The interest in intersecting the city with traditional media of painting led Richard Estes of establishing prolific, outstandingly realistic and significant oeuvre. The very choice of themes navigated him in peculiar examinations of the city infrastructure respectively of its compositions, colors, and shapes. Although Estes is indeed one of the pioneering figures of Photo Realism, the domains of his artistic practice go far beyond that fact due to its strong conceptual foundation. His paintings are purified and idealized representations of emptied spaces without a human presence which lead us on concluding they are thought as displays of utopia; different realms released of any tension, noise and fuss which shapes our everyday urban experience.

Artistic Development
Richard Estes was born in Kewanee, Illinois in 1932. From 1952 to 1956 he studied fine arts at The School of the Art Institute of Chicago and found himself inspired by realist painters such as Edgar Degas, Edward Hopper, and Thomas Eakins. Shortly after graduation, Estes moved to New York City and worked as a graphic artist with magazine publishers and advertising agencies for ten years. He also spent time living and working in Spain. By 1966, Richard Estes was able to focus solely on painting and in 1968 had first solo exhibition 1968 at the Allan Stone Gallery.
Richard Estes was quite influenced by the works of Venetian vedute painters

One Of The Founders of Photo Realism
Estes’s early works depict random passers in everyday activities, while with the ones from the end of the 60’s the artist became more focused on storefronts and buildings with glass windows and, more importantly, the reflected images shown in these windows, automobiles, and chrome.These paintings were based on color photographs he took; they have captured the astonishing reflections, which would change with the lighting and the time of day. Urban cityscapes are reflective, clean, and inanimate, and they function as some freeze frames of depleted reality. Therefore, Richard Estes is regarded as one of the founders of the international photo-realist movement of the late 1960s, with such painters as Audrey Flack or Duane Hanson.
The artist was known for strong pictorial composition

The Process of Richard Estes
In general use of photographs as the base for the each painting itself was Estes’s main principle. Interestingly, whenever the composition included stickers, signs, and window displays, they were always depicted backward because of the reflection. Although the artist has applied a certain amount of alteration in order to accentuate better the overall aesthetic effect, his main task was to maintain the central and the main reflected objects recognizable. The artist exclusively depicted sets during daylight hours, suggesting calm, tranquility, and vacancy. His striving to create convincing three-dimensionality on a two-dimensional canvas was quite fruitful, so his work has been described with a variety of terms, ranging from super-realism, sharp-focus realism, neo-realism, photo-realism, to radical realism.
Urban sights of Richard Estes deprived of human interaction

The Stories Of The City
The works of Richard Estes are not only finely executed pieces of art, they are important and authentic documents of former city mapping and provide us powerful insight in urban development. By looking at his paintings we can follow odd and unexpected angles, extreme and unusual cropping, and multiple images which provide us with the artist strong impressions on the economical and architectural growth of the city. On the other hand, the very choice of precise and realistic display of these cityscapes suggest the importance of cinematic experience which gives Estes’s work additional pop (art) quality.
One of the most accomplished painters in defining and presenting the urban landscape

Richard Estes – Master of Photo Realism
Through the years, the fame of Estes grow and his works have also been exhibited at the Metropolitan Museum of Art, the Whitney Museum, the Thyssen-Bornemisza, and the Solomon R. Guggenheim Museum. The artist was granted a National Council for the Arts fellowship in 1971 and the same year was elected to the National Academy of Design as an Associate member, and he became a full Academician in 1984. Although it might be said that his opus is dedicated to the city of New York, he avoided its landmarks. The paintings of Richard Estas provided fine detail that was invisible to the naked eye, so they reflect immense craftsmanship, artistry, but the well thought concepts as well.
Richard Estes lives and works in New York.
Featured image: Portrait of Richard Estes – image courtesy of Ackermans fine art
All images used are for illustrative purposes only
Year | Exhibition Title | Gallery/Museum | Solo/Group | |
---|---|---|---|---|
2014 | Richard Estes: Realism | Smithsonian American Art Museum, Washington, DC | Solo | |
2014 | Richard Estes - Realism | Portland Museum of Art, Portland, ME | Solo | |
2014 | Home | ESMoA, El Segundo, CA | Group | |
2014 | Hiperrealismo | Museo de Bellas Artes de Bilbao, Bilbao | Group | |
2014 | Photorealism: The Everyday Illuminated | Jonathan Novak Contemporary Art, Los Angeles, CA | Group | |
2014 | Pulled, Pressed And Screened: Important American Prints | Museum of the Southwest, Midland, TX | Group | |
2014 | Photorealism Revisted | Mana Contemporary, Jersey City, NJ | Group | |
2013 | Photorealism | Birmingham Museum & Art Gallery, Birmingham | Group | |
2013 | Hyperreal - More than Pop! | Moderne Galerie & Studiogalerie, Saarbrücken | Group | |
2013 | Botero, Estes, Valdés | Marlborough Monaco, Monaco | Group | |
2013 | Summer Group Exhibition | Marlborough Chelsea, New York City, NY | Group | |
2013 | OP + POP | Staatsgalerie Stuttgart, Stuttgart | Group | |
2013 | Hyperrealism 1967-2012 | Museo Thyssen-Bornemisza, Madrid | Group | |
2013 | Hiperrealismo: 1967-2012 | Louis K. Meisel Gallery, New York City, NY | Group | |
2013 | Il Guggenheim. L'avanguardia americana 1945–1980 | Palazzo delle Esposizioni, Rome | Group | |
2013 | Water Music | Georgia Museum of Art, Athens, GA | Group | |
2013 | Photorealism Revisited | Oklahoma City Museum of Art, Oklahoma City, OK | Group | |
2013 | Photorealism Revisited | Louis K. Meisel Gallery, New York City, NY | Group | |
2013 | Double Feature - Art And The Movies | Des Moines Art Center, Des Moines, IA | Group | |
2013 | Woodward Gallery, New York City, NY | Group | ||
2012 | New York by Night | Marlborough Chelsea, New York City, NY | Solo | |
2012 | The Urban Landscape | Sims Reed Gallery, London | Solo | |
2012 | Photorealism - Painting with a Camera | Kunsthalle Tübingen, Tübingen | Group | |
2012 | Exposition de groupe | Marlborough Monaco, Monaco | Group | |
2012 | Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation | Joslyn Art Museum, Omaha, NE | Group | |
2012 | Leben Mit Pop! | Museum der bildenden Künste Leipzig, Leipzig | Group | |
2012 | Multiplicity | Arkansas Arts Center, Little Rock, AR | Group | |
2012 | Group exhibition | Marlborough Monaco, Monaco | Group | |
2012 | Summer Group Exhibition | Marlborough Chelsea, New York City, NY | Group | |
2012 | ReFocus: Art of the 1970s | MOCA - Museum of Contemporary Art Jacksonville, Jacksonville, FL | Group | |
2012 | Optical Noise | David Winton Bell Gallery, Providence, RI | Group | |
2011 | New York For Sale | Katonah Museum of Art, Katonah, NY | Group | |
2011 | East of Eden - Photorealism: Versions of Reality | Ludwig Museum - Museum of Contemporary Art, Budapest | Group | |
2011 | Recent Acquisitions | Reading Public Museum, Reading, PA | Group | |
2011 | Summer Group Exhibition | Marlborough Chelsea, New York City, NY | Group | |
2011 | Group Show | Marlborough Chelsea, New York City, NY | Group | |
2011 | Scream Collection Part II | Scream London, London | Group | |
2011 | Hyper Real – Kunst und Amerika um 1970 | Ludwig Forum für Internationale Kunst, Aachen | Group | |
2011 | Group Show | Marlborough Chelsea, New York City, NY | Group | |
2011 | Graphics Group Exhibition | Marlborough Chelsea, New York City, NY | Group | |
2010 | Richard Estes | Marlborough Monaco, Monaco | Solo | |
2010 | Hyper Real | Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna | Group | |
2010 | The Adventure of Reality International Realism | Kunsthal Rotterdam, Rotterdam | Group | |
2010 | Realismus | Kunsthalle der Hypo-Kulturstiftung, Munich | Group | |
2010 | Unmistakable Sentences - The Collection Revisited | Ludwig Museum - Museum of Contemporary Art - Budapest, Budapest | Group | |
2010 | Group Exhition | Marlborough Chelsea, New York City, NY | Group | |
2010 | Small Paintings from Around the World, Part II | Bernarducci.Meisel.Gallery, New York City, NY | Group | |
2010 | Realismus - das Abenteuer der Wirklichkeit. Courbet - Hopper - Gursky | Kunsthalle in Emden,Emden | Group | |
2010 | Photorealism | David Owsley Museum of Art, Muncie, IN | Group | |
2010 | Winter Group Show | Marlborough Chelsea, New York City, NY | Group | |
2009 | American Dream | National Museum in Cracow, Muzeum Narodowe w Krakowie, Krakow | Group | |
2009 | Pop Up! | Ludwig Forum für Internationale Kunst, Aachen | Group | |
2009 | Picturing America: Fotorealismus der 70er Jahre | Deutsche Guggenheim, Berlin | Group | |
2009 | It's About Time | 601Artspace, New York City, NY | Group | |
2009 | Paintings and Sculpture by Gallery Artists | Marlborough Chelsea, New York City, NY | Group | |
2008 | Estes | Marlborough Chelsea, New York City, NY | Solo | |
2008 | Shock of the Real: Photorealism Revisited | Boca Museum of Art, Boca Raton, FL | Group | |
2008 | Here Is Every. Four Decades of Contemporary Art | MoMA - Museum of Modern Art, New York City, NY | Group | |
2008 | Works on Paper | Bernarducci.Meisel.Gallery, New York City, NY | Group | |
2008 | Contemporary Visions - A Focus on Jacksonville Collections | MOCA - Museum of Contemporary Art Jacksonville, Jacksonville, FL | Group | |
2007 | Richard Estes Solo Exhibit | Museo Thyssen-Bornemisza, Madrid | Solo | |
2007 | Richard Estes | Palazzo Magnani, Reggio Emilia | Solo | |
2007 | Painting & Sculpture | Marlborough Chelsea, New York City, NY | Group | |
2007 | Druckgraphik | Fischer Kunsthandel & Edition, Berlin | Group | |
2007 | Wittgenstein in New York | Kunstmuseum Bayreuth, Bayreuth | Group | |
2007 | Real Time: Focus | Bernarducci.Meisel.Gallery, New York City, NY | Group | |
2007 | Iperrealisti | Bernarducci.Meisel.Gallery, New York City, NY | Group | |
2006 | Richard Estes - Prints | University of Maine Museum of Arts - UMMA, Bangor, ME | Solo | |
2006 | Richard Estes - Prints | Susan Sheehan Gallery, New York City, NY | Solo | |
2006 | Richard Estes - Recent Work | Marlborough Chelsea, New York City, NY | Solo | |
2006 | Stadtwerke | Kunsthalle Darmstadt, Darmstadt | Group | |
2006 | SAMMELN UND ENTDECKEN | Galerie Schrade, Karlsruhe | Group | |
2006 | Sammeln und Entdecken | Galerie Schrade & Blashofer, Karlsruhe | Group | |
2006 | This is America | Centraal Museum, Utrecht | Group | |
2006 | Metropolitanscape | Palazzo Cavour, Turin | Group | |
2006 | Spring Paper 8 | Woodward Gallery, New York City, NY | Group | |
2006 | Variations on a Theme - American Prints from Albers to Lichtenstein | USC Fisher Museum - University of Southern California, Los Angeles, CA | Group | |
2005 | Made for this World - Contemporary Art and the Places We Build | Queensland Art Gallery, Gallery of Modern Art, Brisbane, QLD | Group | |
2005 | Big City: Cityscapes and Urban Life from the Collection | Phoenix Art Museum, Phoenix, AZ | Group | |
2005 | Wittgenstein in New York | Kupferstichkabinett, Berlin | Group | |
2005 | Hyperréalistes Américains (American Photorealism) | Galerie Patrice Trigano, Paris | Group | |
2005 | Landscape - Cityscape | Marlborough Chelsea, New York City, NY | Group | |
2005 | The Long View - Selections from the Norma B. Marin Collection of Maine Art | University of Maine Museum of Arts - UMMA, Bangor, ME | Group | |
2005 | Winter Paper Seven | Woodward Gallery, New York City, NY | Group | |
2004 | Eröffnungsausstellung Sammlung Frieder Burda | Museum Frieder Burda, Baden-Baden | Group | |
2004 | Sammlung Frieder Burda | Staatliche Kunsthalle Baden-Baden, Baden-Baden | Group | |
2004 | Printed light - photographic vision and the modern print | National Gallery of Australia,Canberra, ACT | Group | |
2004 | Defining an American Place - Selections from the Permanent Collection | Kemper Museum of Contemporary Art, Kansas City, MO | Group | |
2004 | American Photorealism | Iwate Museum of Art, Morioka | Group | |
2004 | Get Real: Photorealist Prints from the James W. Hyams Collection | Joel and Lila Harnett Museum of Art - University of Richmond, Richmond, VA | Group | |
2003 | RICHARD ESTES | Galerie Patrice Trigano, Paris | Solo | |
2003 | Richard Estes Solo Show | Marlborough Monaco, Monaco | Solo | |
2003 | Popular, Pop & Post-Pop: Color Screenprints 1930s to Now | Philadelphia Museum of Art,Philadelphia, PA | Group | |
2003 | Exposition de groupe | Marlborough Monaco, Monaco | Group | |
2003 | Hyperréalismes USA - 1965-1975 | Musée d'Art Moderne et Contemporain (MAMCS),Strasbourg | Group | |
2003 | Group Exhibition - Works by gallery artists | Marlborough Chelsea, New York City, NY | Group | |
2003 | Tools as Art - The Hechinger Collection | DeCordova Sculpture Park and Museum, Lincoln, MA | Group | |
2003 | Real Illusions | Frist Center for the Visual Arts, Nashville, TN | Group | |
2002 | Les années 70 : l’art en cause | CAPC - Musée d'art contemporain, Bordeaux | Group | |
2002 | What's Going On - Prints Drawings and Photographs from the 1970's | Davison Art Center,Middletown | Group | |
2000 | Inaugural Exhibition | Marlborough Monaco, Monaco | Group | |
2000 | Americanos | Galeria Moises Perez de Albeniz, Pamplona | Group | |
1991 | Die komplette Druckgraphik | Galerie + Edition Domberger, Filderstadt | Solo | |
1990 | Richard Estes | Hiroshima City Museum of Contemporary Art, Hiroshima | Solo |