A semi-surreal beach scene by Malcolm Morely from 1983-84. A framed etching signed and numbered by the artist in pencil. Published by Novak Graphics, Toronto with Inkstamp verso and Blindstamp Lower Right. In the 1970s, Morley's work began to be more expressionist, and he began to incorporate collage into his work. Many of his paintings from the mid-70s, such as Train Wreck (1975), depict 'catastrophes'. Later in the decade, he began to use his own earlier drawings and watercolours as the subject for his paintings.
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