The Estate of Stanley Boxer is represented by Berry Campbell Throughout his four-decade-long career, Stanley Boxer (1926-2000) broke through the barriers that often divided the artists of his day. In the 1960s, he was deemed a Color Field painter, but at the time he was already moving toward the material specificity of process art, building dense surfaces with unexpected additives, such as sand, glitter, sawdust, wood shavings, and dressmaker's beads. However, Boxer stopped short of letting his materials speak for themselves. More interested in the end result than in his process or materials, in his art, he expressed his love for intense optical he sought to create new forms that could excite the eye. Boxer's work may be found in noted private and public collections in the United States and in other countries, including the Ackland Art Museum, the University of North Carolina at Chapel Hill; the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts; Indiana; the Birla Academy of Art and Culture, Calcutta, India; the Boca Raton Museum, Florida; the Columbia Museum, South Carolina; the Corcoran Gallery of Art, Washington, D.C.; the Des Moines Art Center, Iowa; the Dayton Art Institute, Ohio; the Edmonton Art Gallery, Canada; the Everson Museum, Syracuse, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Jane Voorhees Zimmerli Art Museum, Rutgers University, New Jersey; the Louisiana Museum, Copenhagen; the Metropolitan Museum of Art, New York; the Mint Museum of Art, Charlotte, North Carolina; the Museum of Fine Arts, Boston; The Museum of Fine Arts, Houston, Texas; the Museum of Modern Art, New York; Milwaukee Art Center, Wisconsin; the Museum of the Twentieth Century, Vienna; the National Gallery of Australia, Canberra; the New Jersey State Museum, Trenton; the Power Gallery of Contemporary Art, Sydney, Australia; the San Francisco Museum of Modern Art; the Santa Barbara Museum; the Singapore Art Museum; the Solomon R. Guggenheim Museum, New York; the Tate Gallery, London; the Walker Art Center, Minneapolis; the Whitney Museum of American Art, New York; the Wichita Art Museum, Kansas; and many others.