Joan Miro

Joan Miro /   Joan Miró i Ferrà

Spain 1893 - 1983

Surrealism, Figurative Art, Dada

www.fmirobcn.org/en

Joan Miro
Joan Miró i Ferrà
Male
Spain
1893
March 19, 2016
Ok, I know it's so damn corny to quote somebody just to describe yourself, let alone Confucius, but this quote says all about my relationship with Widewalls, so forgive me for doing this: Choose a job you love, and you will never have to work a day in your life. Am I forgiven?

The mind is a fascinating thing, and there’s no saying how deep it may truly be, or how high it may soar. We may be confined to our daily thoughts that may be as impressive, but in our dreams, we see how far it can really take us. The man titled to be one of the first representatives of putting this realm to the canvas is Joan Miró, a Spanish artist that practiced surrealism in its earliest days. In order to allow himself to explore other ways of artistic creation, he chose not to affiliate himself with surrealists of the time and had explored expressionism, lyrical abstraction, and other styles. Regardless, there’s a slight thread of the dream-like in most of his portrayals, whether from his subconsciousness or imagination, one that would allure the masses as much as it did other great artists.

Joan Miro works museum modern spanish dutch
Joan Miro – Prades, the Village (detail), 1917

Early Life in Barcelona and a Nervous Breakdown

Joan Miró i Ferrà was born in Barcelona, Catalonia. His father, Miquel Miró i Adzerias, a silversmith and watchmaker and his mother, Dolors Ferrà i Oromí, the daughter of a cabinet maker from Palma de Mallorca, have brought him up at Barri Gòtic, the center of the old city of Barcelona. When he was 7 years old, Miró began attending drawing classes at a private school in a medieval mansion at Carrer del Regomir. At the age of 14, Miró enrolled in business school in Barcelona but also attended La Llotja – Escuela Superior de Artes Industriales y Bellas Artes, to the dismay of his father, where he was taught by Modest Urgell and Josep Pascó.

Miró took a position as a clerk in a drugstore after completing three years of art studies, as his parents wished. But he was overworked there and became seriously ill, verging on a nervous breakdown, followed by a bout of typhoid fever. Miró’s poor health caused his parents to allow him to resume his art studies, attending from 1912 to 1915 Francesc Galí’s Escola d’Art in Barcelona, a free-spirited school famous for its influence of contemporary foreign painters and also interest in literature and music. There, Miró learned to draw by the sense of touch alone, rather than by sight.

Joan Miró learned to draw by the sense of touch alone, rather than by sight

Joan Miro new modern
Joan Miro – House with Palm Tree (detail), 1918

Courbet Group Within Cercle Artistic de Sant Lluc

In 1913, he joined the “Cercle Artistic de Sant Lluc” for drawing classes and for the opportunity of showing his work along with other members. Cercle Artístic de Sant Lluc was an arts society founded in 1893 by Joan Llimona, Josep Llimona, Antoni Utrillo, Alexandre de Riquer, as a reaction to the anticlerical current in modernism. CAdSL was known for its vigorous defense of Catholic morals and family virtue. These ideals manifested in the form of prohibiting artistic nude and all the members pursued humble qualities that were distinctive of the mediaeval guilds. Miró and a few fellow artists from the group soon established a new group within Saint Lluc. They called themselves the Courbet group, after a painter whom they admired for his radicalism.

Joan Miro
Left: Joan Miro – Paseo a la ciudad, 1917 / Right: Joan Miro – Portrait of E.C. Ricart, 1917

Miro’s Avant Garde Days Influenced by Fauves and Cubists

Around 1915, the Dada movement was emerging and Miró began reading the avant-garde Surrealist poets such as Apollinaire and Pierre Reverdy. His days inn Barcelona had also been influenced as he frequently visited the Galeries Dalmau, which was the hub of avant-garde art that exhibited the work of many foreign artists. He received an encouragement from the gallery owner and art dealer José Dalmau, who helped him organize his first solo show at his gallery in Barcelona. His first exhibition did not go so well as his other exhibitions during his fruitful career would – his work was harshly ridiculed and defaced. His early art, at that time, was pretty much influenced by Fauves and Cubists that exhibited in Barcelona in 1917, and he was greatly inspired by Vincent van Gogh and Paul Cézanne. He used a variety of bright colors which were common in Fauvism, and added many shapes, which was common in the Cubism art form.

Miró’s early art was pretty much influenced by Fauves and Cubists

Joan Miro
Joan Miro – The Waggon Tracks (detail), 1918

Joan Miro and his Inspirational Catalonia

Another source of inspiration for this artist is the rich folklore of his beloved Catalonia, which will influence his art from the beginning to its end. Miró was also forever fascinated with the interiors of ninth to twelfth century frescoed churches, with their relatively crude execution and their simple, flat and cartoon-like imagery. The use of primary colors heavily outlined in black, with a darkly shaded surrounding field, and the treatment of space as flat surfaces are just some of the elements that lingered on in his artworks. Much like children depict larger elements based on their importance to them, so did Miró play with disproportions of scale, making certain objects far larger than the others.

Miró played with disproportions of scale, making certain objects far larger than the others

Joan Miro
Left: Joan Miro – The Farmer’s Wife (detail), 1922-1923 / Right: Joan Miro – Standing Nude, 1921

Visiting Picasso in Paris and Dada Days

In 1919, Miró took his first trip to Paris, visiting Picasso in his studio. From that moment, he divided his time between Paris and his parents’ summer home and farm in Mont-roig del Camp in Spain. The Farm was painted in that period and it is showing a transition to a more individual style of painting together with certain nationalistic qualities. Ernest Hemingway, who had bought The Farm, compared the artistic accomplishment to James Joyce’s Ulysses: “It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things.” In Paris, Miró became friends with Max Jacob, Pierre Reverdy, and Tristan Tzara. He was now a part of the Dada circle, participating in their activities.  He read works of Dostoevsky, Nietzsche, the German Romantic poets and the Pre-Socratic philosophers, as well as the poets rehabilitated by the Surrealist group such as Jarry, Baudelaire, Mallarmé, Lautréamont, and Rimbaud. In 1921, Dalmau had once again organized Miró’s first solo show, this time in Paris, at the Galerie la Licorne.

The Farm portrayed a transition to a more individual style of painting

Joan Miro
Joan Miro – The Farm (detail), 1921

The Famous Pictorial Sign Language is Born

In 1923, there was a big change in Miró’s art, moving toward more sign-like forms where flat shapes and lines, mostly black or strongly colored, suggest the subjects, sometimes quite cryptically. Typical representational painting of this phase is Catalan Landscape (The Hunter) from 1923 where a triangle is used for the head, curved lines for the mustache, and angular lines for the body. This pictorial sign language will be a central theme throughout the rest of his career, and the overall composition would later be used by Jackson Pollock, Robert Motherwell, Arshile Gorky and other artists of the modernist period.

Typical representational painting of the sign-like forms is Catalan Landscape (The Hunter)

Joan Miro
Joan Miro – Catalan Landscape (The Hunter), 1923

Surrealism Welcomes Miro

In 1925, Miró had definitely abandoned figurative art as he entered the Surrealist world with an exhibition at the Galerie Pierre, a major Surrealist event. The great Breton said that Miró’s work had an innocence and freedom about it. After that, he was included in the first Surrealist exhibition at the Galerie Pierre that same year. In 1928, Miró had visited Netherlands and began a series of paintings inspired by Dutch masters. At this point he had stated his intention to “assassinate painting” as a form of disliking bourgeois art and began working with less conventional means of expression such as collage and assemblage. The same year, he had created his first papiers collés (pasted papers). In 1932, Miró returned to Barcelona and continued to paint in a new manner, producing art that was visually more direct and aggressive. He experimented with various materials including wood, metal, hardboard, objects, and paper of all kinds. In the early 1930s, Miró was concentrated on making Surrealist sculptures with painted stones and found objects.

Miró entered the Surrealist world with an exhibition at the Galerie Pierre, a major Surrealist event

Joan Miro
Joan Miro – Man and Woman in Front of a Pile of Excrement (detail), 1936

Realism of War

During the Civil War in Spain, Miró lived in France. Under a deep distress and under the influence of the tragedy unfolding in Spain, he had returned to a certain version of realism. In Paris, in 1937, he painted the mural for the Spanish Republic’s pavilion at the World’s Fair titled The Reaper (Catalan peasant in revolt), which later disappeared. He returned to Spain four years later, only to move again to Varengeville-sur-Mer on the Normandy coast where he stayed until the Nazis started bombing the area. Even though Miró was not a politically active artist, his forms during this hard time are depicting a certain brutality with distortions and garish color.

During World War II, he was inspired and influenced by the night, music, and stars and was working on establishing the language for his series titled Constellations. These paintings consisted of black dots representing stars on a white ground using gouache and thinned oil on paper tending toward cosmic awareness – painted poetry. In 1941, while Europe was still at war, the Museum of Modern Art in New York held the first retrospective exhibition of his work.

During World War II, he was inspired and influenced by the night, music, and stars

Joan Miro home style
Joan Miro – The Port (detail), 1945

Joan Miro and the Art of Ceramics

From 1944, Miró started to experiment with ceramics, bronze sculpture, and printmaking. He was always influenced by his Catalan heritage, especially the decorated Catalan pottery. With Josep Llorens y Artigas, his lifelong friend and artistic partner, he collaborated in pottery projects in the years to come. His Wall of the Moon and Wall of the Sun for the UNESCO building in Paris were given a Guggenheim International Award. Miró’s increasingly large ceramic forms have been created in individual parts to be reconnected after firing. His idea behind these gigantic works is a deference of the ceramic medium itself – what he wanted to make clear is that ceramics is not just another medium to transform painting, it is an art dimension for itself.

Joan Miro terms
Joan Miro – The Red Sun Gnaws at the Spider (detail), 1948

Print-Making and Automatic Drawing

Around the same time, Miró started to concentrate on prints and from 1954 to 1958 he worked almost exclusively in these two mediums.  Miró worked in several printmaking processes, including engraving, lithography and etching, as well as the use of stencils (called pochoir). In 1954, he received the Grand Prize for Graphic Work at the Venice Biennale, and in 1955, his work was included in the first documenta exhibition in Kassel. Joan Miró was among the first artists to develop automatic drawing, invented (or re-invented) by the surrealists, as a means of expressing the subconscious.  He used it as a way to undo the previously established techniques in painting. Most of his paintings often started out as automatic drawings.

Joan Miro terms
Joan Miro – Joy of a Girl in the Sun (detail), 1960

Palma de Mallorca Studio

In the 1950s, Miró’s work on monumental and public commissions increased. He was influenced by young American painters, so he started to create large-format paintings in his studio that Josep Lluís Sert had designed for him in Palma, Majorca and where he has lived from 1956. After his visit to Japan, a fascination by the techniques used by Japanese calligraphers can clearly be seen in his work which gradually strived towards a simplification and paring down of forms and colors. At the end of Franco regime in Spain, Miró awakens the political activist within as he uses all available means of expression to demonstrate his criticism of the general situation (both cultural and political) in his beloved homeland, and Catalonia especially.

Miró was fascinated by the techniques used by Japanese calligraphers

Joan Miro terms
Joan Miro – Blue II (detail), 1961

The Fundacio Joan Miro

Miró had created over 250 illustrated books known as Livres d’ Artiste, works of art that utilize the form of the book published in small editions. The Fundació Joan Miró, a museum dedicated to his work was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981. It was thanks to Pilar Juncosa, Miró’s wife who shared his enthusiasm, that the Joan Miró Foundation was set up and she donated or loaned to it a large part of her personal collection of her husband’s work.

Joan Miro
Joan Miro – Hope of a Condemned Man II (detail), 1974

A Rich Life

After a century-long life that has seen two world wars, Joan Miró died in 1983 with numerous monumental accomplishments to his name. An extensive, timeless oeuvre being one of them, he strongly believed that art had taken a wrong turn somewhere along the line and that it should be more like making love – a total sensation, reckless and defenseless. With his sophisticated work engaging both the physical senses and the psyche, he’s definitely managed to provoke an impression and embrace the viewer, be it an amateur or a professional colleague. Drawing from his own unconsciousness, we may all find a shade of our own thoughts in his brilliant works.
Featured image: Joan Miro, photo credits baterbys.com. All other photos credit wikiart.org.
All images used for illustrative purposes only.

YearExhibition TitleGallery/MuseumSolo/Group
2016Art Basel in Hong Kong 2016Galerie Karsten Greve, Hong KongGroup
2016Palm Beach Show 2016Childs Gallery, BostonGroup
2015Miro in the Rijksmuseum GardensRijksmuseum, AmsterdamSolo
2015From the Atelier...Rare 20th Century Masterworks on PaperGalerie Maximillian, AspenSolo
2015Riopelle | Miro: ColorAcquavella Galleries, New YorkGroup
2015Aquatint: Printing in Shades Gilden's Art Gallery, LondonGroup
2015Group ShowNicholas Gallery, BelfastGroup
2015TempoOpera Gallery, MonakoGroup
2015New realities in the 20th and 21st CenturyOpera Gallery, Central Hong KongGroup
2014Joan Miro (1883 - 1983), recent acquisitionsNicholas Gallery, BelfastSolo
2014Dali with Spanish Masters Miro & PicassoDTR Modern Galleries, BostonGroup
2014PaperNohra Haime Gallery, New YorkGroup
2014Before the HorizonFundacion Joan MiroGroup
2013Joan Miró. PrintmakingFundacion Joan MiroSolo
2013Midnight Party Walker Art Center, Minneapolis, MN Group
2013Modern Print Masters Stock The Watermill, Aberfeldy, Perthshire (Scotland) Group
2013Artistic Relationships: Partners, Mentors, Lovers Bechtler Museum of Modern Art, Charlotte, NC Group
2013Société Anonyme: Modernism for AmericaYale University Art Gallery, New Haven, CTGroup
2012Joan MiroKreeger Museum, Washington, DC Solo
2012Joan Miró - Graphische Werke, Mischtechniken und bibliophile Bücher aus fünf JahrzehntenGalerie Boisserée, Cologne Solo
2011Joan MiròGalleria Bellinzona, Milan Solo
2011MiróTate Modern, London (England) Solo
2011Joan Miró EMMA - Espoo Museum of Modern Art, EspooSolo
2010Miró: The Dutch InteriorsThe Metropolitan Museum of Art, New York City, NY Solo
2010Joan Miró Graphikmuseum Pablo Picasso Münster, MünsterSolo
2009Joan Miro - Il Colore Dei Sogni Galleria Guastalla Centro Arte, LivornoSolo
2008The Hands of Art Stedelijk Museum voor Actuele Kunst, Ghent, BelgiumSolo
2007Le Corps et son double Galerie Jeanne-Bucher, Paris, FranceSolo
2006Tapestries Bass Muesum of Art, Miami, FLSolo
2005Picasso to Plensa: A Century of Art in SpainAlbuquerque Museum, Albuquerque, NMGroup
2004VIDEO ROSSOGalleria Edieuropa, Rome, ItalySolo
2003CollagenGalerie Biedermann, Munich, GermanySolo
2002Passioni D'ArtMuseo d'Arte Moderna, Lugano, SwitzerlandSolo
2001Kunst aus SpanienGalerie Ruf, Munich, GermanySolo
2000Master - PrintsFischer Kunsthandel & Edition, Berlin, GermanySolo
1983Joan Miró: A Ninetieth-Birthday TributeMuseum of Modern Art, New York, NYSolo
1983Joan Miró: anys 20. Mutació de la realitatFundació Joan Miró, Barcelona, SpainSolo
1978Retrospective exhibition Museo Español de Arte Contemporáneo, Madrid, SpainSolo
1976Official opening of the Fundació Joan MiróBarcelona, SpainSolo
1969Miró otroCollege of Architects, Barcelona, SpainSolo
1967Ceramic mural installation, produced in collaboration with Josep Llorens ArtigasSolomon R. Guggenheim Museum, New York, NYGroup
1966Retrospective exhibition National Museum of Art, Tokyo and in Kyoto, JapanSolo
1964–1965Retrospective Tate Gallery in London, UK and at Kunsthaus de Zurich, Zurich, SwitzerlandSolo
1962Retrospective exhibition Musée National d'Art Moderne, Paris, FranceSolo
1957Retrospective of the graphic works Kaiser Wilhelm Museum of KrefeldSolo
1956RetrospectiveStedelijk Museum, Amsterdam, The NetherlandsSolo
1948First solo exhibition Galerie Maeght, Paris, FranceSolo
1941First large retrospective exhibition Museum of Modern Art, New York, NYSolo
1932First one-man show Pierre Matisse Gallery, New York, NYSolo
1930First one-man show in the United States Valentine Gallery, New York, NYSolo
1925First solo exhibition Galerie Pierre, Paris, FranceSolo
1921First solo exhibition Galerie La Licorne, Paris, FranceSolo

Oiseaux dans un paysage (W7804)
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Oiseaux dans un paysage (W7804) , 1976Joan MiroGalerie Ernst Hilger, Austria50 x 32 cm DrawingsPrice on request
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Derriere le Miroir, no. 186
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Derriere le Miroir, no. 186 , 1970Joan MiroArtWise, United States56 x 38 cm PrintsPrice on request
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Gravure sur bois 2
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Gravure sur bois 2 , 1958Joan MiroArtWise, United States51 x 32 cm Prints700 USD ($)
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Personnage et oiseau dans la nuit (W7813)
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Personnage et oiseau dans la nuit (W7813) , 1966Joan MiroGalerie Ernst Hilger, Austria78 x 56 cm DrawingsPrice on request
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Le Poete assassine (1239)
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Le Poete assassine (1239) , 1981Joan MiroGalerie Ernst Hilger, Austria96 x 141 cm PrintsPrice on request
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Personnage, oiseaux IV (W7803)
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Personnage, oiseaux IV (W7803) , 1976Joan MiroGalerie Ernst Hilger, Austria53 x 36 cm Works on PaperPrice on request
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Gravure sur Bois 5
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Gravure sur Bois 5 Joan MiroArtWise, United States51 x 32 cm Prints900 USD ($)
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A Toute Epreuve
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A Toute Epreuve , 1958Joan MiroArtWise, United States51 x 32 cm Prints900 USD ($)
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Le Homard (The Lobster)
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Le Homard (The Lobster) , 1969Joan MiroPuccio Fine Art, United States55 x 76 cm PrintsPrice on request
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A Toute Epreuve
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A Toute Epreuve , 1958Joan MiroArtWise, United States51 x 32 cm Prints900 USD ($)
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Gravure sur Bois 9
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Gravure sur Bois 9 Joan MiroArtWise, United States51 x 32 cm Prints550 USD ($)
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Gravure sur Bois 8
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Gravure sur Bois 8 , 1958Joan MiroArtWise, United States51 x 32 cm Prints700 USD ($)
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Composition
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Composition , 1964Joan MiroArtWise, United States33 x 41 cm Prints1,200 USD ($)
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Peintures, Lithographies, Sculptures, Ceramiques
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Peintures, Lithographies, Sculptures, Ceramiques , 1957Joan MiroArtWise, United States49 x 67 cm PrintsPrice on request
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Zephir Vogel - Zephyr Bird
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Zephir Vogel - Zephyr Bird , 1956Joan MiroArtWise, United States56 x 38 cm PrintsPrice on request
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Untitled from La Melodie Acide XVIII
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Untitled from La Melodie Acide XVIII , 1980Joan MiroArtWise, United States25 x 33 cm Prints875 USD ($)
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Untitled from La Melodie Acide XIV
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Untitled from La Melodie Acide XIV , 1980Joan MiroArtWise, United States25 x 33 cm Prints875 USD ($)
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Litografia original I
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Litografia original I Joan MiroArtWise, United States41 x 46 cm Prints595 USD ($)
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The Slingshot Bird
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The Slingshot Bird , 1965Joan MiroPuccio Fine Art, United States57 x 90 cm PrintsPrice on request
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Maravillas con variaciones acrosticas en el jardin de Miro (V)
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Maravillas con variaciones acrosticas en el jardin de Miro (V) , 1975Joan Miro76 x 98 cm Prints
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Personnage a la plume
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Personnage a la plume , 1970Joan MiroGalerie Ernst Hilger, Austria16 x 37 x 16 cm Sculptures and CeramicsPrice on request
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From Ceramics
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From Ceramics Joan MiroArtWise, United States56 x 38 cm Sculptures and Ceramics500 USD ($)
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Barcelona (Cramer BKS. 173)
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Barcelona (Cramer BKS. 173) Joan MiroArtrust, Switzerland105.5 x 69.5 cm PrintsPrice on request
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Lola
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Lola , 1977Joan MiroGalerie Ernst Hilger, Austria50 x 46 x 21 cm Sculptures and CeramicsPrice on request
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Album 19 Original Lithographs pages 1,14
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Album 19 Original Lithographs pages 1,14 , 1961Joan MiroArtWise, United States102 x 66 cm Prints550 USD ($)
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Le Miroir de l
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Le Miroir de l'Homme par les Betes , 1972Joan MiroArtWise, United States32 x 43 cm Prints1,500 USD ($)
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Peintures Murales
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Peintures Murales , 1961Joan MiroArtWise, United States53 x 75 cm Prints900 USD ($)
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Litografia original III
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Litografia original III Joan MiroArtWise, United States41 x 48 cm PrintsPrice on request
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Pierrot le Fou
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Pierrot le Fou , 1964Joan MiroPuccio Fine Art, United States61 x 90 cm PrintsPrice on request
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Untitled from La Melodie Acide XIII
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Untitled from La Melodie Acide XIII , 1980Joan MiroArtWise, United States15 x 33 cm PrintsPrice on request
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Gravure sur Bois 6
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Gravure sur Bois 6 Joan MiroArtWise, United States51 x 32 cm Prints700 USD ($)
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Untitled from La Melodie Acide XVII
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Untitled from La Melodie Acide XVII , 1980Joan MiroArtWise, United States15 x 23 cm PrintsPrice on request
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Constellations
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Constellations , 1959Joan MiroArtWise, United States50 x 69 cm Prints2,200 USD ($)
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Miro Lithographs, Vol 2 1953-1963
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Miro Lithographs, Vol 2 1953-1963 , 1975Joan MiroArtWise, United States26 x 33 cm PrintsPrice on request
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Untitled from La Melodie Acide XIII
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Untitled from La Melodie Acide XIII , 1980Joan MiroArtWise, United States25 x 33 cm Prints875 USD ($)
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Album 19
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Album 19 , 1961Joan MiroArtWise, United States48 x 65 cm Prints1,500 USD ($)
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Litografia Original VI
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Litografia Original VI Joan MiroArtWise, United States41 x 46 cm Prints595 USD ($)
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Untitled from La Melodie Acide XVII
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Untitled from La Melodie Acide XVII , 1980Joan MiroArtWise, United States25 x 33 cm Prints875 USD ($)
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Affiche De l
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Affiche De l'Exposition Constellations , 1959Joan MiroPuccio Fine Art, United States49 x 68 cm PrintsPrice on request
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Bouquet De Rêves Pour Neila
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Bouquet De Rêves Pour Neila , 1967Joan Miro35 x 27 cm Prints2,500 EUR (€)
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Maravillas #1063
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Maravillas #1063 , 1975Joan MiroArtWise, United States72 x 50 cm Prints575 USD ($)
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Le Miroir de l
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Le Miroir de l'Homme par les Betes , 1972Joan MiroArtWise, United States80 x 44 cm PrintsPrice on request
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A L
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A L'Encre II , 1972Joan MiroArtWise, United States27 x 36 cm PrintsPrice on request
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Paysage nocturne (W7798)
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Paysage nocturne (W7798) , 1976Joan MiroGalerie Ernst Hilger, Austria28 x 38 cm DrawingsPrice on request
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 L
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L'Oeil bleu du volcan (1238) , 1981Joan MiroGalerie Ernst Hilger, Austria96 x 130 cm PrintsPrice on request
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Sans Titre (Untitled)
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Sans Titre (Untitled) Joan MiroArtWise, United States102 x 76 cm Prints300 USD ($)
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2 Llibres: Joan Miro i Catalunya-Les Essencies De La Terra
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2 Llibres: Joan Miro i Catalunya-Les Essencies De La Terra , 1968Joan MiroArtWise, United States55 x 77 cm PrintsPrice on request
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Illustrated Poems-"Parler Seul" V
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Illustrated Poems-"Parler Seul" V , 2004Joan MiroArtWise, United States45 x 60 cm Prints150 USD ($)
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The Pine Tree of Formentor (Plate 1)
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The Pine Tree of Formentor (Plate 1) , 1976Joan MiroArtWise, United States90 x 104 cm PrintsPrice on request
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Litografia original III
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Litografia original III Joan MiroArtWise, United States41 x 48 cm Prints595 USD ($)
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Maravillas #1067
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Maravillas #1067 , 1975Joan MiroArtWise, United States72 x 50 cm Prints575 USD ($)
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Maravillas #1057
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Maravillas #1057 , 1975Joan MiroArtWise, United States72 x 50 cm Prints575 USD ($)
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Derriere le Miroir, no. 151-152, pg 18,19
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Derriere le Miroir, no. 151-152, pg 18,19 , 1965Joan MiroArtWise, United States56 x 38 cm Prints150 USD ($)
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Untitled from La Melodie Acide XII
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Untitled from La Melodie Acide XII , 1980Joan MiroArtWise, United States25 x 33 cm Prints875 USD ($)
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Derriere Le Miroir, no. 151-152 Cover
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Derriere Le Miroir, no. 151-152 Cover , 1965Joan MiroArtWise, United States56 x 38 cm Prints500 USD ($)
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Gravure sur Bois 4
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Gravure sur Bois 4 Joan MiroArtWise, United States51 x 32 cm Prints700 USD ($)
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Album 19
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Album 19 , 1961Joan MiroArtWise, United States51 x 66 cm PrintsPrice on request
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Exposition Peintures Murales
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Exposition Peintures Murales , 1961Joan MiroPuccio Fine Art, United States49 x 70 cm PrintsPrice on request
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Beats
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Beats , 1968Joan MiroPuccio Fine Art, United States53 x 53 cm Prints7,500 USD ($)
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Thank for your interest in Beats by Joan Miro, proposed by Puccio Fine Art. The asking price is currently 7500 USD ($)

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Barcelona
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Barcelona , 1977Joan Miro20 x 25 cm Drawings4,950 EUR (€)
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Thank for your interest in Barcelona by Joan Miro, proposed by Sylvan Cole Gallery. The asking price is currently 4950 EUR (€)

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