Fine Art

Pan Gongkai

China 1947

Fine Art

Pan Gongkai
Pan Gongkai
November 6, 2014
Ok, I know it's so damn corny to quote somebody just to describe yourself, let alone Confucius, but this quote says all about my relationship with Widewalls, so forgive me for doing this: Choose a job you love, and you will never have to work a day in your life. Am I forgiven?

Pan Gongkai is a Chinese artist and educator, a fervent advocate of China’s indigenous artistic traditions, who brings the passion of a practitioner to discourse on the relationship between Chinese and Western art today.

He was born in Ninghai, as a member of one of China’s most illustrious artistic families – his father was Zhejiang painter Pan Tianshou. Pan did his secondary study at the Middle School Attached to the Zhejiang Academy of Art (Zhejiang Academy of Art is the preexistence of the China Academy of Art). He studied painting at the Zhejiang Academy of Art (current China Academy of Art).

Pan has played a decisive role in the intellectual life of his nation, serving as president of two esteemed fine arts academies, the China Academy of Art (CAA) in Hangzhou (1996-2001) and the Central Academy of Fine Arts (CAFA) in Beijing (2001-14).

His own artistic practice and intellectual endeavors have been shaped by a belief in the presence of a distinct and modern consciousness in twentieth-century ink painting in China. The corollary is that modernity in Chinese art in the early twenty-first century must not of necessity be tied to Western theories, media, and practice.

His first USA exhibition was in Frye Art Museum by the name Withered Lotus Cast in Iron. A subject celebrated by Literati masters of the past, the withered lotus can suggest bitter feelings and trauma, both personal and national. The autumn blossoms in Pan’s painting were, however, neither frail, nor weak; instead, they are forged with strength, “cast in iron.” Such a reference to iron in the context of ink painting is not unusual. Ancients would speak, for example, of using the brush as “iron, splashing the ink like waves,” and of forceful brushwork that resembles wrought iron.

Pan Gongkai is convinced that ink painting has prevailed and flourished to the present day due to its inherent ability to respond to, and reflect, periods of disjuncture and social turmoil such as that which has pervaded China over the past one hundred years.

He is the current president of the China Central Academy of Fine Arts and lives and works in Beijing.

Feature Images – Flower in four season (detail) and  Shadow No.2 (detail) 
YearExhibition TitleGallery/MuseumSolo/Group 
2014Pan Gongkai: Withered Lotus Cast in IronFrye Art Museum, Seattle, WASolo
2014Yanzhan - Chinese Contemporary Ink PaintingsPoly International Auction Co, BeijingGroup
2013Pan Gongkai-Dispersion and GenerationToday Art Museum, Beijing, ChinaGroup
2012Original Forms of Chinese Water Ink PaintingSanchuan Modern Art Museum, Nanjing, JiangsuGroup
2012NOT ONLY PAPERCAFA Art Museum, Beijing, ChinaGroup
2011Biennale di Venezia - 54th International Art ExhibitionLa Biennale di Venezia, VeniceGroup
2011PERVASIONPavilion at ArsenaleGroup
2010The Power From Academy - Cafa Contemporary Art ExhibitionGuangdong Times Museum, Guangzhou, GuangdongGroup
2010ON INK AND WASH - A DIALOGUE BETWEEN CONTEMPORARY ARTISTSShanghai Duolun Museum of Modern Art, Shanghai, ChinaGroup
2008Accumulations - The Spirit of the EastAsia Art Center, BeijingGroup
2007Still Water Runs Deep - Pan GongkaiThe Guangdong Museum of Art, Guangzhou, GuangdongSolo