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96.5 x 66.3 cm
Medium :
Gouache, acrylic and wax crayon on joined paper
Creation Year:
Signed with the artist's initials and dated 'RD 84' (lower left)
Category :
Provenance :
M. Knoedler & Co., New York; Acquired from the previous by the present owner, 1984
Exhibition History :
New York, M. Knoedler & Co., Richard Diebenkorn: Recent Work, May 1984, p. 6, no. 9 (illustrated); Stanford University Museum of Art, Twentieth-Century Drawings from the Anderson Collection: Auguste Rodin to Elizabeth Murray, November 1988-February 1989, pp. 15 and 30, no. 33 (illustrated); Hanover, Dartmouth College, Hood Museum of Art, Minimalism and Post-Minimalism: Drawing Distinctions, October-December 1990, pp. 24-25, no. 4 (illustrated); Los Angeles, University of Southern California, Fisher Gallery, Richard Diebenkorn: Works on Paper from the Harry W. and Mary Margaret Anderson Collection, March-April 1993, p. 31, 55, 85 and 89, pl. 7 (illustrated); Santa Clara, Triton Museum of Art, A Bay Area Connection, November 1995-February 1996, p. 47, no. 22; New York, Whitney Museum of American Art; Modern Art Museum of Fort Worth; Washington D.C., The Phillips Collection and San Francisco Museum of Modern Art, Richard Diebenkorn, September 1997-January 1999, pp. 242 and 275, no. 198 (illustrated); San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection, October 2000-January 2001, pp. 331 and 360, no. 66, pl. 197 (illustrated); Stanford University, Cantor Center for Visual Arts, Richard Diebenkorn: Abstractions on Paper, July-November 2008; Modern Art Museum of Fort Worth, Orange County Museum of Art and Washington, D.C., Corcoran Gallery of Art, Richard Diebenkorn: The Ocean Park Series, September 2011-September 2012, pp. 187 and 248, pl. 106 (illustrated); Anderson Collection at Stanford University, Salon Style: Collected Marks on Paper, March-August 2018

Christie’s New York

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