In a process closely akin to relief printmaking, Maine uses textured surfaces to apply fluid acrylic paint indirectly to prepared canvas. He makes these surfaces or “plates,” some of which are quite large, out of common materials such as plywood, extruded foam, plastic and glue.
Integral to the process is the idea that the entire surface is treated with paint at the same moment. For Maine that means compositional phenomena are allowed to occur with minimal interference from his ego.
For this painting, Maine wanted a juicy, fluid surface that would seem to envelop the stick-like marks (which are made via gouges in the plate).
Here again, he is reversing the usual print protocol by working from dark to light colors.
About The Gallery
IdeelArt is an online only art gallery dedicated to contemporary abstract art, offering a representative selection of qualitative works from