Mariko Mori - Photo of the artist - Image via Shminhe

Mariko Mori/ Mariko Mori

Japan 1967

Installation, Sculpture

Mariko Mori
Mariko Mori
Female
Japan
1967

Mariko Mori is an internationally acclaimed Japanese artist whose impressive Curriculum Vitae consists of numerous sculptures and installations based on incredible concepts that vary to an unbelievable amount. Her practice investigates endless issues that trouble all of us throughout our lives, intersecting questions connected to death, reality and technology. Mori further emphasizes her versatile style with her skillful usage of photography, film and performance. This captivating artist is often used as an example to show just how much one individual’s art can be both unique and fascinating at the same time.

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Mariko Mori – White Hole, 2008

From Asia to the Center of the West

Mariko Mori was born in Tokyo, Japan, during the year of 1967. Her father was an inventor and a technician, while her mother was an art historian that specialized in the field of European art. With such influences hovering above her, it presents no wonder that Mori grew up into an outstandingly unique artist. During her young years, she was attracted to the world of fashion and designing. Desiring to one day become a part of that universe, Mori started attending Bunka Fashion College in the 1980s, focusing much of her attention to designing. In between classes, Mori used to earn cash as a model, getting her first taste of the industry she was so desperate to crack into. After she was done with school, Mariko decided to further her knowledge and understanding of design by leaving Japan and committing to the Chelsea College of Art and Design in London, United Kingdom. Upon graduation, Mori set her sails for New York, hoping that The Big Apple would prove to be the right place for her to develop and achieve all the goals she set for herself. She got involved with the Whitney Museum’s Independent Study Program and it was then that she started to get noticed in the art scene. However, small praises and nods were just a taste of greater things to come. She gained massive recognition in the year of 2003, when she displayed her interactive installation Wave UFO at the Kunsthaus Bregenz, in Bregenz, Austria. After the initial success, this installation traveled around the world, attracting much attention wherever it went. In her early work that followed, Mori explored urban cyberculture and kitsch, but also dedicated much attention to the Japanese culture and heritage.

A critically acclaimed capsule-shaped structure resembling a spaceship, Wave UFO is the first large-scale installation that really introduced the greatness that is Mariko Mori

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Mariko Mori – Wave UFO, 1999

Mori’s Concepts

Ever since her early days as an artist, Mariko was showing what will later become her signature – a fascination with futuristic themes and characters. Fantastic deities, robots, alien creatures and spaceships will all find their way into this artist’s portfolio over time. Mori’s diverse style includes video and photography, works on paper, sound, sculpture and large-scale installations, all with goals of exploring the junction between art and science, antiquity and modernity. Mariko Mori uses her art to explore themes such as individual spirituality, overwhelming technology, feminism and sexuality. She often turns to the usage of futuristic images and photo editing in order to enable the maximum level of correspondence with the audience. Mori likes to make sure her art is fully authored by placing her own photos on the works, making the entire concept of absorbing art much more personal. However, inserting Mariko’s face via photography is not the only way this artist incorporates herself with her art – Mori often chooses to perform personally in or around her pieces. These decisions have led many critics to compare Mariko with the ideas of Cindy Sherman, a fellow artist who also likes experimenting with her appearance. One of the definite highlights of Mori incorporating herself inside her pieces are the fascinating quirky photographs of fantastical Manga-inspired environments. Mariko has also examined Jomon and Celtic traditions and belief systems, blending ancient symbols and rituals with advanced digital technologies.

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Mariko Mori – Miracle, 2001

Finding Her Work Inside a Gallery, Museum or in the Great Outdoors

During the early 2010s, Mori seems to put much effort into developing her sculptures. Her large piece Sun Pillar from 2011 is a nice example of Mariko’s mature ideas. This sculpture was the very first installation completed for the project of Faou Foundation in Miyako Island of Okinawa, Japan, and it had the mission to bring attention and raise awareness of the state our planet is in. Since we are at this particular subject, it should be noted that Faou Foundation was actually founded by Mori during the year of 2010 as an educational and cultural non-profit organization dedicated to placing a series of site-specific permanent art installations with goals of honoring the nature of the six habitable continents. The upcoming Faou Foundation permanent installation entitled Ring will be set over a beautiful waterfall at Visconde Mauá, in the city of Resende, not far from Rio de Janerio, Brazil, in the year of 2016. Mori’s works have been acquired by museums and private collectors all around the world, causing the artist to really reach an incredible height amongst people that wish to own a piece of her art. She has also received various awards, including the prestigious Menzione donors at the 47th Venice Biennale in 1997 (for “Nirvana”) and the 8th Annual Award as a promising Artist and Scholar in the Field of Contemporary Japanese Art in 2001 from Japan Cultural Arts Foundation.

Make sure to know her name, because Mori’s work saw her become one of the most renowned artists to ever come out of Asia

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Mariko Mori – Flatstone, 2006

Incomparably Unique

Comparing conflicting cultures and systems such as Buddhism and science, Mori creates a visual vocabulary that points simultaneously forward and backward. These kinds of contradictions have really become the focal point of Mariko’s work – she will intentionally abandon you inside her installations, leaving you to wonder if you agree or disagree with her concepts. To conclude, the ever-present fascination with technology and spirituality that followed Mori throughout her career, proved to be a mean of transcending and transforming both consciousness and self. The deep mysticism really became a trademark of Mariko’s art and it will always be a pleasure to both see and analyze her work.

Mariko Mori lives and works in London, New York and Tokyo.

Featured Image: Mariko Mori – Photo of the artist – Image via Shminhe
All images courtesy of Mariko Mori

YearExhibition TitleGallery/MuseumSolo/Group
2016Mariko Mori - Cycloid SCAI the Bathhouse, TokyoSolo
2016Come as You Are: Art of the 1990sBlanton Museum of Art, Austin, TXGroup
2015Mariko Mori - CyclicscapeSean Kelly Gallery, New York City, NYSolo
2015Mariko Mori: RebirthArt Gallery of Western Australia, Perth, WASolo
2015X Chrome HeartsSean Kelly Gallery, New York City, NYGroup
2014Mariko MoriGalerie Forsblom, HelsinkiSolo
2014Total Art: Contemporary VideoNational Museum of Women in the Arts, Washington, DCGroup
2013Rebirth: Recent Work By Mariko MoriJapan Society Gallery, New York City, NYSolo
2013Mariko Mori - Infinite RenewEspace Louis Vuitton Tokyo, TokyoSolo
2013Mariko Mori - Flatstone8/F Club Lusitano, Hong KongSolo
2012Mariko Mori: RebirthRoyal Academy of Arts, LondonSolo
2011Mariko Mori – OnenessCentro Cultural Banco do Brasil - CCBB - Rio de Janeiro, Rio de Janeiro, RJSolo
2010Mariko Mori: KumanoAsia Society and Museum, New York City, NYSolo
2009Flat StoneSCAI the Bathhouse, TokyoSolo
2009White HoleGalerie Emmanuel Perrotin - Paris, ParisSolo
2008Mariko MoriMACRO, Rome Solo
2008Mariko MoriLouise.T Bouin Foundation, London Solo
2007Retrospective, Aarhus Museum, Aarhus, Denmark Solo
2007Retrospective, Groninger Museum, Groningen, Holland Solo
2006 Beginning of the End Albion Gallery, London, UK Solo
2006 Primal Memory Kyodo Museum, Chino, Japan Solo
2006 Tom Na H-iu SCAI-Shiraishi Contemporary Art, Inc., Tokyo Solo
2006UntitledAomori Museum, Chikano Yasuta, Aomori City, Amori, JapanGroup
2006Singapore Biennale, SingaporeGroup
2006UntitledKyodo Museum, Toyohira Chino City, Nagano, JapanGroup
2006 Cosmic Wonder Yerba Buena Center for the Arts, San Fransisco, CAGroup
2006 Surprise, Surprise Institute of Contemporary Arts, LondonGroup
2006UntitledPeabody Essex Museum, Permanent Gallery of Japanese Art and CultureGroup
2005 Gorgeous Isn't Good Enough Milano Hangar Bicocca, Pierelli, Milano, ItalyGroup
2005 Changes of Mind : Belief and Transformation Haunch of Venison, LondonGroup
2005 The 51th International Art Exhibition, Always a Little Further Arsenale, La Biennale Di Venezia (Venice Biennale), Venice, ItalyGroup
2005UntitledGalerie Emmanuel Perrotin, ParisGroup
2005 Art Unlimited stand Emmanuel Perrotin, Foire de Bâle, Switzerland Solo
2004 Transcircle The University Museum, Koishikawa Annex, University of Tokyo, Japan Solo
2004 Arti & Architettura 1900-2000 Palazzo Ducale, Genova, ItalyGroup
2004 Monument to Now DESTE Foundation for Contemporay Art, Athens, GreeceGroup
2004 Artists' Favourites, Act I Institute of Contemporary Arts, LondonGroup
2004 Love-Hate from Magritte to Cattelan, Masterpiece from the Museum of Contemporary Aty, Chicago Villa Manin-Center of Contemporary Art, Passarino, Udine, ItalyGroup
2004 Dream Extensions S.M.A.K, Gent, BelgiumGroup
2004 Future Noir Gorney Bravin+Lee, New YorkGroup
2003 Moving Pictures Guggenheim Museum Bilbao, SpainGroup
2003 Secret in the Light of Day Galleria Andre Viana, Porto, PortugalGroup
2003 The Uncanny: Experiments in Cyborg Culture The Mendal Art Gallery, Saskatoon, CanadaGroup
2003 Picturing the Artist: Photography from the MCA Collection Museum of Contemporary Art, ChicagoGroup
2003 Rituale Akademie Der Künste, DeutschGroup
2003 Commodification of Buddhism Bronx Museum, New YorkGroup
2003 Connected World Galerie Emmanuel Perrotin, Paris, France Solo
2003Mariko MoriHiromi Yoshii + gallery Koyanagi, Tokyo, Japon Solo
2003 Oneness Deitch Projects, New York, USA Solo
2003Wave UFO, Kunsthaus Bregenz, Autriche Solo
2003 Connected World Galerie Emmanuel Perrotin, Paris Solo
2003Mariko MoriHiromi Yoshii + gallery Koyanagi, Tokyo, Japan Solo
2003 Oneness Deitch Projects, New York Solo
2003 Wave UFO Public Art Fund, New York Solo
2003 Wave UFO Kunsthaus Bregenz, Austria Solo
2002 Pure Land MOT, Tokyo, Japon Solo
2002 Deep Space : Sensation and Immersion ACMI, Melbourne, AustralieGroup
2002Bienal de Sao Paulo, BrazilGroup
2002 Synopsis II - Theologies The National Museum of Contemporary Art, Athènes, GrèceGroup
2001UntitledPhiladelphia Museum, USAGroup
2001 Hypermental Hamburger Kunsthalle, Hamburger, SuisseGroup
2001 Translated Acts Haus der Kulturen der Welt, Berlin, AllemagneGroup
2001Contemporary Issues in Asian Art Duke University Museum of Art, DurhamGroup
2001Ikiro-be alive, Contemporary Art from Japan-1980 until now Kröller-Müller Museum,Otterlo, Pays-BasGroup
2001 Empathy : Discovering Worlds Pori Art Museum, FinlandeGroup
2001 Moving Pictures : Triennale Esslingen AllemagneGroup
2001 Miracle Gallery Koyanagi, Tokyo, Japon Solo
2001 Form Follows Fiction Castello di Rivoli Museo d'Arte Centemporanea, Turin, Italie Solo
2000 Dream Temple Rooseum Center for Contemporary Art, Malmö, Suède Solo
2000 Link Centre Georges Pompidou, Paris, France Solo
2000 Beginning of the End Centre National de la Photographie, Paris, France Solo