Share on FacebookShare on Google+Tweet about this on TwitterPin on PinterestShare on LinkedInShare on TumblrEmail this to someone
  • Rockelmann Gallery

Group of Artists Comment on Consumerism at Rockelmann Gallery

March 20, 2016

Berlin-based Rockelmann& Gallery is organizing an amazing group show that is entitled UNEARTHED. The term unearthed may refer to digging up; to bringing up to public something that is hidden; to uncover something. But, the great group of artist that will present their works in the upcoming exhibition at Rockelmann& creates new UNEARTHED objects, subjects and themes by investigating, through art practice, some of the global most covered things. Multiple identities as a consequence of globalization and consumerism, massive surveillance, totalitarian consumeristic discourse that reshape our daily practices and routines – those are few of several themes that will be uncovered during the group exhibition at Rockelmann& Gallery. Be sure not to miss it!

Rockelmann Gallery
Megan Stroech – Fake Sentiment, detail, rug, paracord, faux cucumber, ceramic, acrylic paint 38 x 26 inches, 2016

UNEARHTED

UNEARTHED runs parallel to our digital era. We are constantly reminded of our concerns about concealing our identities and our personal information from systematic surveillance. UNEARTHED hacks into this system and leaves behind its traces in it. The viewer gets a glimpse of these traces through human effects on material. UNEARTHED is undoubtedly built from the human touch; its DNA is impossible to hide. UNEARTHED is present, visceral, and real. UNEARTHED takes inspiration from past rebellious groups of artists who founded the outsider ceramics movement such as Kenneth Price, Jerry Rothman, and John Mason. In the 1950s, abstract expressionist clay sculptures merged the divide between craft and the fine arts movement, often coined as ‘total freedom.’ Howard Kottler also paved the way for controversial ceramic art in the 1960s and 1970s. He has been described as “setting the stage for the new genre of in-your-face clay.” UNEARTHED honors this history but also allows the viewer a rare chance to see the emergence of new names and works. Traditionally, UNEARTHED practices have produced objects of a kitschy and superficial nature. Plates, vases, and tchotchkes represented the status quo’s taste and demand. UNEARTHED showcases international artists that resist this objectification of clay. Ben Peterson’s ‘queer ceramics’ radically pushes back against the aesthetics of the masses. Instead, he glamorizes sensuality, sexuality, transgression, and the scatological in his ceramics alongside Katy Stubbs, David Buys Golitha’s Body for One Night of Passion, questioning the ideas of empowerment and gender roles set within the clay.

Rockelmann Gallery
Left: Florian Japp – Objekt 101, Ceramic , walnut wood , steel , lacquer , 30 x 7 x 48 cm, 2015 / Right: Sabine Bokelberg – #0101, Clay, plastic, 11,5 x 34 x 21 cm, 2013

Participating Artists

Amazing artists participate in this group exhibition. They are: Tyler Beard, Marnie Bettridge, Sabine Bokelberg, Monika Grabuschnigg, Dan Halm, Anat Homm, Stephanie Imbeau, Florian Japp, Ben Peterson, Doug Reyes, Su-Ran Sichling, Madeline Stillwell, Megan Stroech, Katy Stubbs, Lucy Teasdale, Carolin Wachter, Undisclosed Artist. Untitled by an Undisclosed Artist, leaves a small white cube UNEARTHED in the gallery whose cracks and “imperfections” are visible to the human eye. Untitled is the imprint of a constant ritual, performed to excess, stressed into a self-portrait – delicate and imperfect, as we ourselves are. This can also be seen in the works of Monika Grabuschnigg, Anat Homm, and Su-Ran Sichling, which question our position in this manufactured overhaul we call life, sitting between commodities and prized goods. Megan Stroech, Madeline Stillwell, Carolin Wachter, and Doug Reyes use an array of urban spaces, sounds, and found objects to comment on our culture’s obsession with mass production. They satirically jest at the all too well-known art historical hierarchies, establishments, and political structures surrounding clay. They take their formal cues from industrial machines and post-industrial landscapes but never leave their unique positions and rhetoric. Tyler Bread, Florian Japp, and Sabine Bokelberg exercise undoubtedly formalism, but it’s a hand-crafted formalism, which carries on a rich and vital tradition of the creator rather than the institution. In their hands UNEARTHED has become something new and objective.

Rockelmann Gallery
Megan Stroech – Fake Sentiment, rug, paracord, faux cucumber, ceramic, acrylic paint 38 x 26 inches, 2016

Group Exhibition at Rockelmann& Gallery

Recently we had an opportunity to enjoy great group exhibition entitled PAPER/WORK at Rockelmann& Gallery that was on view until January 21. Now, we have again a great opportunity to see great artworks in this art space. Eighteen international artists integrate clay as a medium in their practice, bringing forth issues of class, gender, and sexuality in raw and rare UNEARTHLY forms. UNEARTHED is co-curated by Geo Gonzalez and Dan Halm. The exhibitionUNEARTHED will be on view from March 25 until May 21, 2016 at Rockelmann& Gallery in Berlin, Germany. The opening is scheduled for March 24, 7-10pm. The exhibition is curated by Geo Gonzalez and Dan Halm.

Featured Image: Florian Japp – Objekt 101, detail. Ceramic , walnut wood , steel , lacquer , 30 x 7 x 48 cm, 2015. All Images courtesy of Rockelmann& Gallery.