Provenance :
Gabriele Munter, Murnau (acquired from the artist); Gabriele Munter und Johannes Eichner-Stiftung, Munich (acquired by 1961); Leonard Hutton Galleries, New York (acquired by 1967); Robert Schwarz, Jr., New Jersey; The Norton Simon Foundation, Los Angeles; Leonard Hutton Galleries, New York; Acquired from the previous on March 5, 1979
Exhibition History :
Edinburgh, Royal Scottish Academy & London, Tate Gallery, The Blue Rider Group, 1960, no. 65 (titled Watercolour - II); Winterthur, Kunstmuseum, Der Blaue Reiter und sein Kreis, 1961, no. 15; New York, The Solomon R. Guggenheim Museum, Vassily Kandinsky 1891-1914, 1966; New York, Gallery of Modern Art, A Survey of Russian Painting, Fifteenth Century to the Present, 1967, illustrated in color in the catalogue (titled Theme of the Deluge and the Last Judgement); New York, Leonard Hutton Galleries, Russian Avant-Garde, 1908-1922, 1971, no. 44, illustrated in color in the catalogue (titled Theme of the Deluge and the Last Judgement); Bielefeld, Kunsthalle, Wassily Kandinsky: Aquarelle, Gouachen, Zeichnungen, 1973; New York, Leonard Hutton Galleries, Der Blaue Reiter und sein Kreis, 1977, no. 31, illustrated in color in the catalogue ; Southampton, Southampton Art Gallery, Sounds of Colour, 1982, no. 5; Nottingham, Nottingham Castle Museum, Sounds of Colour, 1984, no. 5; Edinburgh, Scottish National Gallery of Modern Art, The Romantic Spirit in German Art, 1790-1990, 1994, no. 151; Jerusalem, The Israel Museum, Wassily Kandinsky: The Color of Abstraction, 1999-2000, illustrated in color in the catalogue; Saint-Paul-de-Vence, Fondation Maeght, Vassily Kandinsky. Retrospective, 2001, no. 48, illustrated in color in the catalogue; London, The Courtauld Gallery, 2002-18 (on loan)