I Nyoman Masriadi is a painter and a leading artist of the post-Suharto era in Indonesia. The visual imagery and narratives he uses for his paintings are derived from keen and intelligent observations of social life and behavioral traits.
Something of a phenomenon, his career is a rags-to-riches story combining creative genius, cultural sensitivity, and a refusal to conform. Masriadi’s paintings frequently depict superhuman figures whose narratives, while rooted in Indonesian cultural history, offer witty and often biting social commentary on contemporary life and global pop culture.
Masriadi’s visual vocabulary is continuously refreshing and contemporaneously relevant. As Ashley Bickerton explains; ” Masriadi’s work is decidedly of this moment. This is Indonesian art coming clearly into its own. Although we see many artists today succumbing to a convergent globalised style, Masriadi’s work has managed to fuse many divergent and distinct rhythms into one of the clearest and most Indonesian of voices”.
“Masriadi: Black Is My Last Weapon,” was the artist’s maiden solo show at the Singapore Art Museum and spanned Masriadi’s 10-year career, exploring the evolution of his signature black-skinned figures, a motif now widely copied by other Indonesian painters. Nicholas Olney, director of New York’s Paul Kasmin Gallery, recalls his initial impressions of this exhibition: “The humor and biting wit came through immediately,” he says. “This guy was speaking on a global level.”
Through his expert control of light, shadow and volume, Masriadi endows the monumental characters of his artworks with a sculptural, almost three-dimensional presence. Sometimes these characters appear in the archetypal roles of comic book heroes, cowboys, soldiers and athletes, but just as frequently, they are simply powerfully built men and women engaged in solitary acts of strength or captured in private moments of vulnerability.
He is presently Southeast Asia’s most well-received contemporary artist at auction and the first living Southeast Asian artist whose work has topped $1 million at auction: a testimony to his forte and talent as a painter as well as a barometer of the ascendency of Southeast Asian contemporary art.
I Nyoman Masriadi lives in Yogyakarta, Indonesia.
|2014||Past Traditions / New Voices in Asian Art||Hofstra University Museum, New Jersey||Group|
|2012||India Art Fair (former India Art Summit)||Gajah Gallery, New Delhi, Indai||Group|
|2012||Contemporary Indonesia||Ben Brown Fine Arts, London||Group|
|2011||Nyoman Masriadi – Recent Paintings||Gajah Gallery, Singapore||Solo|
|2011||Nyoman Masriadi – Recent Paintings||Paul Kasmin Gallery, New York City, NY||Solo|
|2011||Group Show: Post War and Contemporary Masters||de Sarthe Gallery, Paradise Valley, AZ||Group|
|2010||Art Paris + Guests||Paris, France||Group|
|2010||New Directions||SHANGHAI MUSEUM OF CONTEMPORARY ART, China||Group|
|2009||Masriadi: Black Is My Last Weapon||Gajah Gallery, Singapore||Solo|
|2009||In Rainbow||ESA SAMPOERNA ART HOUSE, Surabaya, Indonesia||Group|
|2009||Jogja Biennale X||Jogjakarta, Indonesia||Group|
|2009||The Simple Art of Parody||TAIPEI MOCA, China||Group|
|2008||Masriadi: Black Is My Last Weapon||Singapore Art Museum, Singapore||Solo|
|2008||Contemporary Paintings from Indonesia||Valentine Willie Fine Art - VWFA Singapore, Singapore||Group|
|2008||Ganti Oli: Contemporary Paintings From Indonesia||VWFA Singapore, Singapore||Group|
|2006||Expression of an Era||GARIS ART GALLERY, Padma Hotel Bali, Indonesia||Group|
|2005||Beauty and Terror||GALERIE LOFT, Paris, France||Group|
|2002||Not Just Political||H. WIDAYAT MUSEUM, Magelang, Indonesia||Group|
|2002||Terumbu Karang, Exhibition and Auction||Jakarta, Indonesia||Group|
|2002||Age-hibition||EDWIN’S GALLERY, Jakarta, Indonesia||Group|
|2002||Bersatu dalam Rasa||EDWIN’S GALLERY, Jakarta, Indonesia||Group|
|2001||Kelompok 7||BENTENG VREDBURG, Yogykarta, Indonesia||Group|
|2000||Figur di Abad Baru||EDWIN’S GALLERY, Jakarta, Indonesia||Group|
|1999||Biennale VI||PURNA BUDAYA, Yogyakarta, Indonesia||Group|
|1999||Knalpot||CEMETI ART HOUSE, Yogyakarta, Indonesia||Group|
|1999||I Nyoman Masriadi & I Gak Murniasih||Cemeti Art House, Yogyakarta||Group|
|1998||Sanggar Dewata Indonesia Exhibition||BENTENG VREDEBURG, Yogyakarta, Indonesia||Group|
|1997||Kelompok 7 Exhibition- Sanggar Dewata Indonesia||BENTARA BUDAYA, Yogyakarta,Indonesia||Group|
|1997||Dies Natalias||INDONESIAN ART INSTITUTE, Yogyakarta, Indonesia||Group|
|1996||Dialog Between Two Cities||PURNA BUDAYA, Yogykarta, Indonesia||Group|
|1996||Kelompok 7 Exhibition- Sanggar Dewata Indonesia||SIKA GALLERY, Ubud, Bali, Indonesia||Group|
|1996||Sanggar Dewata Indonesia Exhibition||TAMAN BUDAYA, Surakarta, Indonesia||Group|
|1996||Young Artist II Exhibition||BENTENG VREDEBURG, Yogyakarta, Indonesia||Group|
|1995||Dies Natalis||INDONESIAN ART INSTITUTE, Yogyakarta, Indonesia||Group|
|1995||Collaboration Exhibition with Australian Art Student||Yogyakarta||Group|
|1995||Indonesian Art Festival||Benteng Vredeburg, Yogyakarta, Indonesia||Group|
|1995||Sanggar Dewata Exhibition||PURNA BUDAYA, Yogyakarta, Indonesia||Group|
|1995||Sanggar Dewata Indonesia||SILKA GALLERY, Ubud, Bali, Indonesia||Group|
|1994||Hitam Putih + Plus – an Exhibition of Kelompok Prasidha||INDONESIAN ART INSTITUTE, Gampingan, Yogyakarta, Indonesia||Group|