Estate of the artist; Andrew P. Fuller, Fort Worth (by 1952); Jack C. Vaughn, Dallas (circa 1963); Marlborough Fine Art, Ltd., London; Henry Moore, Much Hadham; Galerie Hopkins-Thomas, Paris; Acquired from the previous by the present owner, 1995
Exhibition History :
Dallas Museum of Fine Arts, Some Businessmen Collect Contemporary Art, April 1952, no. 53 (titled At the Dressmaker's); Dallas, Museum of Art, Young Collections, April-May 1963; New York, Marlborough-Gerson Gallery, Inc., Important European Paintings from Texas Private Collections, November-December 1964, no. 46 (illustrated; dated 1899 and titled Les Couturieres); London, Marlborough Fine Art, Ltd., European Masters, October 1969, p. 150, no. 74 (illustrated in color, p. 151; titled Les Couturieres); Paris, Didier Imbert Fine Arts, Henry Moore: Intime, April-July 1992, p. 121 (illustrated; titled Les Couturieres); L'Annonciade, musee de Saint-Tropez and Musee cantonal des Beaux-Arts de Lausanne, Edouard Vuillard: La porte entrebaillee, July 2000-January 2001, pp. 93 and 172, no. 21 (illustrated in color, pl. 15; titled Les Couturieres); Paris, Musee d'Orsay, Le Theatre de l'OEuvre, 1893-1900: Naissance du theatre moderne, April-July 2005, p. 62, no. 174 (illustrated); Le Cannet, Espace Bonnard, Jardins du Tivoli, Vuillard: Peintures, June-September 2006, p. 28, no. 11 (illustrated in color, p. 30); Staatliche Kunsthalle Karlsruhe, Edouard Vuillard, October 2008-January 2009; Kunstmuseum Winterthur, Edouar Vuillard, August-November 2014, p. 59, no. 69 (illustrated).