Lisa Moravec regularly writes critical texts on art/exhibitions. Her writing has appeared in English and German, in publications such as - Die Springerin, Russian Art & Culture UK, Art Uk, Courtauld's Views & Reviews, London's City A.M., Die Weltkunst, Kunst & Auktionen, Reflektor-M, and on her own platform WatchFineArtsLondon that she started in 2012. After studying journalism, economics, and art history at UCL and the Courtauld Institute, she is currently preparing herself for a PhD project on the techniques of 'dress-aging' the body in live art and its technologies of documentation in contemporary art practices, with a focus on humans and horses.
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