | Group |
1998 | “Hanging” | Galeria Camargo Vilaca, Sao Paulo | Group |
1998 | “Young Americans II” | Saatchi Gallery, London | Group |
1998 | “Tell Me a Story” | Magasin, Grenoble | Group |
1998 | “People II” | Monica de Cardenas, Milan | Group |
1998 | “Exterminating Angel” | Ghislaine Hussenot Gallery, Paris | Group |
1998 | “Auf der Spur” | Kunsthalle Zurich, Zurich | Group |
1997 | “Coming Home Again” | Visual Arts Gallery, New York | Group |
1997 | “Kunst…Arbeit” | Südwest LB, Stuttgart | Group |
1997 | “Truce: Echoes of Art in an Age of Engless Conclusions” | SITE Santa Fe, Santa Fe | Group |
1997 | “Projects 60” | Museum of Modern Art, New York | Group |
1997 | “Antlitz” | Max-Gandolph-Bibliothek, Salzburg, Austria | Group |
1997 | “Heaven” | MoMA PS1, New York | Group |
1997 | “Hirsch Farm Project” | Hirsch Foundation, Northbrook | Group |
1996 | “Longing and Memory” | Los Angeles County Museum, Los Angeles | Group |
1996 | “a-drift” | Bard College, New York | Group |
1996 | “Universalis” | Sao Paulo Bienal, Sao Paulo | Group |
1996 | “Wunderbar” | Kunstverien Hamburg, Hamburg | Group |
1996 | “Screen” | Fredrich Petzel Gallery, New York | Group |
1995 | “Campo” | Venice Biennale, Venice, Italy | Group |
1995 | “Space Odyssey” | Koreneou Gallery, Athens | Group |
1995 | “The Enthusiast” | Gavin Brown’s enterprise, New York | Group |
1994 | “Swan” | Tom Cugliani Gallery, New York | Group |
1994 | “Don’t Postpone Joy of Collecting Can Be Fun” | Austrian Cultural Institute, New York | Group |
1993 | “Okay Behavior” | 303 Gallery, New York | Group |
1993 | “Little Thing” | Randolph St. Gallery, Chicago | Group |