Henri Rousseau - Self Portrait, 1890 - national paintings always end up on gallery page - Image via wikipedia

Henri Rousseau/ Henri Julien Félix Rousseau

France 1844 - 1910

Painting, Post-impressionism

Henri Rousseau
Henri Julien Félix Rousseau
Male
France
1844

Often used as a good example for both the most misunderstood artists of their time and late bloomers within the world of painting, Henri Rousseau was a French Post-Impressionist who worked in a childish-like manner usually called either the Naïve or Primitive style. Within the art community which often disputed his true value, he was also known as Le Douanier (the customs officer) – a humorous description which was supposed to indicate his previous occupation as a toll collector. Frowned upon by most popular contemporary artists of his time and ridiculed by critics on a regular basis, Rousseau managed to rise above such circumstances and be recognized as a self-taught genius whose artworks can stand shoulder to shoulder with some of the most famous pieces of the era. Furthermore, Henri’s work proved to be an extensive influence on several generations of avant-garde artists of the 20th century.

Rousseau paintings are on main stage of Page National Gallery, with Picasso and forest works
Henri Rousseau – The Dream, 1910 – Image via wikipedia.org

Almost Fifty Years Without Art

Henri Julien Félix Rousseau was born in Laval, a town in western France, located about 300 km southwest of Paris. His father was employed as a plumber, which unfortunately placed the entire Rousseau family in a constant financial strain. Growing up in such circumstances, young Henri often worked alongside his dad throughout his childhood, helping him and learning the trade which seemed to be his fate. He attended the local Laval High School for a while, but as soon as his father was unable to cover the bills, Henri stopped going to classes. Sonn, the family house was seized by the law, forcing the Rousseau to leave town. Noticed for his various talents and prizes for both drawing and music, Henri managed to get himself into a position to work for a lawyer and study law first hand. Regardless of his effort, this endeavor was ultimately doomed when Rousseau attempted a perjury. He later sought refuge in the army, hoping that he will finally manage to find a home for himself through assisting his country. Starting this chapter of his life during the year of 1863, Henri served for a total of four years until his father passed away. After this event, Rousseau relocated to Paris in 1868 in order to support his widowed mother as a state employee. During the same year, Henri met and married Clémence Boitard, his landlord’s 15-year-old daughter, with whom he had six children.

Around the year of 1871, Rousseau was appointed as a collector of the octroi of Paris and was in charge of collecting taxes on goods entering Paris. Unfortunately, his wife Clémence passed away in 1888, but Henri was able to remarry a year later. It was around this time that Rousseau started painting, out of hobby at first, but this interest soon grew into a genuine full-time obsession. He was over 49 years of age at the time and it was a true shock to everyone who knew Henri when he decided to quit his job and dedicate himself fully to painting. At this very beginning of his artistic career, Rousseau claimed that he had no teacher other than nature, meaning that he was completely self-taught. Furthermore, Henri underlined his work with the title of naïve art whilst calling himself a primitive painter.

Calling himself a primitive maker of naive art, Henri Rousseau became a painter just before his fiftieth birthday without having any experience in the field whatsoever

His tiger in the tropical jungle surprised most well known french landscape painters of post impressionism
Henri Rousseau – The Hungry Lion Throws Itself on the Antelope, 1905 – Image via wikipedia.org

Facing a Sea of Doubters

Even though he never left the territory of France, Henri strived to make the jungle his most often motif[1] and the main focal point of his art. Despite some claims that Rousseau saw these kinds of forests when he was serving in the army in Mexico, the artist himself explained that his inspiration came solely from illustrations found in children’s books and Parisian botanical gardens. Rousseau described his frequent visits to the glass environments with the following: When I go into the glass houses and I see the strange plants of exotic lands, it seems to me that I enter into a dream.[2] By starting a painting with a specific view and then depicting a person in the foreground afterward, Rousseau claimed he invented a new genre of portrait landscape. Due to his flat, childish style, Rousseau’s art was often disparaged by many critics whilst the public was mostly either offended by it or eager to ridicule it. However, some more open-minded individuals praised Henri’s bravery, as well as explaining that he shows sophistication with his particular technique and puts a lot of effort in thinking as a child does.

Starting with the year of 1886, Henri exhibited regularly in the famous Salon des Indépendants, a place where artistic outcasts and alternative thinkers were offered an opportunity to display their work. Despite many harsh remarks aimed his way, Rousseau managed to win over many pundits and gather an admirable base of followers. Five years later, Henri was finally starting to be appreciated by critics as Félix Vallotton praised a piece titled Tiger in a Tropical Storm (Surprised!) – young man stated the following: His tiger surprising its prey ought not to be missed; it’s the alpha and omega of painting. After his retirement in 1893, the artist was forced to supplement his small pension with weekend jobs such as playing the violin in the streets. Henri also worked briefly at Le petit journal, where he was in charge of producing the covers for the magazine. Paintings and works with forest scenes were his career highlight. In 1893, Rousseau relocated to a studio in Montparnasse, an area of Paris on the left bank of the river Seine. It was here that Henri painted his most famous non-jungle piece, La Bohémienne endormie (The Sleeping Gypsy). The artist lived and worked in this studio up until the moment of his death in the year of 1910.

1910 paintings were far from picasso-like forest scenes, but were in Page National Gallery
Henri Rousseau – The Sleeping Gypsy, 1907 – Image via wikipedia.org

Understood by the Right People

Although he did get a rather late start, Rousseau successfully impacted the contemporary artistic scene with his pieces. However, it did take him a long time to prove his worth – the crown of his achievements happened in 1905[3] when Rousseau’s large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited at the Salon des Indépendants right next to the works of the much younger leading avant-garde artist Henri Matisse. This will prove to be the first showing of The Fauves and some art historians claim that Rousseau’s painting may even have influenced the naming of the movement. Therefore, Henri’s efforts were far from vain as he managed to leave his stamp on one of the most prominent and influential avant-garde movements the world has ever seen.

References:

  1. Smith, R., Henri Rousseau: In imaginary jungles, a terrible beauty lurks, New York Times, July 14, 2006
  2. Markel, M., The Fantastic Jungles of Henri Rousseau, Eerdmans Books for Young Readers, 2012
  3. Shattuck, R., Henri Rousseau, Museum of Modern Art, 1986

Featured image: Henri Rousseau – Self Portrait, 1890 (detail) – Image via wikipedia.org
All images used for illustrative purposes only.

YearExhibition TitleGallery/MuseumSolo/Group
2016The Douanier Rousseau. Archaic Candour.Musée d'Orsay, Paris Solo
201627 Künstler, 209 WerkeMuseum Charlotte Zander, Bönnigheim Group
2015Monet, Lost in TranslationARoS Aarhus Kunstmuseum, Aarhus Group
2015Der Schatten der Avantgarde. Rousseau und die vergessenen MeisterMuseum Folkwang, Essen Group
2014Van Gogh To Kandinsky, Impressionism To Expressionism, 1900-1914The Montreal Museum of Fine Arts, Montreal, QC Group
2014Masterpieces from the Kunsthaus ZürichThe National Art Center Tokyo, Tokyo Group
2014Sincerely Yours: Treasures Of The Queen CityAlbright-Knox Art Gallery, Buffalo, NY Group
2013Homage to Henri Rousseau the World of Naïve Painters and OutsidersSetagaya Art Museum, Tokyo Group
2012FlowerscapesKawamura Memorial Museum of Art, Sakura, Chiba Group
2012Der Sturm Zentrum der AvantgardeVon der Heydt Museum, Wuppertal Group
2011Tesori a Lugano ConsonanzeMuseo d'Arte di Lugano, Lugano Group
2011Sous le vent de l'Art BrutHalle Saint Pierre, Paris Group
2010Henri Rousseau Under Paris SkiesPola Museum of Art, Kanagawa Solo
2010Under the Sky of ParisPola Museum of Art, Kanagawa Solo
2010Henri RousseauMuseo Guggenheim de Arte Moderno y Contemporáneo, Bilbao Solo
2010Henri RousseauFondation Beyeler, Riehen Solo
2010European Masters: 19th–20th century art from the Städel MuseumMuseum of New Zealand Te Papa Tongarewa, Wellington Group
2010Image of SeineBridgestone Museum of Art, Tokyo Group
2010Art of Modern JapanNational Museum of Modern Art Tokyo (MOMAT), Tokyo Group
2009Tears of ErosMuseo Thyssen-Bornemisza, Madrid Group
2009l'eta' di Courbet e MonetCentro d'arte contemporanea, Codroipo, UD Group
2009De Courbet à PicassoFondation Pierre Gianadda, Martigny Group
200920th Century MastersGrosvenor Gallery, London Group
2009Henri Rousseau und sein UmkreisClemens-Sels-Museum, Neuss Group
2008Twenty-Five TreasuresPaul Thiebaud Gallery, San Francisco, San Francisco, CA Group
2008Small Masterworks From Big MastersHubertus Melsheimer Kunsthandel, Cologne Group
2007Henri Rousseau, “Petit Douanier” of ModernismArt Gallery of Hamilton, Hamilton, ON Solo
2007Picasso and his collectionMuseo Picasso, Barcelona Group
2007The hand-drawn nagativePeter Freeman, Inc., New York City, NY Group
2007Monet and French Landscape Traveling to France with ArtistsPola Museum of Art, Kanagawa Group
2007Abenteuer BarbizonVon der Heydt Museum, Wuppertal Group
2006Henri Rousseau. Jungles in ParisThe National Gallery of Art, Washington, DC Solo
2006Le Douanier Rousseau, Jungles à ParisMusée d´Orsay, Paris Solo
2006Le Douanier RousseauGaleries nationales du Grand Palais, Paris Solo
2005Jungles in ParisTate Modern, London Solo
2005Modern Art from the Museum CollectionNational Museum of Modern Art Tokyo (MOMAT), Tokyo Group
2005Leporello, Een reis door de collectieStedelijk Museum CS, Amsterdam Group
2005WahlverwandtschaftenStädel Museum, FrankfurtGroup
2003Art of Modern JapanNational Museum of Modern Art Tokyo (MOMAT), Tokyo Group
2003Paris in the Age of ImpressionismMuseum of Fine Arts Houston, Houston, TX Group
2002Old Masters, Impressionists & ModernsMuseum of Fine Arts Houston, Houston, TX Group
2002Gauguin to MatisseArt Gallery of Ontario, Toronto, ON Group
2002Da Rousseau a Ligabue. Naif?Palazzo Bricherasio, Turin Group
2001Henri RousseauGrenzgänger zur Moderne, Tübingen Solo
2001100 Drawings and PhotographsMatthew Marks Gallery, New York City, NY Group
2001Naive Art in Quest of Lost ParadiseKunstHaus Wien, Vienna Group
2001Corot to PicassoCantor Arts Center at Stanford University, Stanford, CA Group
2000The Joan Whitney Payson CollectionColby College Museum of Art, Waterville, ME Group
1997Henri RousseauMusée des Augustins, Toulouse Solo
1985Henri RousseauMuseum of Modern Art, New York City, NY Solo
1951Henri RousseauSidney Janis Gallery, New York City, NY Solo
1943Paintings by Henri RousseauSaint Louis Art Museum, Saint Louis, MO Solo
1942Henri RousseauMuseum of Modern Art, New York City, NY Solo
1942Works by Henri RousseauThe Art Institute of Chicago, Chicago, IL Solo
1932The WeddingArts Club of Chicago, Chicago, IL Solo
1931Paintings by Henri RousseauArts Club of Chicago, Chicago, IL Solo
1912Henri RousseauGalerie Bernheim-Jeune, Paris Solo
1911Henri RousseauGalerie Georges Petit, Paris Solo
1908Henri RousseauGalerie Georges Petit, Paris Solo