After Kogelnik moved to New York in 1961, she worked in a style that combined aspects of European figuration and American Pop Art with an increasing feminist consciousness. Sometimes her style mimicked fashion illustration to comment on society's depiction of women. In this powerful work we look into the eyes of a woman laying down in a dark patterned dress. It is unframed from an edition of 200 and is a great example of Kogelnik's powerful feminine imagery.
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