Kate Waters - Patriots and Guinea Pigs (Detail), 2007 - Image Copyright Aeroplastics

Kate Waters

Canada 1964

Realism, Painting


Kate Waters
Kate Waters
August 13, 2015
Bojan is an author for Widewalls. He is currently an undergraduate student at the University of Belgrade, majoring in English studies. He is particularly interested in English linguistics and culture. Bojan is also interested in Photography and Digital Art.

Kate Waters is a Canadian artist based in Germany, known for using the photographs she takes as a foundation onto which she applies paint to make her beautiful artwork.


Kate Waters was born in 1964 in Vallee Lourdes in Canada. In 1983 she enrolled in Bath Academy of Art and graduated from it in 1987. A year later she started Central Saint Martins School of Art in London, and finished it in 1991. Waters continued her education in London, graduating from Slade School of Art.

Transition, Isolation and Other Symbols

Change is a recurring theme in Kate Waters’ work. Getting Used to the Twenty-First Century, a 2008 piece, explores the changes of museums, and their role in the society. The painting depicts museum visitors in front of “Coronation of Napoleon” (a painting by Jacques Louis David, itself representing change as well). Two of them are examining the painting, appreciating the beauty of it, while other visitors are ignoring it, as if ignoring the past, and looking forward to the future. This Kate’s piece is not just a symbol of changing museums, but also a symbol of the ever accelerating pace of life nowadays.

Kate Waters - Getting used to the Twenty-First-Century, 2008 - Image Copyright Galerie Voss
Kate Waters – Getting used to the Twenty-First-Century, 2008

Today, people are connected more than ever. We live in the world of fast-traveling information. Boundaries are slowly becoming non-existent. Ironically, however, we are more alone than ever. The 2008 painting, Bond Street, is Waters’ reminder of that. It depicts a lonely man walking through the cold shadows of the city streets. He is passing by a shop selling wedding dresses. Like all of Kate’s paintings, this one reminds of a film still, as well.

Kate Waters - Bond Street, 2008 - Image Copyright Aeroplastics
Kate Waters – Bond Street, 2008

Apart from change and isolation, Waters’ work is also based on illusions and dreams, family and friendship, communication and alienation, and so on. It should not come as surprise that many of Waters’ paintings capture different situations in either museums or streets, seeing that these settings are where most cultural and everyday changes take place.
The subjects (i.e. the people) in Kate Waters’ paintings often don’t talk to anyone. They are usually in motion, unaware of being photographed, so they look natural, with their postures and glances revealing more than they realize. This contributes to the “realness” of her paintings. However, an exception to this is Chop Suey, a 2008 piece depicting two friends in an intimate environment of a restaurant.

Kate Waters - Chop Suey, 2008 - Image Copyright Aeroplastics
Kate Waters – Chop Suey, 2008


Waters’ art is an interesting way of bringing together two media – photography and painting. For her, photography is only a starting point, a sketch, from which she builds it up to create a painting. But her art is not an imitation. The photographs she takes provide a sort of “skeleton” for her further work. She decides which element of the photograph is more important, which element stands out, and so she accentuates it. After that, she applies paint over the “skeleton”, creating a vibrant scene.
Sometimes, the photographs Waters creates are not exactly how the final product is going to look like. Many of the “blueprints” of her paintings undergo a change and manipulation, prior to becoming paintings. In order to underpin the composition, Waters resorts to different techniques, like collage. No Place Like Home, a 2002 painting, is an example of this. On of the two boys standing in the front row, wearing red t-shirts, was not originally there. In the photograph, there was only one.

Kate Waters - No Place like Home, 2002 - Image Copyright Aeroplastics
Kate Waters – No Place like Home, 2002


Waters has been exhibiting her artworks in numerous one-man and group exhibitions throughout Europe. She is represented by Aeroplastics Contemporary in Brussels and Galerie Voss in Düsseldorf, and many of her shows have taken place there. She has also exhibited at other venues in cities such as Paris, London, Genoa, Munich and Eindhoven. Her latest show Take It Like It Is is organized by Galerie Voss. The exhibition features paintings of ordinary scenes from everyday lives in different European cities.

Kate Waters - Blinded Venice, 2015 - Image Copyright Galerie Voss
Kate Waters – Blinded Venice, 2015

Waters’ paintings are a part of a number of private collections, mainly in Germany, Switzerland and Austria.

Since 2000, Kate Waters has been living and working in Germany.

YearExhibition TitleGallery/MuseumSolo/Group
2015Tell It Like It IsGalerie Voss, DüsseldorfSolo
2015Humble MeAeroplastics contemporary, BrusselsGroup
2014Summer 2014 / After YouAeroplastics contemporary, BrusselsSolo
2013Sein oder nicht sein. Das zeitgenössiche PorträtMunichmodern, MunichSolo
2012Hoodoo EternityAeroplastics contemporary, BrusselsGroup
2012Summer 2012Galerie Voss, DüsseldorfGroup
2011The Air that I BreatheGalerie Voss, DüsseldorfSolo
2010The Land of Kubla KhanGalerie Voss, DüsseldorfSolo
2010Es werde Dunkel! Nachtdarstellungen in der zeitgenössischen KunstKunstmuseum Mülheim an der Ruhr, Mülheim/RuhrGroup
2009The Solo ProjectBaselSolo
2009Es werde Dunkel! Nachtdarstellungen in der zeitgenössischen KunstStädtische Galerie Bietigheim-Bissingen, Bietigheim-BissingenGroup
2009Gemeinsam in Bewegung – Contemporary Art from Germany and ChinaMuseum of Art, Wuhan (China)Group
2008Getting used to the 21st CenturyGalerie Voss, DüsseldorfSolo
2008Midnight OilInstitut Français de Cologne, KölnSolo
2008Summer 2008Galerie Voss, DüsseldorfGroup
2007Summer 2007Galerie Voss, DüsseldorfGroup
2006Killing TimeGalerie Voss, DüsseldorfSolo
2006Neue MalereiMuseum Frieder Burda, Baden – BadenGroup
2005Group ShowGallery Thomas Cohn, Sao PauloGroup
2005Group ShowGuidi & Schoen arte contemporanea, GenoaGroup
2005Dreams are my RealityLa B.A.N.K., ParisGroup
2005PencilCarter Presents, LondonGroup
2005AufkatGalerie Voss, DüsseldorfGroup
2004Ask for IIWaßermann Galerie, MunichGroup
2003Twenty-Four SevenGalerie Voss, DüsseldorfSolo
2003Group ShowCentrum Kunstlicht in de Kunst, EindhovenGroup
2003Group ShowGaleria Mario Sequeira, BragaGroup
2003Group ShowGalerie Jahn, LandshutGroup
2003Twenty-four SevenGalerie Voss, DüsseldorfGroup
2002Group ShowAirport Gallery, Frankfurt a. M.Group
2001Absolute TourismGalerie Voss, DüsseldorfSolo
2001MalereiGalerie Jahn, LandshutGroup
2000Friends & RelationsGalerie Hohmann, HamburgGroup
2000Malerei und PhotographyKunstverein GüterslohGroup
2000CrossingGalerie Herzzentrum, VölklingenGroup
2000Zukunft MalereiGalerie von Tempelhoff, KarlsruheGroup
2000Et l’homme créa la femmeFifty One Fine Art Photography, AntwerpGroup
1999Gibt es eine weibliche Ästhetik?Kulturförderverein HirschbergGroup
1999Group ShowGoethe Museum, DüsseldorfGroup
1999ExneuronMalkasten DüsseldorfGroup
1998Far 2 closeLeimener Kunstverein, LeimenGroup
1997Junge englische KunstAscherslebener Kunstverein, AscherslebenGroup