Michael Staniak is an Australian artist whose experimental, digital media-inspired paintings explore process, materiality, and abstraction in a digital era. His interests are aligned with artists who use digital strategies to create objects or make works of art inspired by the culture of the web. He describes himself as a post-Internet artist, someone whose work is informed by my act of surfing the web and engaging in its aesthetics. Generally speaking, Staniak’s work concentrates on the changing images in the digital culture and it is process-oriented. It oscillates between flat digital imagery and texturized analog painting.
Michael Staniak was born in 1982, in Melbourne, Australia. He earned a BFA and an MFA from the Victorian College of the Arts, Melbourne as well as a BA from Middle Tennessee State University. The aesthetics behind Staniak’s works is soft and delicate, but it nevertheless keeps the viewer’s eye stimulated because of the variety of subtle changes in acrylic colors and textures. Even though Michael Staniak creates his paintings by hand, they resemble flat digital prints – we have to view his works up close in order to perceive minute textures and the sense of depth. However, some of his paintings use digital processes and in this way establish the dialogue between analog acrylic work and digital modes of production. The artist’s works explore an entirely new direction in painting which is strongly influenced by current technologies, such as touch pads, smart phones, personal computers and of course the omnipresent Internet.
Michael Staniak is the founder and director of Paradise Hills Gallery, which is an artist-run project in Melbourne, Australia. He also regularly collaborates with Steve Turner Gallery. When it comes to his own shows, he has had solo exhibitions at Nellie Castan, Metro Gallery and Blockprojects, Melbourne and Artereal Gallery, Sydney. In addition to these important national shows, his work has been included in numerous group exhibitions as well, such as the Moving Museum’s Istanbul project and Kunsthalle Wien in Vienna, Austria. His international reputation started to grow after his solo exhibition in 2014, entitled Image DNA and held at Steve Turner Contemporary in Los Angeles, USA. Staniak’s new works have been included in group shows at Horton Gallery and Charles Bank in New York and he received the Artstart Grant in 2013 in his home country. Besides receiving this prestigious grant and working in Los Angeles, Staniak was the winner of many prizes as well, such as the Stirling Group Award in 2009, the Acacia Award in 2007 and 2010 Art Award.
For Staniak, paintings represent both objects and images. I consider the finished work as a moment in my practice; something to be considered and valued as an object that will ultimately end up as another picture entering the stream of the internet, he said about his artistic practices. The artist is an active exhibitor who has participated in numerous solo and group shows worldwide and currently he’s collaborating with The Contemporary Art Museum in St. Louis, Missouri, which will publish his first monograph in late 2016.
Featured image: Staniak’s Portrait
All images courtesy of the artist.
|2016||Steve Turner at Seattle Art Fair||Seattle, WA||Group|
|2016||Steve Turner at Dallas Art Fair||Dallas, TX||Group|
|2015||Perspectives on Archeology: From Modernity to Present Day||D&F Contemporary, New York City, NY||Group|
|2015||The Future of Memory||Kunsthalle Wien (Museumsquartier), Vienna||Group|
|2014||Michael Staniak||NKN Gallery, Melbourne, VIC||Solo|
|2014||Slow Pictures||Artereal Gallery, Rozelle, NSW||Solo|
|2014||Michael Staniak - Image Dna||Steve Turner Contemporary, Los Angeles, CA||Solo|
|2014||Internet Blueprints||Art Brussels with Steve Turner Contemporary, Brussels||Solo|
|2014||Side Project||Academy of Design Australia, MELBOURNE||Group|
|2014||Bien Ou Bien?||Moncheri, BRUSSELS||Group|
|2014||The Salon is a Living Room||Fanny Berta, VIENNA||Group|
|2014||Zona Maco with Steve Turner Contemporary, MEXICO CITY||Steve Turner Contemporary, MEXICO CITY||Group|
|2014||Merge Visible||Horton Gallery, NEW YORK||Group|
|2013||Standard Output||Block Projects, Melbourne||Solo|
|2013||Instapaint||Paradise Hills, Melbourne||Solo|
|2013||UNTITLED Miami Beach Art Fair||Steve Turner Contemporary, MIAMI||Group|
|2013||#Pseudoreal||Judith Charles Gallery, NEW YORK||Group|
|2013||Sydney Contemporary 13||International Art Fair, SYDNEY||Group|
|2013||Ctrl Paste||New Low, MELBOURNE||Group|
|2013||Everything At Once||Paradise Hills, MELBOURNE||Group|
|2012||Virtually a Universe (with Gregory Staniak)||Paradise Hills Gallery, Melbourne||Solo|
|2012||Square of Heroes||Artereal Gallery, Sydney||Solo|
|2012||Polarspace.org, Online Exhibition||MELBOURNE, Australia||Group|
|2012||Polarspace.org, Online Exhibition||NEW YORK, USA||Group|
|2012||Primal Mutation||Northern Territory Centre for Contemporary Art, DARWIN||Group|
|2012||Not Fair Art Fair||MELBOURNE, Australia||Group|
|2011||History Suspended||Nellie Castan Gallery, Melbourne||Solo|
|2011||Painting in a Digital Landscape||Paradise Hills Gallery, Melbourne||Solo|
|2011||Liquid Crystal Baroque||Metro Gallery, Melbourne||Solo|
|2011||VCA Masters of Fine Art Graduation Exhibition||Margeret Lawrence Gallery, MELBOURNE||Group|
|2011||High Definition II||Ausin Ting Gallery, MELBOURNE||Group|
|2011||High Definition||Paradise Hills, MELBOURNE||Group|
|2011||Neo Black, (curated exhibited)||Seventh Gallery, MELBOURNE||Group|
|2010||The AstroTurf Garden Expo (with Dean Thompson)||Chapman and Bailey, Melbourne||Solo|