Intimate conviction and almost self-evident: painting is seen, lived. So, talking about what is visible, talking about painting is a curious exercise. An impossible path. A priori.
Beyond the figurative and abstract, there are two types of works: the one that speaks to you and the one that inspires you. Who sucks you in. Guin'Amant's painting is categorically situated in the second disposition. It invites participation, involvement and projection. To get into it, like through the mirror. To get lost, to find your way around.