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L’Escaut En Amont D’Anvers, Le Soir Or Voiliers Sur Lescaut

Artwork:
L’Escaut En Amont D’Anvers, Le Soir Or Voiliers Sur Lescaut
Size:
66.7 x 90.5 cm
Medium :
Oil on canvas in the artist's original frame
Creation Year:
1892
Marks
Signed with the monogram and dated 1892 (lower right)
Category :
Painting
Provenance :
Monsieur C.D. (acquired by 1893); Etienne Ader, Paris; Dr Jean Sutter, Paris; Galerie L.G. Baugin, Paris; Arthur G. Altschul, New York (acquired from the previous on 29th November 1954. Sold: Sotheby’s, New York, 5th November 2002, lot 4); Purchased at the previous sale by the present owner
Exhibition History :
Paris, Hotel Brebant, Exposition des Peintres Neo-Impressionnistes, 1892-93, no. 72; Brussels, Palais des Beaux-Arts, Les XX, 1893, no. 4; Paris, Pavillon de la Ville de Paris, 7e Exposition Societe des Artistes independants, 1893, no. 1288; Paris, 20 Rue Lafitte, Antoine de La Rochfoucauld-Moline, Groupe des peintres neo-impressionnistes, 1893-94, no. 2; Vienna, Secession Building, Ausstellung der Vereinigung Bildender Kunstler Osterreichs, 1899, possibly no. 51; Paris, Galerie L.G. Baugin, Autour de Seurat, 1954, no. 6; New Haven, Yale University Art Gallery, Neo-Impressionists and Nabis in the Collection of Arthur G. Altschul, 1965, no. 15, illustrated in the catalogue (titled L’Escaut en Amont d’Anvers - Apres-Midi); London, 4 St. James’s Square, The Arts Council of Great Britain, Autour de 1900: l'art Belge (1884-1918), 1965; New York, The Solomon R. Guggenheim Museum, Neo-Impressionism, 1968, no. 136, illustrated in the catalogue (titled L'Escaut en amont d'Anvers, apres le brouillard); New York, The Brooklyn Museum, Belgian Art: 1880-1914, 1980, no. 90, illustrated in the catalogue; Ghent, Museum voor Schone Kunsten, Het Landschap in de Belgische Kunst 1830-1914, 1980, no. 223, illustrated in the catalogue; New York, The Metropolitan Museum of Art, Summer Loan, 1982; Ghent, Musee des Beaux-Arts, Theo van Rysselberghe neo-impressionniste, 1993, no. 42, illustrated in colour in the catalogue; Cologne, Wallraf-Richartz-Museum & Lausanne, Fondation de l'Hermitage, Pointillismus: Auf den Spuren von Georges Seurat / Le Pointillisme, sur les traces de Seurat, 1997-98, no. 119, illustrated in colour in the catalogue; Paris, Musee d’Orsay, Le neo-impressionnisme de Seurat a Paul Klee, 2005, illustrated in colour in the catalogue; Brussels, Palais des Beaux-Arts & The Hague, Gemeentemuseum, Theo van Rysselberghe, 2006, illustrated in colour in the catalogue; Washington, D.C., The Phillips Collection, Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music, 2014-15, illustrated in colour in the catalogue (titled The Scheldt Upstream from Antwerp, Evening)

Sotheby’s London

Date:
2017-06-21
Lot Number :
59
Low Estimate :
$9,058,510[+6%]*
High Estimate :
$12,940,700[-26%]*
Hammer Price :
$9,576,140
Sold For :
$10,978,592*