Kenji Nakayama is a Japanese artist, best known for his designs and sign paintings which he makes using stencils. Nakayama was born in 1979, in Tomakomai, a city on Hokkaido island. Unlike many artists today, Kenji didn’t set out to be an artist. In 1998, he enrolled in Musashi Institute of Technology in Tokyo, majoring in Mechanical Engineering. However, two years later, he moved to Boston where he wanted to learn the arts of traditional sign painting and subsequently, pursue a career in art. In 2004, Nakayama was accepted to Butera School of Arts in Boston, Massachusetts, from which he graduated in 2006.
Kenji believes that inspiration comes from within. His artworks are heavily influenced by his past and present habits and lifestyle. When it comes to his practice, to say that it’s disparate would be an understatement. He creates prints and rich signs, sometimes free-handedly, sometimes using stencils. Every single stencil painting can take him several months to finish, and it is usually very complex and perfectly complements the environment around it. Nakayama often draws from simple things in his everyday life, such as humor, music, urban life, or solitude.
Nakayama has displayed his artworks extensively throughout the US and the world. Some of the more notable group shows include Take a Deep Breath, organized by Carmichael Gallery in West Hollywood in 2008 (this was his first group exhibition), The May Lane Street Art Project at the Anne and Gordon Samstag Museum of Art in Australia in 2012, Sur-Real exhibition at Woodward Gallery in 2014. Kenji’s highly acclaimed one-man exhibitions include the 2010’s Brooklyn and 2011’s Clouded Vision, both organized by Woodward Gallery in New York. Apart from these, Kenji had several collaborative shows with Dana Woulfe at Loft F Gallery and Hellion Gallery.
Kenji Nakayama continues his practice by featuring in the group show Constructed Communication at the Museum of Craft and Design (MCD) in San Francisco, next to Amy Sinbondit and Ben Venom. Kenji packs entire narratives into singular words and phrases by way of his indexical knowledge and practice of hand lettering. Constructed Communication is a combination of talk and technique where Kenji communicates as much through the serifs and calligraphic flourishes of his letters as through the words his letters spell.
Featured image: Portrait of the artist
All images courtesy of Woodward Gallery
|2016||Constructed Communication||Museum of Craft and Design, San Francisco||Group|
|2014||Sur-Real||Woodward Gallery, NYC||Group|
|2013||DETAIL||Woodward Gallery, NYC||Group|
|2012-13||Kenji Nakayama||Private dining rooms at the Four Seasons Restaurant, New York, NY||Solo|
|2012||Group Show||deCordova Sculpture Park and Museum, Lincoln, MA||Group|
|2012||Too Far Gone||Hellion Gallery, Portland, OR||Group|
|2012||Kenji Nakayama||Woodward Gallery, New York, NY||Solo|
|2012||Rather Unique||Woodward Gallery, New York, NY||Group|
|2012||Brother From Another Mother: Part Two||Loft F Gallery, Boston, MA||Group|
|2012||May’s: The May Lane Street Art Project||Gosford Regional Gallery, East Gosford, NSW, Australia||Group|
|2012||An American Language||Guerrero Gallery, San Francsisco, CA||Group|
|2011-12||Kenji Nakayama: Clouded Vision||Bank of America SoHo, New York, NY||Solo|
|2011||May’s: The May Lane Street Art Project||Anne & Gordon Samstag Museum of Art, Adelaided, SA Australia||Group|
|2011||Pre-Vinylite Society Art Show||Extension Gallery at Orchard Skateshop, Allston, MA||Group|
|2010||The Great Outdoors||Woodward Gallery, New York, NY||Group|
|2010||Kenji Nakayama: Brooklyn||Woodward Gallery Project Space, Woodward Gallery, New York, NY||Solo|
|2009||Mom & Popism||Gawker Media; New York, NY||Group|
|2009||The Great Outdoors||Artbreak Gallery, Brooklyn, NY||Group|
|2009||May’s Lane Street Art Retrospective||Sydney, Australia||Group|
|2008||Take a Deep Breath||Carmichael Gallery, West Hollywood, CA||Group|