Annear's work has been widely acclaimed and commented by numerous art critics, curators, art writers, artists and historians, such as Andrew Lambirth (The Spectator), Graham Boyd (Artist), Mercedes Smith (Writer and critic), Ian Collins (Art writer and curator), Nicholas Usherwodd (Art writer and publisher), Dr. Jane Hamilton (Art activist and Historian) or Rachel Barnes (Lecturer at the Tate and writer at the Guardian and The Independant).
One of the most elogious (but not untrue) comment about Annear comes from Caroline Georgiadis, previously head of sales for British paintings at Christie's and currently running her own art consultancy practice: "Jeremy Annear (...) is a European Modernist painter in the vein of great artists such as Paul Klee, Wassily Kandinsky, Joan Miro, Pablo Picasso and Georges Braque."
Like many contemporary painters, Jeremy Annear embraces a post-disciplinary aesthetic.
His paintings express diverse influences and stylistic concerns. They speak to something ancient using a contemporary visual language. They explore formalist qualities like surface and paint while never shying away from content.
Over the decades, Annear has continually delved deeper into his relationship with abstraction and paint, expanding his abstract studies, expressing in evermore-complex detail the relationship he has forged with the natural environment where he lives and works, on the Cornish Coast.
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About The Artist
Jeremy Annear is a British artist who belongs to a late generation of Modern British artists, best known for his abstract paintings.Read More