Pan Gongkai is a Chinese artist and educator, a fervent advocate of China’s indigenous artistic traditions, who brings the passion of a practitioner to discourse on the relationship between Chinese and Western art today.
He was born in Ninghai, as a member of one of China’s most illustrious artistic families – his father was Zhejiang painter Pan Tianshou. Pan did his secondary study at the Middle School Attached to the Zhejiang Academy of Art (Zhejiang Academy of Art is the preexistence of the China Academy of Art). He studied painting at the Zhejiang Academy of Art (current China Academy of Art).
Pan has played a decisive role in the intellectual life of his nation, serving as president of two esteemed fine arts academies, the China Academy of Art (CAA) in Hangzhou (1996-2001) and the Central Academy of Fine Arts (CAFA) in Beijing (2001-14).
His own artistic practice and intellectual endeavors have been shaped by a belief in the presence of a distinct and modern consciousness in twentieth-century ink painting in China. The corollary is that modernity in Chinese art in the early twenty-first century must not of necessity be tied to Western theories, media, and practice.
His first USA exhibition was in Frye Art Museum by the name Withered Lotus Cast in Iron. A subject celebrated by Literati masters of the past, the withered lotus can suggest bitter feelings and trauma, both personal and national. The autumn blossoms in Pan’s painting were, however, neither frail, nor weak; instead, they are forged with strength, “cast in iron.” Such a reference to iron in the context of ink painting is not unusual. Ancients would speak, for example, of using the brush as “iron, splashing the ink like waves,” and of forceful brushwork that resembles wrought iron.
Pan Gongkai is convinced that ink painting has prevailed and flourished to the present day due to its inherent ability to respond to, and reflect, periods of disjuncture and social turmoil such as that which has pervaded China over the past one hundred years.
He is the current president of the China Central Academy of Fine Arts and lives and works in Beijing.
|2014||Pan Gongkai: Withered Lotus Cast in Iron||Frye Art Museum, Seattle, WA||Solo|
|2014||Yanzhan - Chinese Contemporary Ink Paintings||Poly International Auction Co, Beijing||Group|
|2013||Pan Gongkai-Dispersion and Generation||Today Art Museum, Beijing, China||Group|
|2012||Original Forms of Chinese Water Ink Painting||Sanchuan Modern Art Museum, Nanjing, Jiangsu||Group|
|2012||NOT ONLY PAPER||CAFA Art Museum, Beijing, China||Group|
|2011||Biennale di Venezia - 54th International Art Exhibition||La Biennale di Venezia, Venice||Group|
|2011||54TH INTERNATIONAL ART EXHIBITION VENICE BIENNALE (intl event)||Beijing, China||Group|
|2011||PERVASION||Pavilion at Arsenale||Group|
|2010||The Power From Academy - Cafa Contemporary Art Exhibition||Guangdong Times Museum, Guangzhou, Guangdong||Group|
|2010||DISPLACEMENT · FLASHES OF THOUGHT - TRAVERSING DUCHAMP||CAFA Art Museum, Beijing||Solo|
|2010||ON INK AND WASH - A DIALOGUE BETWEEN CONTEMPORARY ARTISTS||Shanghai Duolun Museum of Modern Art, Shanghai, China||Group|
|2009||CHINA CONTEMPORARY ART FORUM||China||Group|
|2008||Accumulations - The Spirit of the East||Asia Art Center, Beijing||Group|
|2007||Still Water Runs Deep - Pan Gongkai||The Guangdong Museum of Art, Guangzhou, Guangdong||Solo|