Chris Vitiello, an art columnist at Indy Week, said about Browning’s work in 2015:
“Her paintings have resembled distant views or off-center details of unconventional buildings (…). But a longer look reveals more abstract concerns with painterly illusion. Browning's straight-line brushstrokes can be so thick that their raised contours are clearly visible under subsequent layers, as if she'd used a housepainter's brush. This creates a topography in high-contrast colors, the edges nearly vibrating, that gives the disorienting impression of flatness and extreme depth at once. Buildings, in Browning's paintings, are only a means toward optical and material investigation”
Her recurring use of grids, networks, and, since 2013, stacked forms, may recall architectural structures, but these are only created in response to the paint as she works, instinctively.
Colors, which play a very important part in Browning’s paintings, will also vary depending on her feelings or interests of the moment (nature, fashion trends, or art historical preferences).
However, in practice, they will rarely be primary colors, and there will almost always be some Guston pink in her work.
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Ashlynn Browning is an American artist best known for her abstract paintings – its geometric forms, put together in a process of layering.Read More
160 FERNHEAD ROAD,
United KingdomRead More
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