Thierry Noir is the man to whom we owe the longest concrete painting in the world. His paintings, with their bright colors and their melancholy poetry, represent nowadays the art of the Berlin wall. His wall works survived longer than all the others even after the fall of the wall in 1989.
Thierry Noir was born in 1958 in Lyon, France. He came to Berlin in January of 1982 with two small suitcases, attracted by the music of David Bowie and Iggy Pop, who lived in West-Berlin at this time. By chance he settled in a squat overlooking the Wall at the border of East and West Berlin. One day in 1984 Noir spontaneously started to paint the Wall and continued to do so each day for five years with whatever paint he could scavenge from nearby construction sites. Noir’s aim was not to embellish the Wall but to demystify it. When asked, in one of his interviews, about his relation to the wall and his motifs to paint it he said: “I wanted to cover the wall with colors to wrap it up with paintings, to make it luminous, to show it like a mutation in the city, a mutation in art and nature. One hundred and thirty people were killed trying to jump over the Berlin Wall to escape West Berlin, so it cannot be beautiful.”
Noir had to work quickly to fill the concrete panels so as not to be discovered or chased away by the border patrol while painting.These restrictions determined his style: heads in profile with full lips outlined by simple black lines like in a comic, painted two-dimensionally and in bright colors. One head fit on one or two vertical Wall panels. After a little while, each of Noir’s painted panels got an individualized face. Since this time, Noir’s exploits and highly distinctive visual language have become world famous and immortalised in popular culture such as Wim Wenders’ 1987 film Wings of Desire and the cover of U2’s album Acthung Baby.
Noir is today being increasingly recognised as a key forerunner of the modern street art movement and in 2013 worked outdoors in London alongside renowned international street artists of the current generation such as Phlegm and ROA.
|Year||Exhibition Title||Gallery Museum||Solo/Group|
|2014||Retrospective||Howard Griffin Gallery||Solo|