Share on FacebookShare on Google+Tweet about this on TwitterPin on PinterestShare on LinkedInShare on TumblrEmail this to someone

The Widewalls Collection – Brian Adam Douglas

  • Elbow Toe
February 17, 2014

Back from shut down we present a true beauty in The Widewalls Collection. The man on the branch is from Brian Adam Douglas that goes by the street name Elbow-Toe. The painting titled “The Hand That Rocks The Cradle” has very fittingly found its space on the wall next to our desks. The painting is behind glass in a wooden frame. The artwork itself is 100 x 120 centimeters. Brian Adam Douglas choice of color is very light, nearly pastel. The classic art education Douglas received is clearly visible. As his street work, especially the woodcuts, resembles museum paintings. His paintings on canvas and paper do so equally. Brian Adam Douglas has proven theirs more than one direction into street art.

Elbow Toe
The Widewalls Collection – Brian Adam Douglas

About Brian Adam Douglas

Under the name Elbow Toe, Brooklyn based artist Brian Adam Douglas has been pasting his distinctive woodcuts, stencil work, large-scale charcoal drawings and collages onto the walls of cities all around the world throughout the past decade. Brian Adam Douglas diverse practice is anchored by an interest in the human gesture as a powerful form of communication, one charged with unspoken narratives and he continually transforms public space and canvas into a stage for private moments.

Brian Adam Douglas’ work has always drawn from myth, symbolism and poetry, something that has become particularly important in his most recent body of collage work. Just as he builds a finished image through the meticulous layering of tiny individual bits of coloured paper, so the meaning of the image is woven through layers of references to historically and culturally established narratives. This kind of intertextuality has become the foundation for the development of his distinctive style. The result is a sophisticated visual language where personal metaphors begin to communicate universal truths. Given these intricate and delicately arranged collages have a fluidity rarely seen in collage work, they may at first glance be mistaken for paintings. Whilst the artist draws on a rich tradition of figurative painting and has qualities reminiscent of Freud and Bacon, his affluent style and medium are very much his own. Douglas consistently pushes the boundaries of contemporary image making.