The more complex something is, the better it is. We have all believed in this at some point in our lives. Many still do. But, sometimes the accent should be on the message rather than the way the message is delivered, contrary to the world of today’s advertising. LaStaa is a street artist duo coming from Norway, whose work philosophy is to address the complex issues in a simple way, emphasizing the original concept and ideas behind it, not succumbing to the popular need to make everything appealing to the eyes. They began with stencil art in 2009 and have since left a distinctive mark on the streets of their country.
Keep It Simple
The identity of members is unknown and the only thing that is known is that they come from Oslo and Bergen. A humorous undertone is present in the majority of their artworks, and it emphasizes Norway’s culture and its heritage, but also its present time. Themes go from Norway being the oil nation, angry tag, farming, all the way to their tribute to Magnus Carlsen, who is depicted in one of their most popular pieces – King of Chess. The duo sticks to the idea of simplicity, they avoid overcomplicating the pieces which allows them to keep the original concept and send a clear message.
They manage to adress the complex issues in a simple way
Do Not Remove
Some of the pieces also contain words, but only to add up to the already existing humor. Their art is based on and influenced by Norway and its traditions and customs, but they also add anything they like, like Batman, Loki, Spiderman, Mitch Buchannon from Bay Watch, Anonymonus is a recurring theme as well. La Staa started exhibiting in 2013, first as a part of group shows, and in 2015, they’ve had their first solo exhibition, titled Do Not Remove, which was held at the Galleri Geo in Bergen. The name La Staa, translated into English, means exactly that, do not remove or let stand. It’s also a message about their art and street art in general, about the constant destruction of the artworks created in the streets and the narrow-minded people who simply can’t understand the value of art, wherever it is made.