By incorporating various aesthetic fields like landscape and architecture into the domain of art, Arsham demonstrates how art wields power over other fields. The means he uses belong exclusively to art—landscape painting, the chiseling and carving of sculpture, representation and collage. In adopting this approach, Arsham sees the schism as the crucial cog in his relationship to architecture—a relationship initially based on attraction, and then on repulsion. He attracts, captures, and integrates architectural constituents, then gradually pulls away by staging a kind of destruction. Through upheaval, intentional erosion and engulfment by a luxuriant nature reasserting its supremacy, the collapse of structures that have been ingeniously constructed highlights the triumph of the forces of art over architectural rationality.

About The Gallery

Perrotin Seoul
Founded in Paris in 1990 by Emmanuel Perrotin, then 21 years old, the gallery has become one of the most
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