Janine Antoni - Portrait - Photo via alchetron

Janine Antoni/ Janine Antoni

Bahamas 1964

Sculpture, Performance Art

Janine Antoni
Janine Antoni
Female
Bahamas
1964

Janine Antoni is a Bahamian contemporary artist who works with different materials, such as soap, lard, and chocolate. She uses her body as a tool to create art. She is using her tongue, eyelashes, and hair as replacements for pencils, chisels, and brushes in a process of making her art pieces. Antoni expresses herself trough combination of sculpturing and performances. She changes daily rituals such as eating, washing, and sleeping into far-reaching acts. She believes creativity is about thinking with the body.

People in front of the art work and sculpture piece in a museum site
Janine Antoni – Gnaw, 1992 – Photo via pinterest.com

Gnaw

Janine’s work was exhibited in 1992, for the first time. This exhibition was Ganw. Two 600-pound cubes, where one was made of chocolate and the other of lard were set on marble pedestals in Sandra Gering Gallery, New York. The artist was chewing them until she was exhausted. Cube made of lard shows the impressions of her chin and nose, and the chocolate one reveals her teeth marks. Out of chewed chocolate removed from chocolate Gnaw”, she made a tray in a shape of a heart. The artist once said she was not intended to do the performance. She just wanted to show the meaning of the making process.[1]

Self-portraits of the artist

to view home art work piece by artists contact use museum terms
Janine Antoni – Lick And Lather, 1993-94 – Photo via mountainsoftravelphotos.com

Lick and Lather

Lick and Lather is actually a self-portrait of the artist. It was first shown at Venice Biennale, 1993. The exhibition was organized in two rows of 14 facing pedestals. Seven sculptures were made of chocolate and other seven out of soap. The fascinating fact is that the artist took a mold directly from her body, filled it with chocolate, and after taking it out of the mold she re-sculpted it by licking the chocolate. Sculptures made of a soap artist re-sculpted in the tub by slowly washing it down. With these sculptures, she was questioning if the image of ourselves that we present to the world is true. Janine believes we are more ourselves in everyday activities, such as eating or bathing. [2]

Janine became a part of contemporary art history

Janine Antoni home art on view at museum terms of privacy use
Janine Antoni – Loving care, 1993 – Photo via brooklynmuseum.com

Loving Care

By performing Loving Care in 1993, Antoni made herself a part of contemporary art history. The artist, dressed in a black bodysuit, dipped her long hair in black dye and mopped the gallery floor with it, by slowly swinging her head from one side to another. As she was moving and painting the floor she forced the audience to step out of the room. She was using her body in a completely new way. Loving Care is famous because of black and white photographs which documented the performance. The artist is very thorough when it comes to preparation of her performances. For the performance at Luhring Augustine, she prepared for almost 16 months.[3]

For the performance at Luhring Augustine, she prepared for almost 16 months

Janine Antoni artists desire piece and work on view at the museum use terms of privacy
Janine Antoni – Touch, 2002 – Photo via sammlung-goetz.com

Touch and Awards

In 2002, on the beach in front of her childhood home on Grand Bahama Island, the artist performed the Touch. Dressed in blue, she balances on a tightrope aligned with the horizon which creates an illusion like she is walking on the surface of the water. She came up with this idea from thinking about what the horizon means to us. The artist was practicing for about an hour a day, and she describes a process of learning to walk on a wire almost like learning to walk again. This piece is called Touch because it is about a desire to walk on the horizon, which is impossible and all we can do is to use the video camera in a specific way to create an illusion. In 2015, she had a solo exhibition of her artwork at the Luhring Augustine gallery, in New York. Name of this exhibition is From the Vow Made.[4]

Janine Antoni currently lives and works in New York City.

References:

  1. Heon, L.,(2001), Janine Antoni’s Gnawing Idea , Jstor [February 14, 2017]
  2. Anonymous, (2011), Janine Antoni: Lick and Lather, Art21 [February 14, 2017]
  3. Enright R. and Walsh M., (2010), The Beautiful Trap: Janine Antoni’s Body Art, The New York Times [February 14, 2017]
  4. Anonymous, Janine Antoni: Touch and Moor, Art21 [February 14, 2017]

Featured image: Janine Antoni – Potrait – Photo via alchetron.com
All images used for illustrative purposes only

YearName of the exhibitionGallery/MuseumSolo/Group
2015Carte Blanche to Luhring AugustineLuhring Augustine Gallery, New York, New YorkSolo
2015From the Vow MadeLuhring Augustine Gallery, New York, New YorkSolo
2010Twenty FiveLuhring Augustine Gallery, New York, New YorkGroup
2009Up AgainstLuhring Augustine Gallery, New York, New YorkGroup
2008The Morning AfterNeues Museum Weserburg, Bremen, GermanyGroup
2007Janine Antoni: Falk Visiting ArtistWeatherspoon Art Museum, Greensboro, North CarolinaSolo
2006HorizonBradbury Gallery, Arkansas State University, ArkansasGroup
2006Lore and Other Convergences Live Art Development Agency initiative, London, United KingdomSolo
2005Post Modern PortraitureThe Logan Collection Vail, ColoradoSolo
2004TouchMagasin 3 Stockholm Konsthall Stockholm, SwedenSolo
2003To Draw a LineLuhring Augustine Gallery, New York, New YorkSolo
2002Moving PicturesGuggenheim Museum, New York, New YorkGroup
2001The Girl Made of ButterAldrich Contemporary Art Museum, Madrid, Spain. Solo
1999ImbedLuhring Augustine Gallery, New York, New YorkSolo
1998SwoonWhitney Museum of American Art, New York, New YorkSolo
1997Paper TrailPierogi 2000, Brooklyn, New YorkGroup
1996ExposureLuhring Augustine Gallery, New York, New YorkGroup
1995Slip of the Tongue Centre for Contemporary Arts, Glasgow, ScotlandSolo
1994Lick and LatherSandra Gering Gallery, New York, New Yorkn nSolo
1993GnawSandra Gering Gallery, New York, New YorkSolo