Jamie Reid portrait, photo credits Marius W Hansen save the save news

Jamie Reid/ Jamie Reid

United Kingdom 1947

Collage

www.jamiereid.org

Jamie Reid
Jamie Reid
Male
United Kingdom
1947

Primarily known for his extensive work with the legendary Sex Pistols band, Jamie Reid is a British collage artist whose work simply inspires punk culture. His art, whether it was for the band or made as a separate piece, came to define and symbolize the English punk rock scene of the late ’70s, massively contributing to this arguably most famous counterculture movement to have ever existed. Collages were and still are his focal point, although this Liverpool-based author also works with décollage techniques on regular basis. Besides his activities with the Sex Pistols, Reid was frequently in the center of the media frenzies for his pieces like the Cecil Beaton Silver Jubilee portrait of the Queen with a safety pin through her nose. These kinds of artworks eventually turned Jamie into one of the most famous anarchist artists to date.

Great new print gallery will be the news of the day when it opens
Jamie Reid – Union Jack – Image via fine-art.com

Turning Anarchistic Dreams Into Reality

Jamie Reid comes from a very politically active family, so no one was surprised when he started going down similar paths whilst still a young man. Most of his early protests were aimed against nuclear weapons, racism and the criminal justice system, all problems Reid believed civilized world suffered from. Jamie attended classes at the Croydon College in London, where he studied art and eventually met and befriended a fellow classmate called Malcolm McLaren, the future manager of the Sex Pistols. In the year of 1970, Reid left Croydon College and decided to start making his anarchistic dreams a reality. He aligned himself with the Situationists, a group based in France that advocated for a strain of libertarian Marxism. As a member of this organization, Jamie launched Suburban Press, a publishing outfit that specialized in producing materials for anarchists, women’s groups and other associations that saw themselves as being on the margin. In order to get better at what he did with Suburban, Reid developed his own new unique style of cutting up graphics and other elements of magazines, fusing them together via a collage technique that had the visuals of some sort of bizarre ransom note. In the year of 1976, Jamie received a telegram from his friend Malcolm McLaren who wanted him to come back to London.

Jamie Reid - Sex Pistols Save Mural - Image via eddielockcouk
Jamie Reid – Sex Pistols Mural – Image via eddielock.co.uk

Sex Pistols

Reid’s return to his home city brought him back in touch with McLaren who had recently formed and started managing the Sex Pistols. Fronted by a lead singer Johnny Rotten, this angry, brash young group soon became the face of English punk rock, a symbol of young resistance – and at least a part of this achievement was due to Reid. Working closely with the band, Jamie designed the artwork for the group’s debut studio album titled as Never Mind the Bollocks, Here’s the Sex Pistols. Later, Reid contributed by co-writing a few lyrics and designing cover arts for CD releases. His Union Jack flag with safety pins clipped to it and the Queen with a safety pin through her lip became not only the trademarks of Sex Pistols but of the entire punk movement. Following the Pistols’ end in 1978 and the demise of the entire British punk scene, Jamie continued to work as an artist, infusing his work with his political ideals.

Thanks to his brilliant artwork for Sex Pistols, Jamie Reid became an icon of punk music and anarchy

New and old music prints and original poster archive are all in the Print Poster gallery
Jamie Reid – Anarchy In The UK, 2007 – Image via eddielock.co.uk

What Jamie Reid and His Art Mean to Punk

Ultimately, the art of Jamie Reid massively contributed to defining the subculture of the punk world, impacting generations either directly or retroactively depending on the time of their youth. His best work still enjoys massive respect within the English punk rock scene whilst his activities with the Sex Pistols virtually made Reid immortal within such circles of societies. All of Jamie’s pieces, completed fully or partially[1], are a clear reflection of how incredibly revolutionary, rebellious and unique punk was at its origins. It also serves as an indicator of how that particular subculture evolved and developed over time, making the work of Jamie Reid a precious source of explanations that will serve us very well in the decades to come.

Jamie Reid lives and works in Liverpool, The United Kingdom.

References:

  1. Reid, J., Savage, J., Up They Rise: The Incomplete Works of Jamie Reid, Faber & Faber; First Edition, 1987

Featured image: Jamie Reid – Photo of the artist – Image via Marius W. Hansen
All images used for illustrative purposes only.

YearExhibition TitleGallery/MuseumSolo/Group
2016Artistic DifferencesInstitute of Contemporary Arts London (ICA), LondonGroup
2016Punk - Its Traces In Contemporary Art Museu d'Art Contemporani de Barcelona - MACBA, BarcelonaGroup
2015Punk. Its Traces In Contemporary Art Centro de Arte Dos de Mayo, Madrid n Interregnum - Rob Tufnell, London Group
2015A Strong Sweet Smell of IncensePace London, LondonGroup
2014Jamie Reid. Ragged KingdomGalleria Civica di Modena, ModenaSolo
2014Jamie Reid - Time For MagicIsis Gallery, HoveSolo
2012Out of the DrossPaul Stolper Gallery, LondonSolo
2011Peace is Tough Bear Pit LondonSolo
2008Time for MagicParisDuo
2008Rock My ReligionDA2 SalamancaGroup
2007May Day May Day Aquarium GallerySolo
2006Eightfold YearAquarium GallerySolo
2004Pax BritannicaAquarium GallerySolo
2004SlatedAquarium GallerySolo
2001Peace Is Tough Arches, GlasgowSolo
1999Jamie ReidThe Workhaus, Liverpool Biennial of Contemporary ArtSolo
1998DestroyRoyal Festival Hall, LondonSolo
1997-99Peace is ToughNew York, Tokyo and various European citiesSolo
1992Celtic SurveyorBritannia HallSolo
1992Celtic Surveyor051 Media Centre, LiverpoolSolo
1992Celtic SurveyorCornerhouse, ManchesterSolo
1992Celtic SurveyorKunsthaus, BerlinSolo
1990Celtic SurveyorKyoto and Tokyo, JapanSolo
1989-90On the Passage of a few People through a Rather Brief Moment in Time: The Situationist International 1956-1972Musee National D'art Moderne, Centre Georges PompidouSolo
1989-90On the Passage of a few People through a Rather Brief Moment in Time: The Situationist International 1956-1972Institute of Contemporary Arts, London, EnglandSolo
1989-90On the Passage of a few People through a Rather Brief Moment in Time: The Situationist International 1956-1972Institute of Contemporary Arts, Boston, MassachusettsSolo
1989Celtic Surveyor: More Incomplete Works of Jamie ReidInstitute of Contemporary Art, LondonSolo
1986Jamie ReidHamilton’s Gallery, Mayfair, LondonSolo
1983Jamie ReidBrixton Art Gallery, LondonSolo