In the late 70’s and early 80’s non-official artist-run movement, The Stars Group initiated the Post-Cultural Revolution. Mao Lizi was the founding member of that organization which significantly influenced and shaped the Chinese contemporary art scene. The main characteristic of Lizi’s work is simplicity, contained in the idea that less is more. His paintings are elegant and gentle with rhythmical composition. He is deeply inspired by the traditional Chinese calligraphy and painting incorporated in the abstract structure. Lizi’s paintings manipulate with the linear flow challenging the viewer to its poetic imagery. He captures the tones of pigment’s dark and light, illustrating the beauty, freedom and sensuality of expression.
Born in Shan Xi, China, Mao Lizi is a partially self-taught painter who worked as a set designer for the Chinese Air Force. He attended a specialization course in oil painting at the Central Academy of Fine Arts in Beijing, graduating in 1987. In 1990, he received a grant from the French government and was a Visiting Professor at the Ecole Nationale des Beaux Arts in Paris. After a short period living and working as an artist in Paris, Lizi returned to Beijing where he set up his present studio. He had a large-scale solo exhibition in China, but also in Europe and North America.
Hyper-realistic images represent details of insignificant objects or places visually and metaphorically enlarged through the artistic intervention. In the exhibition from 1976. Hesitating – Ten Years of Chaos in New Life Lizi successfully captured the destruction of one era, representing, for example, washed out wall slogans and graffiti or wall with a plant emerging from a crack. Reconsidering his own artistic path and following the desire to always move the limits of expression, Lizi spent a few years searching for his personal infinity. So, in 2005. using the new realistic technique, he made a visual impact with series of abstract paintings.
Mao Lizi’s work understands the uncertainty of the abstract painting which is the essence of unpredictability where the artist tries to find new possibilities of expression. These paintings represent the confirmation of found peace and harmony with his inner feeling. Focusing on the detail, Lizi has always insisted on the simplicity of his paintings. His philosophical thoughts on relations between abstraction and natural, poetic and metaphorical presentations indicate original personality and distinctive style.
Featured image: photo via artnet.com
All images used for the illustrative purpose only
|2016||Art Central||Parkview art Hong Kong||Group|
|2015||Summer group exhibition||Pekin fine arts, Bejing||Group|
|2013||The 55th Venice Biennale Collateral Event||Palazzo Mora Cannaregio, Italy||Group|
|2012||Infinite-Mao Lizi’s Itinerant Exhibition Tai Pei Stop||National Chiang Kai-shek Memorial Hall, Taipei||Group|
|2012||Untitled||Art Asia Miami, Miami, American||Group|
|2012||Unlimited: 2012 Mao Lizi Traveling Exhibition||Taipei, Taiwan||Group|
|2011||Reality-Illusion: Mao Lizi Solo Exhibition||Asia Art Center, Beijing, China||Solo|
|2010||Zhe: Color of Temptation||Liechtenstein Center for Arts & Culture, Liechtenstein||Group|
|2010||Reconstruction: Chinese Contemporary Abstract Art||Zhejiang Art Museum, Hangzhou & the Today Art Museum, Beijing, China||Group|