Olivia Parker

United States 1941

Photography, Still Life


Olivia Parker
Olivia Parker
United States
November 15, 2016
Web journalist, coffee junkie and art fanatic. Cares about the environment, writes for Widewalls. Alias of Milica Jovic

Olivia Parker is a American photographer whose artworks rely heavily on the still life tradition of 17-century painters. The artist uses changing the light and various objects to create pieces of incredible simplicity but also images of surreal complexity. Olivia Parker’s photos focus on basic human needs like having food on the table and roof over your head, but also with a more refined desires such as a need for company and personal growth. By juxtaposing unusual objects and arrays of soft light the still life photographer forces the viewers to continually explore their meaning and discover something different every time they look at them.

Like many of her peers Olivia Parker graduating Art History from Wellesley College
Olivia Parker – Christophine, 2012

The Vulnerability of Physical Objects in the Pieces of Olivia Parker

Olivia Parker was born in 1941 in Boston. After graduating Art History from Wellesley College in 1963 the artist had began her career as a painter before she dedicated her life to photography. At first, her photos were done in black and white with large 8 x 10″ and 12 x 20″ formats. Throughout her career, she used a variety of materials and equipment: including view cameras from 4×5 up to Polaroid 20×24, 35mm and medium format cameras, black and white and color film, silver and Cibachrome prints, Polaroids[1]. Early in her career Olivia Parker contact printed the negatives and then split-toned the prints to achieve a characteristic rich tonal quality. In the 1990s the artist started using digital technologies including Mac computers, digital files, digital cameras, Photoshop, and Epson printers but though she replaced the dark room with a modern technology the main preoccupations of her work remains the same as always. Her images are inspired by the work of great 17th century Dutch, Flemish and Spanish masters marked with torn petals, unusual home insects, and imperfect fruit.By juxtaposing soft light against a dark background the artist creates pictures with sharp objects and a background that’ appears as if desiring into darkness interrupted only by the strips of window light. Her photographs usually depict still life images constructed from ephemeral objects in the artist’s home or studio. Olivia Parker usually artworks with soft natural light and sunlight as they both portray the vulnerability of photographed objects. Artist particularly likes to photograph shells as she believes that all pictures retain the formal shell of the expected but content unexpected elements. After photographing her works are usually printed on silver chloride paper and toned in selenium.

The objects are surrounded by a significant, ephemeral blur as if a spell has been cast on them

Olivia Parker - Landscape with Shells Olivia Parker - Shell in a Landscape © Olivia Parker, 2011 via lensculture
Olivia Parker – Landscape with Shells (left) / Shell in a Landscape, 2011 (right)

Signs of Life, Under the Looking Glass, and Weighing The Planets Monographs

Throughout her prolific career, there have been three monographs of her artwork: Signs of Life, Under the Looking Glass, and Weighing The Planets.[2] In her publications, the artist explores the meaning of photographs trough questioning the relationship between the visual and the verbal which is why Olivia Parker’s art books contain more artworks than words. The photographer was inspired by tribal books that have become completely visual objects due to the fact that no-one can read and understand them anymore. Her first book Signs of Life features elegantly arranged simple photographs of beautiful objects such as white orchid, ballet slippers, and pearl necklaces but also by imperfect pairs and broken egg shelves that convey the notion of domesticity. Her second book Under the Looking glass represents set of artist’s collages as she uses flowers, rotten fruits, and flowers to erase the difference between dreams and the reality. The artist used an array of other unusual items such as glass vials, metal objects and nautical maps to create her poetics peace. Her Weighing the Planets artworks were created by projecting shadows of various figures and objects on maps and encyclopedias to create an effect of people and objects floating above the ground. The book explores the spirit world reminiscent of the ancient tribal religions who believed that animals floated on the sky propelled by the moving spirit. Apart from honoring tribal religions the book also represents a unique tribute to all photographers who create their artworks by traveling the globe as the artist believes that this type of creative process takes more courage than working in a studio.

Olivia Parker portrays a variety of human needs that can be seen in every community

Olivia Parker - Red Orchids
Olivia Parker – Red Orchids

Information about Exhibitions and Residencies

Olivia Parker’s work is represented in many major collections including the Museum of Fine Arts, Houston, the Museum of Modern Art, New York, and the International Museum of Photography at George Eastman House, Rochester, New York.[3] Her works are featured in over 100 exhibition in US and abroad. The self taught photographer also participated in several artist residencies including a residency in Dartmouth College in 1988, The MacDowell Colony in 1993 and The Isabella Stewart Gardner Museum in 1997.

Olivia Parker lives and works in Boston.


  1. Anonymous. Frequently Asked Questions, Olivia Parker Photography [November 12, 2016]
  2. Fallis G. Sunday Salon, UTATA Tribal Photography [November 13, 2016]
  3. Anonymous Olivia Parker resume, Catherine Edelman Gallery [November 13, 2016]

Featured images : Olivia Parker in studio via srbijafoto.rs
All images via lensculture.com unless otherwise credited

YearExhibition TitleGallery/MuseumSolo/Group  
2015Actual Size, Exploring the Photographic Contact PrintCassilhaus, Chapel Hill, NCGroup
2015A History Of PhotographyGeorge Eastman House International Museum of Photography and Film, Rochester, NYGroup
2014Still/lifeRobert Klein Gallery, Boston, MASolo
2014In ResidenceHood Museum of Art at Dartmouth CollegeGroup
2014America ’70Paci Contemporary, Brescia, Italy Group
2014New Construction Windsor Art Center, Windsor, CTGroup
2014Exposure: An Exhibition Of Contemporary PhotographyA128 Creative Arts Center, Dayton, OHGroup
2013Still Life Lives!Fitchburg Art Museum, Fitchburg, MAGroup
2013Light SensitiveDuke University, Durham, NCGroup
2012Great Photographers!Luise Ross Gallery, New York City, NYGroup
2011Instant ConnectionsHotel Commonwealth, Boston, MAGroup
2011Still and Not So Still LifeRobert Klein Gallery, Boston, MASolo
2009Summer SalonRobert Klein Gallery, Boston, MAGroup
2009Still SeennRobert Klein Gallery, Boston, MAGroup
2009Joint Exhibition works1839 Contemporary gallery, TaipeiGroup
2008In the LightFigge Art Museum, Davenport, IAGroup
2008To Infinity and Beyond: Mathematics in Contemporary ArtHeckscher Museum of Art, Huntington, NYGroup
2008For the BirdsJoseph Bellows Gallery, La Jolla, CAGroup
2007Seeing ThingsDorsky Gallery Curatorial Programs (DGCP), New York City, NYGroup
2006Lost Objects and EphemeraJoseph Bellows Gallery, La Jolla, CASolo
2005Olivia ParkerRobert Klein Gallery, Boston, MASolo
2004Luminous Forms: Abstractions in Color PhotographyDeCordova Sculpture Park and Museum, Lincoln, MAGroup
2004Olivia Parker: Fact or Fiction: A Twenty Five Year JourneyCatherine Edelman Gallery, Chicago, ILSolo
2003MÜtter Museum PhotographsSF Camerawork, San Francisco, CAGroup
2002What WereYou Thinking?Catherine Edelman Gallery, Chicago, ILGroup
2002American Perspectives: Photographs from the Polaroid CollectionPhotographic Resource Center (PRC), Boston, MAGroup
2000Photography in Boston - 1955-1985DeCordova Sculpture Park and Museum, Lincoln, MAGroup
1997Animal InstinctsCatherine Edelman Gallery, Chicago, ILGroup
1989Holiday InvitationalArtSpace - Virginia Miller Galleries, Coral Gables (Miami), FLGroup
1988Olivia ParkerJulie Saul Gallery, New York City, NYSolo
1987Midtown Review: A Look at Photography Books of 1987International Center of Photography, New York City, NYGroup
1985Objects and ImplicationsFotografie Forum international, Frankfurt/MainSolo
1982Photographs by Olivia ParkerThe Art Institute of Chicago, Chicago, ILSolo
1982Photo-CollageInternational Center of Photography, New York City, NYGroup
1981The New Color: A Decade of Color PhotographyInternational Center of Photography, New York City, NYGroup