Vanessa Beecroft - The artist in front of her work - Image via vogueit

Vanessa Beecroft/ Vanessa Beecroft

Italy 1969

Performance Art, Photography, Painting

www.vanessabeecroft.com

Vanessa Beecroft
Vanessa Beecroft
Female
Italy
1969

Primarily known for her large-scale, conceptual living paintings which heavily influenced the development of the modern performance art, Vanessa Beecroft is an Italian artist who, besides her performance-based work, also dabbles in the fields of painting and photography. Her creations are regularly composed of completely nude or semi-clothed women, making the art of this author quite provocative and therefore rather attractive to the audience. Among other occurrences from her life, much of this artist’s ideas and concepts can be somehow linked to Vanessa’s personal struggle with an eating disorder that troubled her for years – Beecroft consistently investigates such issues of body image and femininity in order to get to the bottom of her own fears and desires. Additionally, Vanessa also aims to expose the specific and intricate relationship between the viewer and the viewed subject. She often subverts the conventional art viewing experience by emphasizing both the connections and the stark contrasts between the living women and the seemingly alive sculptures.

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Vanessa Beecroft – VB45, 2001 – Image via theredlist.com

Finding Her Own Expression

Vanessa Beecroft was born on the 25th of April during the year of 1969, in the city of Genoa, Italy. She spent her college days studying at the renowned Civico Liceo Artistico Nicolò Barabino in her home city. Although she did not fit in too good with the creative norms of her school, the Civico Liceo Artistico Nicolò Barabino experience did provide Vanessa with a lot of fundamental understanding of how to utilize and manipulate the artistic expression – something that served her very well in the long run[1]. Therefore, the college classes were of great use to the young author who set out to conquer the national and international scenes from the moment she was done with the educational stage of her life. Ever since the beginning of her professional artistic practices, Beecroft wanted to simultaneously tackle both the conceptual matters and aesthetic concerns. As it was explained earlier in this text, her performance art is usually large scale and involving live female models which are often nude. Following in the footsteps of some great avant-garde authors of the 20th century, Vanessa makes sure that video recordings and photographs are made during her shows[2]. This practice, which was utilized from the very start of Beecroft’s career to some extent, is utilized to provide the documentation of the performances, as well as to represent separate works of art to be appreciated in their own right.

Vanessa Beecroft – Kanye West Flaunt performance – Image via arrestedmotion.com

The Way Vanessa Beecroft Approaches Performance Art

Before Vanessa Beecroft commits to actually introducing models to her performances which are the final touch of her method, she first needs to create the ephemeral composition in which the figures will be placed. In their very core, these kinds of pieces are intended to be existential encounters between the models and the audience, providing all sides with a conceptual clash and exposing their expectations of one another. Every single artwork Vanessa completes is intended to be performed at a sole specific location, not to be repeated at any other place or time. Furthermore, everything she creates is underlined by some sort of outside reference of political, historical or social nature – these features are often connected to the very location at which the pieces are to be performed. When the entirety of the artwork is finally completed, Beecroft has provided us with a deceptively spontaneous performance that provokes questions and is not afraid to challenge the issues of identity, politics and voyeurism by exploiting the contemporary relationships between the viewer, the model and the context. Naturally, such a complicated technique of expression will always lead to a variety of different interpretations, all accompanied by their own set of descriptions – Vanessa’s pieces have been defined and explained by using the words such as art, fashion, brilliant, terrible, evocative, provocative, disturbing, sexist and empowering.

Vanessa Beecroft’s performance work has the deceptive ability to appear relatively simple in its execution, when in reality, this can not be further from the truth

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Vanessa Beecroft – VB74 – Image via arrestedmotion.com

Using the Models

As it was explained earlier in this text, the main and the most crucial aspect of Beecroft’s creations are the live figures, just as the case was with many other noteworthy authors of the performance medium in the past. However, unlike the art’s greats such as Marina Abramovic and Joseph Beuys, Vanessa prefers to take a step back and not handle her own body as the focal point. By doing so, she is able to achieve more control over her pieces, effectively influencing its course down the wanted paths. Back to the female models – these women, regardless of how many of them are there, are all unified through details such as their hair color or identical shoes, making them appear as each other’s replicas. Upon the completion of the piece, all of its models will stand motionless and regimented in a space while viewers watch them. These figures are the focal point and the core of Beecroft’s pieces as they also provide her with the main characteristic that brands her work with the aforementioned living paintings description. The models present the contemporary versions of the complex figurative compositions made by the art history greats from the Italian Renaissance onwards. Although this was one of the main features of Vanessa’s performances from her student days, her more mature expression is a bit more theatrical as she prefers putting the accent on period clothing instead of nudity and some of her performances included food or featured men in military attire[3]. It’s truly fascinating to observe how her style and self-set rules have changed over the years as Vannesa matured and evolved both as an author and a person.

Although Vanessa Beecroft’s work is primarily known for her use of female nude models, her work has also featured other figures as well, such as this composition that presents military man

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Vanessa Beecroft – VB39, 1999 – Image via 25thcenturyyy.com

Vanessa Beecroft’s Most Notable Performances

Beecroft’s first exhibition that launched her name and made it echo throughout Italy was called VB01 and was held in Milan during the year of 1993. In it, she presented a series of drawings along with the past eight years of her Food Diary. After the incredible success of VB01, Vanessa crossed the Atlantic the following year and exhibited in the New York City for the first time[4]. This show was housed by the Andrea Rosen Gallery, but it eventually moved to P.S.1 in Long Island City where it received the name of VB08. As we suppose it’s obvious, the pattern of titling her exhibitions is quite clear as her initials are followed by a numerical counter in the chronological order her shows are taking place.[5] VB39 in 1999 and VB42 in 2000 were both milestones for Beecroft – these exhibitions explored the possibilities of fully male performances with the U.S. Navy in San Diego and with the U.S. Silent Service at the Intrepid in New York, respectively[6]. The year of 2005 is also crucial for this artist’s career. During that period, she featured one hundred women standing still in Berlin’s Neue Nationalgalerie for three hours (VB55) and staged a performance on the occasion of the opening of the Louis Vuitton store on the Champs-Élysées in Paris. Although strongly feministic in her expression, Beecroft has been under fire from many feminist artist groups like the Toxic Titties for her work. One of her more recent noteworthy performances, VB65, took place at PAC in Milan during the March of 2009. It featured the Last Supper of African immigrants, legal and illegal, dressed in suits, eating chicken without cutlery. Many of Vanessa’s shows took place at prestigious and notable art institutions, including the likes of Venice Biennale, Solomon R. Guggenheim Museum in New York, Museum of Contemporary Art in Sydney, Gagosian Gallery in London, Vienna Kunsthalle, etc.

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Vanessa Beecroft – VB55, 2005 – Image via theredlist.com

Both Frightening and Charming

The way Vanessa Beecroft incorporated female models in her performances is truly unique and one of a kind as these characters are simultaneously static and dynamic, existing somewhere between the conventional concepts of figure and object. Additionally, her extremely well-choreographed performance artworks make perfect utility of these models, ultimately examining what constitutes the perfect body in the eyes of the contemporary culture and society. By doing so, this Los Angeles-based author is able not only to get to the bottom of her own fears and struggles but also expose the viewer’s dreads as well, putting the audience to the test in order to see just how much they find themselves within Beecroft’s creations. Such a notion combined with the strong feministic and provocative note basically makes sure Vanessa’s art is always attractive to the wider public. Considering she is already deemed to be an icon of performance art, we do not see her popularity slipping off the top anytime soon.

This artist is represented by Kunzt.gallery.

Vanessa Beecroft lives and works in Los Angeles, United States.

References:

  1. Kampwerth, K., Vanessa Beecroft, Hatje Cantz Verlag, 2004
  2. Kellein, T., Vanessa Beecroft: Photographs, Films, Drawings, Hatje Cantz Publishers, 2004
  3. Beecroft, V., Vanessa Beecroft: Performances 1993-2003, Skira, 2004
  4. Beecroft, V., VB 08-36: Vanessa Beecroft Performances, Hatje Cantz Publishers, 2000
  5. Polier, A., Deitch, J., Lisi, R.,Vanessa Beecroft: VB LV, Charta, 2007
  6. Bonami, F., Frisa, M. L., Vb53, Charta/Fondazione Pitti Immagine Discovery, 2005

Featured image: Vanessa Beecroft – The artist in front of her work – Image via vogue.it
All images used for illustrative purposes only.

YearExhibition TitleGallery/MuseumSolo/Group
2017PhotograpHERSpazio Contemporanea, Brescia Group
2017Love. L’Arte Contemporanea Incontra L’AmoreChiostro del Bramante , Rome Group
2016Lo specchio concavoBase Arte Contemporanea Odierna, Bergamo Group
2016Fotografische Sammlung erster Teil Fotografische SammlungSchloss Kummerow, Kummerow Group
2016Queensize: Vrouwelijke kunstenaars uit de Olbricht CollectieMuseum Arnhem, Arnhem Group
2016Group ExhibitionGalerie Hussenot, Paris Group
2015An Exhibition of Seven Exhibitions on Italian ArtLa Triennale di Milano. Design Museum, Milan Group
2015Degrees of FreedomGalleria d'Arte Moderna di Bologna, Bologna Group
2015Zoom Fotografia ItalianaFondazione Pierluigi e Natalina Remotti, Camogli, GE Group
2015Liberi Tutti ! Arte e società in Italia. 1989-2001Museo Ettore Fico, Turin Group
2015Let's DanceArt Stations Foundation by Grażyna Kulczyk, Poznan Group
2015Gender in ArtMuseum of Contemporary Art in Kraków (MOCAK), Krakow Group
2015Da un'importante collezione veneziana di fotographiaGalleria L'Elefante, Treviso Group
2015Arts and FoodsLa Triennale di Milano. Design Museum, Milan Group
2015Alles Was Ich Mag FastSchau Fenster, Berlin Group
2015ObsessionMaison Particulière, Brussels Group
2015Ceci N’Est Pas Une Idée: Approaches To The Quotation In ArtGalerie Tornabuoni Art, Paris Group
2014Disturbing InnocenceFLAG Art Foundation, New York City, NY Group
2014Boom She Boom: Werke aus der SammlungMuseum für Moderne Kunst (MMK), FrankfurtGroup
2014La Gioia Through the eyes of three Italian art collectorsMaison Particulière, Brussels Group
2014Sigmund Freud and the Play on the Burden of Representation21er Haus, Vienna Group
2014Lo Clásico en el ArteFundación PROA, Buenos Aires Group
2014Corpus ZachetaNational Gallery of Art, Warsaw Group
2014450° Michelangelo MindcraftChiesa e Convento di Sant'Agostino, Pietrasanta, LU Group
2014Re: CollectPalais Stutterheim, Erlangen Group
20141984-1999. La DécennieCentre Pompidou-Metz, Metz Group
2014Las lágrimas de las cosasCentro de Artes Visuales Helga de Alvear, Cáceres Group
2014Works From The Collection Of L'internationaleSALT Ulus, Ankara Group
2014E Il TopoFrans Masereel Centre (FMC), Kasterlee Group
2013Quarantanni dLa Triennale di Milano. Design Museum, Milan Group
2013Inside This Human Clayltd los angeles, Los Angeles, CA Group
2013SIGNS ON THE ROAD A GROUP EXHIBITION AT THE CAC MÁLAGACAC Centro de Arte Contemporáneo Málaga, Málaga Group
2013XXH: Premiere RétrospectiveFondation Francès, Senlis Group
2013The System of ObjectsDeste Foundation, Athens Group
2013An Idea of BeautyFondazione Palazzo Strozzi, Florence Group
2013Rosa Piero Rosa Tiepolo Rosa Spalletti Rosa…Studio La Città, Verona Group
2012A meno di non ricorrere a una fotografiaM & D ARTE, Gorgonzola Group
2012Bode Xmas GalleryGalerie & Edition Bode GmbH, Nuremberg Group
2012About Caravaggio. Contemporary Visions & IllusionsScuderie Aldobrandini per l'Arte, Frascati Group
2012Glissement de terrain : Impertinence-Résistance-SurvivanceMusée Ianchelevici, La Louvière Group
2012About FacePier 24 Photography, San Francisco, CA Group
2012Beautiful PenisGalerie Nuke, Paris Group
2012A Meno Di Non Ricorrere A Una FotografiaArte Centro, Milan Group
2012Het Gewichtige LichaamMuseum Boerhaave, Leiden Group
2012Gli Artisti Italiani Della Collezione AcaciaPalazzo Reale, Milan Group
2012Pelle di DonnaTriennale Bovisa, Milan Group
2011Vanessa Beecroft: VB66, VB67Galleria Lia Rumma, Naples Solo
2011Vanessa BeecroftGalleria Lia Rumma, Milan Solo
2011Fotógrafos da Cena ContemporâneaMuseu de Arte Contemporânea da Universidade de São Paulo, São Paulo Group
2011Colección Sánchez-Ubiría. Pulso XxiMuseo de Bellas Artes de Santander, Santander Group
2011Kunstkörperlich-Körperkünstlich 3, BodiesKunsthalle Dominikanerkirche, Osnabruck Group
2011Inspiration DiorThe Pushkin State Museum of Fine Arts, Moscow Group
2010CommunityMuseo delle Arti Catanzaro, Catanzaro Group
2010She Shoots or Being ShotGallerianumero 38, Lucca, LU Group
2010La scultura italiana del XXI secoloFondazione Arnaldo Pomodoro, Milan Group
2010Mutter_Neue Bilder in zeitgenössischer KunstMinoriten Kultur, Graz Group
2010Just love meMusée d’Art Moderne Grand-Duc Jean, Luxembourg Group
2010The weighty bodyMuseum Dr. Guislain, Ghent Group
2010Not in FashionMuseum für Moderne Kunst (MMK), FrankfurtGroup
2010Portraits De Collectionneurs: Jocelyne et Fabrice PetignatMuro Gallery, Geneva Group
2010GoddessesThe Museum of Contemporary Art Oslo, Oslo Group
2010Abramovic, Beecroft, De Dominicis, Jaar, Kentridge, Migliora, Pistoletto, RuffGalleria Lia Rumma, Naples Group
2010Another Nude ShowAt Bergamot Station Arts Center, Santa Monica, CA Group
2010Skin Fruit: Selections from the Dakis Joannou CollectionNew Museum of Contemporary Art, New York City, NYGroup
2009Vanessa Beecroft, VB64Deitch Studios, New York City, NY Solo
2006Vanessa Beecroft. South SudanGalleria Lia Rumma, Milan Solo
2005Vanessa BeecroftCAC Centro de Arte Contemporáneo, Málaga Solo
2005Vanessa Beecroft: VB52Galleria Lia RummaSolo
2004Vanessa Beecroft: Fotografien, Filme, ZeichnungenKunsthalle Bielefeld, Bielefeld Solo
2003Vanessa BeecroftCastello di Rivoli Museo d'Arte Contemporanea, Turin Solo
2003Vanessa BeecroftBugada & Cargnel, Paris Solo
2002Vanessa Beecroft: VB46 PhotographsGagosian Gallery, Beverly Hills, CA Solo
2002Vanessa BeecroftGalleria Lia Rumma Milano, Milan Solo
2002Vanessa Beecroft: Deitch Projects76 Grand Street, New York City, NY Solo
2001Arte per il G8Palazzo Ducale, Genoa Solo
2001Vanessa Beecroft: Performance VB 48Palazzo Ducale, Genoa Solo
2001Vanessa BeecroftGalerie Meyer Kainer, Vienna Solo
2000Vanessa Beecroft: Deitch Projects76 Grand Street, New York City, NY Solo
2000Vanessa Beecroft: Deitch Projects76 Grand Street, New York City, NY Solo
2000Vanessa BeecroftGaleria Mário Sequeira, Braga Solo
1999Vanessa Beecroft: US NavyMuseum of Contemporary Art San Diego, La Jolla, CA Solo
1999Vanessa BeecroftAnalix Forever, Geneva Solo
1997Vanessa BeecroftAnalix Forever, Geneva Solo
1996Vanessa Beecroft: Fri ArtCentre d'Art Contemporain, Fribourg Solo
1996Vanessa BeecroftAnalix Forever, Geneva Solo
1996Vanessa Beecroft, VB16, Piano Americano- Beige76 Grand Street, New York City, NY Solo
1995Vanessa BeecroftAnalix Forever, Geneva Solo
1994Vanessa BeecroftSchipper & Krome, Cologne Solo