A combination of artifacts and sculptures in one printed composition by the British artist Malcolm Morley. An etching with aquatint from 1983 signed and numbered in pencil by the artist. In the 1970s, Morley's work began to be more expressionist, and he began to incorporate collage into his work. Many of his paintings from the mid-70s, such as Train Wreck (1975), depict 'catastrophes'. Later in the decade, he began to use his own earlier drawings and watercolours as the subject for his paintings.

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